This week, a special interview with the sociologist Richard Sennett takes us from Roland Barthes to Leonard Bernstein; and Hettie Judah on two memoirs inspired by a love of 17th-century art.

'The Performer: Art, Life, Politics', by Richard Sennett

'Thunderclap: A Memoir of Art and Life & Sudden Death', by Laura Cumming

'The Upside-Down World: Meetings with the Dutch Masters', by Benjamin Moser

Produced by Charlotte Pardy

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This week’s episode on the great political fictions is about Jonathan Swift’s Gulliver’s Travels (1726) – part adventure story, part satire of early-eighteenth-century party politics, but above all a coruscating reflection on the failures of human perspective and self-knowledge. Why do we find it so hard to see ourselves for who we really are? What makes us so vulnerable to mindless feuds and wild conspiracy theories? And what could we learn from the talking horses?

More from the LRB:

Clare Bucknell on Swift the satirist

‘Swift’s satire was fabulous as well as honest, a distorting magnifying glass as well as a mirror.’

Terry Eagleton on Swift’s double standards

‘Swift and Montaigne are outraged by colonial brutality while being deep-dyed authoritarians themselves.’

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