The use of stock music on Reality TV (Gordon Ramsay & Kitchen Nightmares, America's Got Talent, The Bachelor, Married at First Sight, etc.) has become more blunt over the last 20 years, constantly reusing the same tropes to present a simplistic, highly reified portrait of people & animals. Misrepresenting the world. In this video I break down the most common musical tropes used across various types of Reality TV comparing them to similar tropes used in nature documentaries to show how manipulative and unsophisticated they are.
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Please consider supporting me on Patreon
https://www.patreon.com/Tantacrul
Twitter
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Discord
https://t.co/a3oYi1Rbnc?amp=1
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Subtitles by Pentameron
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The 'Other' in Music
Western Music and Its Others: Difference, Representation, and Appropriation in Music https://www.amazon.co.uk/Western-Music-Others-Representation-Appropriation/dp/0520220846
About Archetypes in Branding
https://brandsbyovo.com/expertise/brand-archetypes/
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Helpful Reification Links:
Introductory:
Reification, Music and Problems of Modern Philosophy - Jonathan Lewis, 2014
https://pure.royalholloway.ac.uk/portal/en/publications/reification-music-and-problems-of-modern-philosophy(c07e3c0b-baa5-4001-85f5-a8a6db1c8340).html
Adorno: A Critical Introduction - Simon Jarvis, 1998
https://www.amazon.co.uk/gp/product/0745611796/ref=oh_aui_detailpage_o09_s00?ie=UTF8&psc=1
Advanced:
History & Class Consciousness, Georg Lukacs, 1923
https://www.marxists.org/archive/lukacs/works/history/hcc05.htm
Dialectic of Enlightenment - Adorno, Theodor, 1944
https://www.amazon.co.uk/Dialectic-Enlightenment-Classics-Theodor-Adorno/dp/1859841546
Philosophy of Modern Music - Adorno, Theodor, 1949
https://www.amazon.co.uk/Philosophy-New-Music-Theodor-Adorno/dp/0816636664
Inscreva-se agora e acompanhe as novidades do nosso canal: http://bit.ly/InscrevaseNoCanalBrasil
Veja a programação semanal do #CanalBrasil: http://bit.ly/YTCbr
Terça: Na íntegra (episódios/entrevistas emblemáticas de programas do Canal Brasil)
Quarta: Rapidinhas (vídeos curtos para deixar com gostinho de quero mais)
Quinta: #TBT (episódios clássicos na íntegra)
Sexta: Clipes de shows e de programas musicais
Acompanhe o Canal Brasil nas redes sociais:
Facebook: https://www.facebook.com/canal.brasil
Instagram: http://instagram.com/canalbrasil
Twitter: https://twitter.com/canalbrasil
Spotify: https://open.spotify.com/user/canalbrasil
E também na TV:
NET: canal 650 HD e canal 150 SD
Oi TV: canal 806 HD e canal 66 SD
SKY: canal 113 ou 513
Claro TV: canal 650 HD e canal 67 SD
Vivo TV: canal 103
Vivo TV (DTH): canal 806 HD e 566 SD
Vivo TV (fibra | cabo) Canal 656 HD e 156 SD
This video covers how I designed a music notation font for MuseScore 3.6, in collaboration with my friend Simon Smith, a professional engraving expert. Apart from MuseScore's 5 million users, this font is available for free for anyone to download and use. Along the way, I also discuss the inspiration for our font: an application called SCORE, created by Leland Smith.
Please consider supporting me on Patreon
https://www.patreon.com/Tantacrul
The Piano Trio is one of the most popular chamber ensembles in classical music. In this video I discuss how composers write for it and why it's difficult. Along the way, I look at one of my own compositions along with examples (with sheet music) from Telemann, JS & JC Bach, Mozart, Beethoven, Ravel, Rachmaninoff, Schubert, Clara Schumann, Tchaikovsky, Shostakovich, Andriessen, Morton Feldman, Gordon McPherson, Donnacha Dennehy, Jonathan Harvey, etc. I also describe my own writing process too, drawing on a great performance of my work by the Fidelio Trio.
Support me on Patreon:
https://www.patreon.com/Tantacrul
THE ATOS TRIO (featured in this video)
www.thomashoppe.com
www.atostrio.com
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OTHER
Description of Mozart’s relationship to the emergence of the PianoForte
https://www.nytimes.com/2006/08/30/arts/music/30moza.html
LITERATURE
The Piano Trio: Its History, Technique, and Repertoire - Basil Smallman
https://www.amazon.co.uk/Piano-Trio-Technique-Repertoire-Paperbacks/dp/0198163045
An experiment in variation: The finale of Mozart’s piano trio in G, K.496 - Ivanovitch, R.
https://www.researchgate.net/publication/290766238_An_experiment_in_variation_The_finale_of_Mozart's_piano_trio_in_G_K496
The Effect of Scoring on the "Sonata-Form" in Mozart's Mature Instrumental Ensembles - N. Lee Orr
https://www.jstor.org/stable/830514?seq=1
Hoje é o aniversário do Hélio!
Para comemorar esse dia, preparamos uma surpresa com muitos amigos queridos ❤
E você também pode fazer parte dessa comemoração! E só gravar um vídeo cantando a música "Banho é Bom" e marcar o Hélio nos stories do Instagram (@helioziskind) que nós vamos compartilhar e aumentar essa linda festa!
Convidados:
Akira
Angela Dippe
Beatriz Malnic
Eduardo Alves (Galinha Lola – Cocoricó)
Fernando Gomes (Júlio – Cocoricó)
Fortuna
Gal Oppido
Geraldo Leite
Guegué Medeiros e Vicente
Gustavo Ruiz
Hugo Picchi
Ivan Rocha
Joana Bergman
Lili Molina
Lulu Araújo (Fada Magrinha)
Luciano Vieira
Luiz Chagas
Luiz Tatit
Marcio Nigro (Ozzi Osmose) e Gabriel e Martin
Marinho Gallera
Mario Manga
Ná Ozzetti
Nailor Proveta
Neusa de Souza (Galinha Zazá – Cocoricó )
Paulo Tatit
Pedro Mourão
Rafaela Munis Ziskind
Regis Damasceno
Rita Gullo
Sidney Borgani
Stella Gullo Delacoletta
Suzana Salles
Tarsila Amorim Coelho
Tess Amorim
Tulipa Ruiz
Vicente Falek
Zé Carlos Ribeiro
Created in an age of emerging electronic connectivity, Protein’s critically acclaimed LOL (lots of love) puts its characters on a quest for friendship and romance. Against a wall of screen-gazing isolated individuals recruited as part of the making process across the country, six cyber souls stylishly nail the language of life online as they tackle the baffling etiquette of digital discourse. Talking and dancing at speed, they make hilarious straight-to-the audience confessions and dance the physical equivalent of tagging and tweeting. Video animation by Rachel Davies, lighting design by Jackie Shemesh and original music by Andy Pink conjure a razor-sharp social commentary and an affecting rendering of human need.
“Pared down until it sings with melancholy tension…”
The Observer
“Human communication on virtual speed, exhilarating and funny. [Luca’s] best creation to date”
★★★★ The Guardian
Nominated for Outstanding Achievement in Dance at the Theatre Awards UK 2011, LOL (lots of love) brought Protein to win Best Independent Dance Company at the National Dance Awards 2011, where it was also nominated for Best Modern Choreography and Outstanding Female Performance (Sally Marie). Part of the British Council Showcase at the Edinburgh Fringe in 2011, the show subsequently toured to the Middle East, Croatia, Russia, Italy, Poland, Slovenia, Colombia, Thailand and India.
Directed by Don Boyd, this film is a Hibrow production, recorded at The Place in March 2012 in its last performance in London. The film was shortlisted in the Live Performance Relay category at San Francisco Dance Film Festival in 2013.
Running time 70 mins
English subtitles available
Contains strong language
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A Hibrow Production
For free access to hundreds of exclusive, high quality videos on art, music, literature, theatre, dance and cinema visit http://www.hibrow.tv
Hibrow - the arts online.
One process for burnishing fine clay plaster; this is wet burnishing, where clay is dampened first, then the creamy clay that comes to the surface is compressing into any micro-pores in the surface. This particular example is a pedestal sink that I burnished over a dozen times using this method. The result is a very smooth tight surface. The sink bowl is coated with as much hardening oil as it would absorb (I use linseed stand oil) to repel water.
Eimear McBride is an Irish novelist popularly known for her debut novel, A Girl Is a Half-formed Thing, which won the inaugural Goldsmiths Prize in 2013 and the 2014 Baileys Women's Prize for Fiction.
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Rafael Bonachela, artistic director of Sydney Dance Company, and the composer Ezio Bosso, together devised the work and music for The Land of Yes and the Land of No as a collaboration with HiBROW. Rafael took the bold move of rehearsing and performing the piece on the steps of St Paul’s Cathedral over three consecutive weekday lunchtimes. The work was received with great enthusiasm, and audiences grew each day as word spread of this extraordinary event. Mobile technology allowed the HiBROW team to immerse themselves in the project, allowing the viewer into the heart of it in a way seldom seen on screen before.
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For World Book Night 2013 at the Queen Elizabeth Hall in London, novelist Graeme Simsion reads from his book The Rosie Project.
Graeme later spoke exclusively to HiBROW about the pleasures and challenges of writing, turning to professional writing late in life, how he writes, and the books that mean the most to him...
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Derek Jarman creates a visual evocation of Benjamin Britten’s choral masterpiece, The War Requiem, which blends the Latin Mass of the Dead with the poignant poetry of Wilfred Owen. Dramatised scenes featuring spellbinding performances from an extraordinary cast are interwoven with cinematic, poetic images and harrowing archive footage, which all serve to recreate the horrors of 20th century wars – the loss of innocence, the unbearable suffering, the nightmares, the tragic waste of life. Critically acclaimed on its release, Derek Jarman’s War Requiem is perhaps the visionary director’s greatest film. As a testament to the futility of war it is a unique, poignant and haunting experience.
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When HiBROW approached Dominic Hill, artistic director of the Traverse Theatre in Edinburgh, to serve as its first curator of theatre he explained that he had wanted to preserve the theatre's 50 year old international reputation as the champion of fresh contemporary playwriting. To demonstrate that, he commissioned five leading British writers to write a half hour play which would unapologetically rely on text and be performed in what is now regarded as an established 'hybrid' platform for new plays: the 'staged reading'.
All is Vanity is one such play, directed by the wonderful David Eldridge.
Featuring: Dominic Hill (director), David Eldridge (writer), Jane Bertish (Ursula), Meg Fraser (Charlotte) and others...
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Multi-award winning artist, photographer and filmmaker Alison Jackson, internationally renowned for her satirical lookalike images including her iconoclastic new opera "La Trashiata" sits down with Richard Strange during The Might Big If.
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The writer discusses his part in ‘All is Vanity’ as part the ‘Impossible Things Before Breakfast’ series at the Traverse Theatre during the Edinburgh Festival.
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When HiBROW approached Dominic Hill, artistic director of the Traverse Theatre in Edinburgh, to serve as its first curator of theatre he explained that he had wanted to preserve the theatre's 50 year old international reputation as the champion of fresh contemporary playwriting. To demonstrate that, he commissioned five leading British writers to write a half hour play which would unapologetically rely on text and be performed in what is now regarded as an established 'hybrid' platform for new plays: the 'staged reading'.
All is Vanity is one such play, directed by the wonderful David Eldridge.
Featuring: Dominic Hill (director), David Eldridge (writer), Jane Bertish (Ursula), Meg Fraser (Charlotte) and others...
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Visit our website | http://www.hibrow.tv
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An iconoclastic new opera devised and directed by multi-award winning artist, photographer and filmmaker Alison Jackson, internationally renowned for her satirical lookalike images (including BBC2 BAFTA winning series Doubletake).
"Jaw-Dropping" The Mail on Sunday
The Queen: Mary Reynolds / Prince William: Simon Watkins / Prince Harry: Mat Carter / Kate Middleton: Heidi Agan / Pippa Middleton: Hannah Williams, Aemilia Rose Owen / Gordon Ramsey: Martin Jordan / Simon Cowell: Andy Monk / Nigella: Justine Viani / Charles Saatchi: Grahame Edwards / Madonna: Lisa McCheyne / Lady GaGa: Cat Winter / Vladimir Putin: Slawomir Sobala / David Beckham: Andy Harmer
Dancers: Katie Monks, Hannah Rose, Lauren Barton, Francis Foreman, Alex Tranter, David Benjamin
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