En este video les muestro algunos aprendizajes que nos deja esta tragedia que fué el sismo en Colombia y por qué están colapsando edificios por daños en sus primeros niveles, tabién como podemos reforzar las estructuras.
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A Inteligência Artificial e as redes sociais são instrumentos de comunicação e aprendizado que fortalecem o exercício da cidadania e, por consequência, a democracia? Ou são instrumentos de vigilância e controle social que permitem que seus proprietários façam lavagem cerebral e fabriquem opinião pública a fim de controlar as democracias dos países mais pobres?
O que podemos fazer em relação a isso?
Essas e outras perguntas foram respondidas e debatidas nessa conversa com o Manus.
Assista e deixe aqui em baixo sua opinião sobre o avanço dessas tecnologias e suas consequências para a humanidade.
Hey friends -- I've started a new channel to focus there on more tech heavy content. Let me tell you the story and see if this interests you. If it does, then please subscribe to the new channel at https://www.youtube.com/@RobBraxmanDeepTechDive
Today I have some nice and shiny mercury metal, and I'm gonna do something that I think is kind of magical.
More specifically, I want to make color changing mercury, and to do that, I need to make mercury (II) iodide. What's special about mercury (II) iodide is that it exhibits something called thermochromism, meaning that it changes colors, at different temperatures.
At the Dry Stone Academy, @DrBecky and I try one of the oldest surviving crafts in Britain: dry stone walling. | Next episode RIGHT NOW on Nebula: https://nebula.tv/videos/tomscott-this-100yearold-ride-must-never-change-again | England series map: https://www.tomscott.com/england/
🟥 MORE FROM TOM: https://www.tomscott.com/
(you can find contact details and social links there too)
❓ LATERAL, free weekly podcast: https://lateralcast.com/ https://youtube.com/lateralcast/
👥 THE TECHNICAL DIFFICULTIES: https://youtube.com/techdif
Written and presented by
Tom Scott
Producers
for Penny4 https://penny4.co.uk/
Cambria Bailey-Jones
Guy Larsen
Studio Associate Producer
Heloise Lowenthal
Studio Director of Photography
Jamie MacLeod
Studio Gaffer
Frank Hammond
Head of Post
for Breadbox Studios https://www.breadboxstudios.co.uk/
Mandy Celine
Associate Post Producer
Isla McTear
Senior Editor
Myles Wheeler
Online Editor
Jamie MacLeod
Assistant Editor
Alex “J’Rassic” Bate
Sound Supervisor
Dan Pugsley
Sound Assistant
Maggy Apodaca
Subtitles by So Speedy https://www.sospeedy.co.uk/
With thanks to the Historic County Borders Project https://www.county-borders.co.uk/
Missing detectives, multiple murders and high-ranking cover-ups.
It can mean only one thing... Ludwig is back!
Watch Series 2 on BBC iPlayer from 20 Aug.
#Ludwig #Funny #BritishComedy #Detective
Master puzzle-setter John ‘Ludwig’ Taylor (David Mitchell) is now a crime scene consultant, working alongside DCI Russell Carter (Dipo Ola) on ‘impossible’ crimes for the Cambridge Police Authority. But with his identical twin brother still missing, John and his sister-in-law Lucy (Anna Maxwell Martin) won’t stop – there’s a puzzle to solve and a husband and father to bring home. One masquerade may have ended, but a new one has just begun.
#BBC #BBCiPlayer #BBCTrailers
Subscribe and 🔔 to OFFICIAL BBC Trailers 👉 https://bit.ly/2XU2vpO
Watch on iPlayer 👉 https://bbc.in/2J18jYJ
Missing detectives, multiple murders and high-ranking cover-ups.
It can mean only one thing... Ludwig is back!
Watch Series 2 on BBC iPlayer from 20 Aug.
#Ludwig #Funny #BritishComedy #Detective
Master puzzle-setter John ‘Ludwig’ Taylor (David Mitchell) is now a crime scene consultant, working alongside DCI Russell Carter (Dipo Ola) on ‘impossible’ crimes for the Cambridge Police Authority. But with his identical twin brother still missing, John and his sister-in-law Lucy (Anna Maxwell Martin) won't stop – there’s a puzzle to solve and a husband and father to bring home. One masquerade may have ended, but a new one has just begun.
#BBC #BBCiPlayer #BBCTrailers
Subscribe and 🔔 to OFFICIAL BBC Trailers 👉 https://bit.ly/2XU2vpO
Watch on iPlayer 👉 https://bbc.in/2J18jYJ
Clipping paths allow you to take an object and make it fit within the shape of another object. This can be useful for a variety reasons, making it one of the most powerful tools in Inkscape. In this beginner tutorial, I'll be walking you through how it all works.
Want to learn more about how Inkscape works? Check out the Inkscape Master Class - a comprehensive series of over 80 videos where I go over every tool, feature and function in Inkscape and explain what it is, how it works, and why it's useful: https://logosbynick.com/inkscape/
Join my mailing list and get 200+ free design templates: https://join.logosbynick.com/
🔗 RESOURCE LINKS
Hire me to design your logo: https://logosbynick.com/
Get my premium logo templates: https://logosbynick.com/design-templates/
Upgrade to the latest version of Inkscape here: https://inkscape.org/release/
Neste vídeo vamos juntos conhecer a chácara abandonada que adquirimos .
Depois de mais de um ano procurando um espacinho para nós desenvolver nossos projetos, graças a Deus achamos essa chácara que coube como uma luva para nós .
Agora é hora de arregaçar as mangas por que temos muito trabalho para fazer aqui .
É uma realização para mim adquirir esse espaço, vai ajudar muito com os projetos que já tínhamos muita vontade de fazer, mas por falta de espaço era impossível está fazendo.Que o seu sonho venha se tornar realidade assim como o nosso se tornou , obrigado a todos vocês por embarcar em cada projetos nosso , e por comprar as nossas maluquices , agora vamos embarcar em uma nova aventura espero vocês! 🚀
olha só o guarda roupa que estou pensando em comprar pro sítio
https://meli.la/1TwZVZ2
site BOXER SOLDAS
https://boxersoldas.com.br/
canal no YouTube
https://youtube.com/@boxersoldas?si=AfI_DGPj0ikm6GqT
É época de floração do mulungu no Plantarum! 🌿 Suas flores de um laranja vibrante atraem muitos pássaros e, quando caem, transformam o chão em um verdadeiro espetáculo de cores. 🐦🧡
A floração acontece uma vez por ano e dura pouco — então aproveite para ver o mulungu assim de perto!
📍 Jardim Botânico Plantarum
🗓️ Quarta a domingo, das 9h às 17h
🎟️ Ingressos diretamente na bilheteria.
Inscreva-se em nossa academia de aprendizagem gratuita: https://academy.forests4farming.org
Nesta aula, você vai conhecer uma proposta de abacate agroflorestal, uma das frutas mais valorizadas do agronegócio mundial, que em seu modelo de cultivo convencional, é altamente dependente de irrigação e tem gerado desmatamento e pressão sobre recursos hídricos em regiões produtoras como o México. Como alternativa, apresentamos o cultivo de abacate em sistemas agroflorestais sintrópicos: uma abordagem que recupera solos degradados, constrói fertilidade natural e permite a produção sem necessidade de insumos externos e irrigação, através do consórcio com outras espécies, poda das árvores mãe e cobertura do solo.
Você pode comprar a segunda edição impressa do livro, Agricultura Sintrópica segundo Ernst Götsch, com desenhos inéditos e originais de Ernst. Comprando o livro você apoia as pesquisas de Ernst Götsch e do CEPEAS.
Acesse a loja no link abaixo:
https://www.lojaplantandoflorestas.com.br
Para comprar na Europa acesse: https://bambualportugal.pt/ (inglês e português)
In this episode, I’m joined by archaeologist, author, and YouTuber Raven Todd DaSilva, classicist, researcher, and PhD student Cosima Carnegie, and classicist and ancient dog expert Dr. Alyce Cannon to break down Nolan’s The Odyssey from the perspectives of archaeology, ancient history, and the original Homeric epic.
We get into the film’s Bronze Age armor and architecture, the Trojan Horse, Agamemnon’s infamous helmet, the Sea Peoples and Bronze Age Collapse, and what the movie gets right and wrong about the ancient Mediterranean world. We also compare Nolan’s versions of Polyphemus, Circe, Calypso, the Sirens, Scylla, Argos, and the Underworld with their counterparts in Homer and ancient Greek art.
We also discuss some of the movie’s biggest changes to the original story: turning Odysseus’ hubris into a story about trauma and PTSD, removing much of the sexuality and complexity of Homer’s female characters, changing Odysseus’ relationship with Argos, and reducing some of the cunning and deception that define Odysseus in the original epic.
And then there are the Sea Peoples…
Despite all our archaeological and literary nitpicking, this was a super fun and productive convo. Nolan delivers some genuinely incredible sequences, particularly Polyphemus, the Sirens, Scylla, Circe’s pigs, and Odysseus’ epic return to Ithaca. And if the movie gets more people interested in Homer, Bronze Age Greece, archaeology, and the Late Bronze Age Collapse, isn't that a good thing?
So how accurate is Christopher Nolan’s The Odyssey? And more importantly: does it actually matter? Let us know!
Topics include:
• Homer’s Odyssey vs. Nolan’s adaptation
• Archaeological accuracy
• Mycenaean & Bronze Age armor
• Agamemnon’s armor and helmet
• The Trojan Horse
• Odysseus & Argos
• Polyphemus the Cyclops
• Circe & Calypso
• The Underworld
• The Sirens & Scylla
• The Sea Peoples & Bronze Age Collapse
• Odysseus’ return to Ithaca
• What the film gets right and wrong
Timecodes:
0:00 Intro
2:40 Establishing the movie
3:45 Cosi: The laestrygonians
4:37 Alyce: Initial thoughts
7:47 Raven: Initial thoughts
9:49 Comparisons to Troy (2004)
15:33 Alyce on Argos the Dog
21:58 Raven on the Trojan Horse
26:00 The Cyclops
30:00 Laestrygonians 2
30:53 Cerci and Feminism
36:12 Cultural Controversies
37:33 Calypso Film vs. Epic
40:51 The Underworld and Sinon
44:04 Agamemnon's and his armor
49:05 The Sirens
51:23 Cosi on Scylla
53:52 Animals Apollo's Island
55:13 The Shipwreck
56:03 The Return to Ithica
58:58 The Servants and Women's roles
1:03:38 Raven on the Palace Archaeology
1:05:18 THE SEA PEOPLES
1:08:51 Final thoughts
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