Mary Bennet's beloved husband, Tom Hayward, is officially back for the much-anticipated special. But so is his rival!

Filmmaker John Wilson tells IndieWire about helping to run the Low Cinema in Queens while also working on his new film “The History of Concrete."

TIFF: Hanaël El Yousfi's feature debut follows the ongoing relationship between a Jewish woman and her Muslim friend, illustrating how the conflicting desires for independence and family connection are universal.

After a former Anthropic researcher warned that humanity's extinction could be as close as 2030, John Badham’s cyber thriller offers a frighteningly clear answer to the question: "OK, how?"

The "Project Hail Mary" directors and producers will explain how they made their most challenging blockbuster yet at the Los Angeles summit on October 17.

Director Lena Khan; choreographers Phillip Chbeeb, Makenzie Dustman, and Joya Kazi; and DP Adam Carboni tell IndieWire about dances that contain every facet of the characters — just like a diamond stolen by the British.

At a TIFF dinner co-hosted by IndieWire and Bleecker Street, Leigh and his longtime collaborators opened up about a lifetime spent creating characters together.

The controversial documentary is moving ahead with a self-distribution strategy that will roll the film out across American cities beginning in October.

Season 4 of Ryan Murphy's gruesome Netflix anthology is ostensibly about Lizzie Borden, but its side story involving Aileen Wuornos — memorably realized by Charlize Theron in the 2003 film — shows how little the series has to say about either killer.

Sorkin tells IndieWire about changing his mind on "not wanting to jump up and down" on Zuckerberg again and why this is not a "Social Network" sequel.

In Jonatan Etzler's darkly funny "Bad Apples," the actress plays a harried teacher who does something really crazy to a naughty student. As the pair explain to IndieWire, that's not the wildest part: It's how disarmingly funny Ronan gets to be.

The "Catastrophe" writer and star returns to HBO (post-"Divorce") with a mid-life crisis comedy that's broadly familiar but refreshing in its specific insights, strong performances, and steady laughs.

TIFF: Paul Andrew Williams’ focused direction refuses to exploit the script’s genre trappings beyond the realm of its characters’ interiority.

TIFF: First-time feature filmmaker Beatrice Gibson adapts the poetry of Alice Notley into a spellbinding work of autofiction.

Exclusive: Director Piotr Winiewicz and the AI that was trained on Herzog’s body of work, with his permission, will do Q&As when the film screens.

TIFF: As the newly-minted Tony winner introduces "A Talent for Murder" to festival audiences, he goes long with IndieWire on everything from "Beautiful Creatures" to "Oppenheimer," "Solo" to "Hail, Caesar!," and never taking any of it for granted.

Catch an exclusive look at “PULP: What Do You Do for an Encore?" before the MUBI concert film heads to U.S. theaters for one night only on September 24.

Venice: Xavier Tera's alternatingly unsettling and languorous debut lingers on a Japanese teen's fixation on a more self-assured American military brat. Both understand each other's language, but neither speaks it.

The 2026 Emmys provided much to celebrate at the ceremony and after parties, with several records broken. It also highlighted some unfortunate changes that have happened in the TV space.

An MPA-commissioned study estimated 143,500 new jobs added through 2035 if President Trump puts in place filming incentives on a federal level.