Neste vídeo vamos falar do rawgraphs, uma aplicação web muito bacana para fazer gráficos de maneira simples e gratuita, inclusive com exportação do gráfico final em formatos como JPG/PNG e até SVG.
Acesse em: https://app.rawgraphs.io/
Citação para artigos científicos:
RAWGraphs: A Visualisation Platform to Create Open Outputs
Michele Mauri, Tommaso Elli, Matteo Azzi, Giorgio Uboldi
In Proceedings of the 12th Biannual Conference on Italian SIGCHI Chapter (p. 28:1–28:5). New York, NY, USA: ACM. https://doi.org/10.1145/3125571.3125585
O SPAMLab é o Laboratório de Análise e Modelagem Espacial do Instituto de Astronomia, Geofísica e Ciências Atmosféricas (IAG) da USP.
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Welcome back to a new series of ‘Stories in Colour’. To kick off, we’re tackling one of the topics we received the most questions about − synaesthesia.
Join Beks and this week’s guests, composer Dr Deborah Pritchard and leading expert on synaesthesia Professor Jamie Ward, as they set out to answer questions such as: What is synaesthesia and what might yellow sound like?
We are also joined in the studio by violinist Greta Mutlu and cellist Richard Harwood. They help bring Deborah’s own personal experience of synaesthesia to life through music.
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Jamie is a Professor of Cognitive Neuroscience at the University of Sussex. He is one of the world's leading experts on synaesthesia and is the author of several books, including ‘The Frog Who Croaked Blue: Synesthesia and the Mixing of the Senses’.
Deborah is an award-winning British composer known for her work relating to synaesthesia. She has been performed worldwide by the London Symphony Orchestra, BBC Symphony Orchestra and more. She is Associate of The Faculty of Music, Oxford and the Royal Academy of Music and was Visiting Fellow at Keble College, Oxford from 2022-23.
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Subscribe to our YouTube channel and never miss an episode of 'Stories in Colour': http://bit.ly/1HrNTFd
Watch your next episode of 'Stories in Colour': https://www.youtube.com/playlist?list=PLvb2y26xK6Y5oKGCTKesXyO-LR3f2XcZF
You can email us with any questions via podcast@nationalgallery.org.uk
Find out more about the podcast on our website: https://www.nationalgallery.org.uk/podcast
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🎨 Find out more about the artworks mentioned in this episode:
Sassoferrato, ‘The Virgin in Prayer’, 1640-50 https://www.nationalgallery.org.uk/paintings/sassoferrato-the-virgin-in-prayer
Claude Monet, ‘Water-Lilies’, after 1916 https://www.nationalgallery.org.uk/paintings/claude-monet-water-lilies
Jamie Ward, ‘The Frog who Croaked Blue: Synesthesia and the Mixing of the Senses’, 2008
Wassily Kandinsky, ‘Concerning the Spiritual in Art’, 1911
Find out more about Deborah Pritchard’s ‘Wall of Water’ and the English String Orchestra: https://www.youtube.com/watch?v=6l4yX6sZqVw
Find out more about Maggi Hambling’s ‘Walls of Water’ exhibition 2014-15: https://www.nationalgallery.org.uk/exhibitions/past/maggi-hambling-walls-of-water
Find out more about composer Olivier Messiaen: https://www.britannica.com/biography/Olivier-Messiaen
Step into the 'National Gallery Imaginarium': https://imaginarium.nationalgallery.org.uk/
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Additional note: The 'National Gallery Imaginarium' digital experience features an introductory poem titled 'The Imaginarium' by poet and novelist Sir Ben Okri.
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Episode credits:
Guests: Dr Deborah Pritchard and Professor Jamie Ward
Musicians: Cellist Richard Harwood and Violinist Greta Mutlu
Host and executive producer: Beks Leary
Producer: Harry Rosehill
Researcher: Hannah Rogers
Technicians: Ian Warren and Tom Gulliver
Video Producers: Alessandro Sorenti and Amber Akaunu
Editor: Oli Mason
Theme music: Theo Elwell
#NationalGallery #ArtHistory #Podcast #Colour
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The world's greatest paintings to your inbox. Sign up to receive the latest news from the Gallery: https://bit.ly/3m0FY98
The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10am - 6pm and on Fridays between 10am - 9pm.
Adam Lowe talks about his journey from the Ruskin School of Drawing and Fine Art to the creation of ARCHiOx. This collaboration between Factum Foundation and the Bodleian Libraries focuses on how new technologies can expand access and research into collections. Adam reflects on his approach to cultural heritage, and how 25 years of working at the intersection of art, technology, and preservation shape his view of how to safeguard it for future generations.
What does colour sound like? Why was mauve the brat green of the Victorian era? And is pink really just for girls?
Welcome back to another series of 'Stories in Colour', the National Gallery's vibrant podcast. Join us on a journey that travels from mines in Afghanistan, to the East End of Victorian London. Hear from curators, scientists, historians and artists, for fresh perspectives and unexpected discoveries.
The first episode of series two is out now on Youtube and wherever you get your podcasts: https://www.nationalgallery.org.uk/podcast
🎞 Subscribe to our YouTube channel and never miss a video: http://bit.ly/1HrNTFd
Follow us on social media!
⭐️ Instagram: https://instagram.com/nationalgallery
⭐️ TikTok: https://www.tiktok.com/@nationalgallerylondon
⭐️ Facebook: https://en-gb.facebook.com/thenationalgallery/
⭐️ Threads: https://www.threads.net/@nationalgallery
⭐️ X, formerly Twitter: https://twitter.com/NationalGallery
Help keep the museum accessible for everyone by supporting us here: https://www.nationalgallery.org.uk/support-us
The world's greatest paintings to your inbox. Sign up to receive the latest news from the Gallery: https://bit.ly/3m0FY98
The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10am - 6pm and on Fridays between 10am - 9pm.
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