As we wrap up our History of Ideas series David discusses what makes a great essay and whether the best contemporary writing is as good as what went before. The answer is yes, as shown by Jiayang Fan’s brilliant 2020 essay ‘How My Mother and I Became Chinese Propaganda’. David explores why this is such a remarkable example of what can be done with the form and why the art of the essay is alive and well.
This week David talks to the economists Dieter Helm and Diane Coyle about the challenges of building sustainability into the way we live now. Why is GDP such a poor guide to long-term economic well-being? How can we stop squandering future resources? What should the next Labour government do to create a sustainable economy – and what will happen if they don’t?
Dieter Helm’s new book is available to download for free here
Read the Bennett Institute report on Universal Basic Infrastructure here
This week David and Lea answer your questions about democracy. When does democratic freedom shade over into anarchy? What’s the connection between democracy and human rights? Do the voters choose the government or does the government choose the voters? Plus: what makes Lea an optimist about socialism?
In the penultimate episode in our series on the great essays, David talks about Ta-Nehisi Coates’s ‘The Case for Reparations’, published in the Atlantic in 2014. Black American life has been marked by injustice from the beginning: this essay explores what can – and what can’t – be done to remedy it, from slavery to the housing market, from Mississippi to Chicago. Plus, what has this story got to do with the origins of the state of Israel?
In the latest instalment of David’s ongoing conversation with Lea Ypi about the past, present and future of democracy they discuss whether democratic politics can ever break free from the stranglehold of the nation-state. When and why did nationalism take such a strong grip of the idea of democracy? What are the international or cosmopolitan alternatives? And can a democracy police its borders without having actual borders or actual police?
Listen to the previous episodes in this series here.
This week David talks to the historian and essayist Jill Lepore about where the chaotic last decade of American politics fits into the longer history of the nation. When and how did gun rights become a matter of principle rather than of pragmatism? What makes insurrection so appealing to so many people? Is another civil war really a possibility? Plus, what did the January 6th Committee miss about January 6th?
This week David explores a different way of thinking about the current epoch: what if this isn’t the Anthropocene but the Leviacene? Who or what is really driving planetary destruction? Can human nature explain it? Or should we be looking at the political and economic superpowers that are leaving their marks all over the natural world?
For more on these themes, David’s new book The Handover is available now, including as an audiobook.
Listen to our earlier podcast with historian of science Meehan Crist on Malthus and Malthusianism.
This week’s episode in our series on the great essays and great essayists explores Umberto Eco’s ‘Thoughts on Wikileaks’ (2010). Eco writes about what makes a true scandal, what are real secrets, and what it would mean to expose the hidden workings of power. It is an essay that connects digital technology, medieval mystery and Dan Brown. Plus David talks about the hidden meaning of Julian Assange.
‘The breadth of Eco’s search spreads out to include disgust, horror, fear, obscenity, misogyny, perversity, bigotry, social exclusiveness, repression, inexplicability, evil, deformation, degradation, heterogeneity.’
This week David and Lea resume their conversation – and their differences of opinion – about how to understand politics in the modern world. What is it reasonable to expect of democracy? Are its failures because of bad design or bad faith? And why don’t we have more democracy at the international level where it’s really needed? This is the start of a series of monthly conversations between David and Lea about rethinking the ideas that made the modern world.
This week David asks Mary Beard what the Roman Empire can tell us about the nature of unaccountable power, then and now. How did Roman emperors rule when they had so little knowledge of the lives of their subjects? Can absolute personal power ever escape the limits of biology, from sex to death? And who are the modern-day equivalent of the Caesars: democratic populists or tech titans?
This week David talks to the novelist Zadie Smith about Charles Dickens: what he means to her, why we still read him, and what’s missing from the Dickensian view of the world. It’s a conversation about other writers as well – Turgenev, George Orwell and Toni Morrison – and about whether fiction shows us how to live or rather helps us to see the ways in which the truth about how we live is hidden from view.
Zadie Smith’s new novel is The Fraud, available now.
This week’s episode in our series on the great political essays is about David Foster Wallace’s ‘Up, Simba!’, which describes his experiences following the doomed campaign of John McCain for the Republican presidential nomination in 2000. Wallace believed that McCain’s distinctive political style revealed some hard truths about American democracy. Was he right? What did he miss? And how do those truths look now in the age of Trump?
‘The risk Wallace takes is to guess he is not the only "obscenely well-educated", curiously lost and empty white boy out there; that his sadness is also the experience of a whole historical moment.’
‘It was the essayists who were left to cope with his almost radioactive influence. He produced a great deal of excellent writing, the majority of it not his own.’
This week David talks to novelists Adam Biles and John Lanchester about the timeless appeal of George Orwell’s Animal Farm. Why has it retained its hold far longer than other political allegories? Do readers need to know about the Russian history it describes? What makes the animals so relatable? Plus we discuss other favourite political allegories, from The Wizard of Oz to WALL-E.
Adam Biles’s new novel – inspired by Animal Farm – is Beasts of England, available now.
This week is the fiftieth anniversary of the coup in Chile that ended the life of Salvador Allende and marked the temporary death of Chilean democracy. We talk to the politician and economist Andrés Velasco and the writer and translator Lorna Scott Fox about their memories of the coup and their understanding of its significance today. What does it say about the unfulfilled promise and ongoing fragility of democratic politics, in Chile and beyond?
This week Lea Ypi joins David to talk about some of the ideas in his new book, The Handover: How We Gave Control of Our Lives to Corporations, States and AIs. They discuss how to think about the power of the state in the modern world: Can it be changed? Can it be controlled? Can it be anything other than capitalist? Plus, how will AI alter the relationship between human beings and the corporate machines that rule our world?
To order the Handover and support independent bookshops, please use the code HANDOVER at checkout here.
In this bonus episode David answers some of your questions about our series on the great political essays and essayists, from Montaigne to Joan Didion. Can great political thinkers also be committed members of political parties? Which of these writers would make a good prime minister? And where are the great essays being written today? With PPF producer Ben Walker posing the questions.
For the last episode in our summer season on the great twentieth-century essays and essayists, David discusses Joan Didion's 'The White Album' (1979), her haunting, impressionistic account of the fracturing of America in the late 1960s. From Jim Morrison to the Manson murders, Didion offers a series of snapshots of a society coming apart in ways no one seemed to understand. But what was true, what was imagined, and where did the real sickness lie?
'The thing that California taught her to fear most was snakes, especially rattlesnakes...This gets close to Didion's core anxiety: watching for something that could be anywhere, was easily overlooked, could kill you or a child playing in the garden – just like that.'
'Reassurance is something Didion doesn't need. She is talking to herself, weighing up the past, going over old stories, keeping herself company. Staging herself.'
'The Californian emptiness arrives and Miss Didion attempts to evolve a style, or manner, to answer to it. Here comes divorces, breakdowns, suicide bids, spliced-up paragraphs, 40-word chapters and italicised wedges of prose that used to be called "fractured".'
'To revisit Slouching Towards Bethlehem or The White Album is to read an old up-to-the-minute relevance renewed. Inside these essays the coming revolution feels neither terrifying nor exhilarating but familiar – if you are a reader of Joan Didion, you have been studying it all your life.'
This episode in our history of the great essays and great essayists is about Susan Sontag’s ‘Against Interpretation’ (1963). What was interpretation and why was Sontag so against it? David explores how an argument about art, criticism and the avant-garde can be applied to contemporary politics and can even explain the monstrous appeal of Donald Trump.
‘The upside of Sontag’s downside was that her ire was generated by the same power supply that electrified her battle for principles that others only espoused.’
‘Paris let her say no to an academic life, but not to a life of ideas. The best thinking was done in cafes, or in bed, or at the movies, not in libraries.’
This week David discusses James Baldwin’s ‘Notes of a Native Son’ (1955), an essay that combines autobiography with a searing indictment of America’s racial politics. At its heart it tells the story of Baldwin’s relationship with his father, but it is also about fear, cruelty, violence and the terrible compromises of a country at war. What happens when North and South collide?
‘James Baldwin’s legacy is both powerful and fluid, allowing it to fit whatever category each reader requires, allowing it to influence each reader in a way that tells us as much about the reader as it does about Baldwin.’
This week’s episode in our series on the great essays and great essayists is about Simone Weil’s ‘Human Personality’ (1943). Written shortly before her death aged just 34, it is an uncompromising repudiation of the building blocks of modern life: democracy, rights, personal identity, scientific progress – all these are rejected. What does Weil have to put in their place? The answer is radical and surprising.
‘Many parents, one imagines, would echo the words of Madame Weil, the mother of Simone Weil, a child every bit as trying as Kafka must have been. Questioned about her pride in the posthumous fame of her ascetic daughter, Madame Weil said: “Oh! How much I would have preferred her to be happy.”’
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