Alec Soth discusses sequencing in filmmaking and still photography using the following books:
Der Film Im Westen nichts Neues in Bildern (1931)
A Way of Seeing by Helen Levitt (1965)
Film-Photos Wie Noch Nie (1929)
The Blood of a Poet by Jean Cocteau (1949)
Close-Cropped Tales by John Baldessari (1981)
A Fine Day by Kishin Shinoyama (1975)
00:11 On (not) Explaining Your Work
00:56 Exhibition planning
02:03 Photo project tip
02:48 Imagined audience
04:41 Choosing the form for a project
05:55 Niagara Love Letters
07:05 Failure
08:00 Abandoned Project
10:39 Coming up with titles
11:32 Allowing a project to change
13:15 On Paranoia
14:00 Photowork burnout
15:23 The LBM Dispatch
16:57 Considering the viewer
17:44 Advice to your teenage self
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