La Rioja es una de las comunidades españolas con mayor identidad y con recursos turísticos más populares. Pero más allá de los clásicos (Suso y Yuso, la calle Laurel de Logroño, Santo Domingo de la Calzada, el barrio de las bodegas de Haro) existe otra Rioja más desconocida, igual de interesante y sobre todo, mucho menos masificada en temporadas altas. Es La Rioja de las pequeñas cosas. La que te enseñó en este vídeo.
00:00 Introducción
01:05 Cuevas de los Cien Pilares
02:37 Monasterio de Santa María de San Salvador de Cañas
03:52 Hayedo de Tobía
05:20 Gastronomía
05:29 Alfarería Antonio Naharro
05:55 Los calados y bares degustación de vino
06:26 Valle del Alto Najerilla, monasterio de Nuestra Señora de Valvanera
06:35 Pueblos con encanto: Sajazarra, Peroblasco, Cellorigo
07:24 Vuelo en globo
En colaboración con @LaRiojaTurismoOficial
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Today we're on a hunt with artists through time, searching for the blackest black. We’re after the deepest blacks, the most accurate blacks and, the most atmospheric blacks.
Beks is joined by artist Stuart Semple to help answer questions such as: is black really a colour and how do we see the colour black?
Step back in time to the Palaeolithic era to discover ancient cave paintings at the Lascaux caves. Then jump forward in time to hear about the scientific breakthrough Vantablack and the arguments it has caused.
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Stuart Semple is a multidisciplinary British artist whose work spans painting, performance, internet art, and installation. His work is known for its vibrant use of colour and techniques that challenge societal norms and question the role of the artist.
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Subscribe to our YouTube channel and never miss an episode of 'Stories in Colour': http://bit.ly/1HrNTFd
Watch your next episode of 'Stories in Colour': https://www.youtube.com/playlist?list=PLvb2y26xK6Y5oKGCTKesXyO-LR3f2XcZF
You can email us with any questions via podcast@nationalgallery.org.uk
Find out more about the podcast on our website: https://www.nationalgallery.org.uk/podcast
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🎨 Find out more about the artworks mentioned in this episode:
John Singer Sargent, ‘Lord Ribblesdale’, 1902 https://www.nationalgallery.org.uk/paintings/john-singer-sargent-lord-ribblesdale
Robert Fludd, '"And so on to infinity..."', 1617. In 'Utriusque Cosmi, Maioris scilicet et Minoris (1617–21)'. Source: Wellcome Collection https://wellcomecollection.org/works/gbbychu2
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Further reading:
Find out more about the history of the Lascaux caves: https://lascaux.fr/en/history-of-lascaux/
If you want to find out more about how we see colour, check out our first ever episode of 'Stories in Colour': https://www.youtube.com/watch?v=gYTWp_iLRh4&list=PLvb2y26xK6Y5oKGCTKesXyO-LR3f2XcZF&index=19
Isaac Newton, ‘Opticks: A Treatise of the Reflexions, Refractions, Inflections and Colours of Light’, 1704 [Book] https://wellcomecollection.org/works/d445akky/items
Find out more about Vantablack: https://www.vantablack.co.uk/
Take a closer look at Asif Khan's Hyundai Pavillion: https://www.asif-khan.com/project/hyundai-pavilion/
Find out more about Sir Anish Kapoor’s work with Vantablack: https://www.theartnewspaper.com/2020/03/11/anish-kapoor-to-unveil-worlds-blackest-sculptures-during-2021-venice-biennale
https://www.southbankcentre.co.uk/whats-on/anish-kapoor/#venue
Find out more about Stuart Semple's work: https://stuartsemple.com/
Find out more about MIT's "blackest black" coating and 'The Redemption of Vanity': https://news.mit.edu/2019/blackest-black-material-cnt-0913
Robert Fludd, ‘Utriusque cosmi maioris scilicet et minoris metaphysica, physica atque technica historia ... [Tractatus secundus de naturae simia seu technica macrocosmi historia]’, 1624 [Book] https://wellcomecollection.org/works/tymqmuxa/items?canvas=42
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Episode credits:
Guest: Stuart Semple
Host and executive producer: Beks Leary
Producer: Harry Rosehill
Researcher: Hannah Rogers
Technicians: Ian Warren, Tom Gulliver and Timothy Carpenter
Video Producers: Jeanne Kenyon and Alessandro Sorenti
Editor: Oli Mason
Theme music: Theo Elwell
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The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10am - 6pm and on Fridays between 10am - 9pm.
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