With Stig Abell and Thea Lenarduzzi – D. J. Taylor on the bookish sensibilities of Paul Weller's post-punk romanticism (including a bizarre medley of Orwell's 1984 and Wind in the Willows); Stephen Brown considers a clutch of books about practising, playing and listening to music, how to think about Mahler, and the perfect aphorisms of Michael Hampe (“Develop a feeling for greatness. It protects against stupidity”)
The Southern California Linux Expo (SCaLE) 15x is returning to the Pasadena Convention Center on March 2-5, 2017. SCaLE is one of the largest community-organized conferences in North America, with some 3,500 attendees last year.
If you’re attending the conference this year, find me, @paperdigits and lets talk shop or grab a meal!
Don’t judge me, it was the morning.
You can ping me on the forum, on twitter, or on Matrix/riot.im at @paperdigits:matrix.org.
If meeting isn’t enough for you, I’ll have stickers!
With Stig Abell and Thea LenarduzziPaul Howard brings us an unpublished Burgess essay on an untranslatable poet; J. Michael Lennon links the writing of Joan Didion with Trump's America; and Simon Armitage reads us a brand new poem.
With Stig Abell and Thea Lenarduzzi – Caryl Emerson on poetry and prose forged in the immediacy of the Russian Revolution of 1917; Phil Baker considers the strange split legacy of British writer Colin Wilson, a curious and often hateful figure with an extreme superiority complex; finally, Clive James reads his beautiful new poem "Anchorage International"
Welcome to the second installment of From the Community, a (hopefully) quarterly-ish blog post to highlight a few of the things our community members have been doing!
@arctic has posted some research about how to better simulate grain in our digital images and the ensuing conversation is both fascinating and way above my head! This discussion is thus far raw processor independent and more input and code is welcome!
We’ve somewhat recently welcomed the painters into the fold on the pixls’ forum and @Elle rewarded us all with a tutorial RGB color mixing. She delves into subjects such as mixing color pigments like a traditional painter and how to handle that in the digital darkroom. You can read the whole article here.
There has been a lot of on-going work to bring support for Pentax Pixel Shift files in RawTherapee; the thread has now reached 234 posts and it is inspiring to see the community and developers coming together to bring support for an interesting technology. The feature set has been evolving pretty rapidly and it will be exiting when it makes it to a stable release.
Some preliminary work has begun to bring generic midi controller support to darktable. The funding for the midi controller to spur the development of this feature is a direct result of the members of the forum directly giving to further community causes. Once the darktable developers are finished with the midi controller, it’ll be offered to other developers to use to help implement support!
With Stig Abell and Thea Lenarduzzi – Gerri Kimber on the role of women in the rise of the Western (plus the notorious case of Mrs Clem); as Tate Britain unveils the most extensive David Hockney retrospective yet, one of the show's curators talks us though some key moments, and themes, in a long and eclectic career; what makes a bestseller? Daisy Hildyard considers four new books that purport to tell us why some books succeed while others flop.
Clive Stafford Smith, lawyer and campaigner against miscarriages of justice, joins us in the studio to discuss his time defending death-row prisoners in Guantánamo and elsewhere, the "integrity" of the system, why torture doesn't work, and whether the age of mass incarceration might finally be drawing to a close. We end with Helen Mort reading her new poem, "Glasgow".Presented by Stig Abell and Thea Lenarduzzi. Discover more at www.the-tls.co.uk
With Stig Abell and Thea Lenarduzzi – Paul Collier on the new "hard" pragmatism and the future of capitalism; Michael Chabon discusses his invigorating new novel, Moonglow; Mary Beard on women in academia (the troubles and the triumphs, past and present), and why the Trump inauguration protests were a step in the right direction.Discover more at www.the-tls.co.uk
With Stig Abell and Thea Lenarduzzi – Devoney "Stone Cold Jane Austen" Looser on the slew of Jane Austen reincarnations (and why it's nothing to worry about); David Wheatley on the long-awaited final volume of Samuel Beckett's letters and its "black diamonds of pessimism"; and J. Michael Lennon on the titan of publishing Robert Gottlieb, and the writer-editor relationship. Discover more at www.the-tls.co.uk
Happy New Year, and I hope everyone has had a wonderful holiday!
We’ve been busy working on various things ourselves, including migrating RawPedia to a new server as well as building a replacement raw sample database/website to alleviate the problems that rawsamples.ch was having…
…provide RAW-Files of nearly all available Digitalcameras mainly to software-developers. [sic]
It was created by Jakob Rohrbach and had been running since March 2007, having amassed over 360 raw files in that time from various manufacturers and cameras. Unfortunately, back in 2016 the site was hit with a SQL-injection that ended up corrupting the database for the Joomla install that hosted the site. To compound the pain, there were no database backups… :(
On the good side, the PIXLS.US community has some dangerous folks with idle hands. Our friendly, neighborhood @andabata (Kees Guequierre) had some time off at the end of the year and a desire to build something. You may know @andabata as the fellow responsible for the super-useful dtstyle website, which is chock full of darktable styles to peruse and download (if you haven’t heard of it before – you’re welcome!). He’s also my go-to for macro photography and is responsible for this awesome image used on a slide for the Libre Graphics Meeting:
Luckily, he decided to build a site where contributors could upload sample raw files from their cameras for everyone to use – particularly developers. We downloaded the archive of the raw files kept at rawsamples.ch to include with files that we already had. The biggest difference between the files from rawsamples.ch and raw.pixls.us is the licensing. The existing files, and the preference for any new contributions, are licensed as Creative Commons Zero - Public Domain (as opposed to CC-BY-NC-SA).
After some hacking, with input and guidance from darktable developer Roman Lebedev, the site was finally ready.
The repository for it can be found on GitHub: raw.pixls.us repo.
In addition to browsing the archive, it would be fantastic if you were able to supplement the database by uploading sample images. Many of the files from the rawsamples.ch archive are licensed CC-BY-NC-SA, but we’d rather have the files licensed Creative Commons Zero - Public Domain. CC0 is preferable because if the sample raw files are separated from the database, they can safely be redistributed without attribution. So if you have a camera that is already in the list with the more restrictive license, then please consider uploading a replacement for us!
With Stig Abell and Thea Lenarduzzi – Eimear McBride on the dark side of bad sex writing and why a new anthology is nothing to be snickered at; Diana Darke on the stories of two young women who have fled war in the Middle East and the new pressures they face; and Jenny Hendrix joins us from New York to discuss new works of imaginative cartography that portray that city – indeed any city – in full, kaleidoscopic complexity.Discover more at www.the-tls.co.uk
With Stig Abell and Thea Lenarduzzi – Andrew Scull on the deeply unsettling – and surprisingly recent – history of lobotomy, and the sorry tale of Patient H. M.; Lisa Hilton on the sometimes mystifying appeal of the French Riviera and the vapid aristocrats who holidayed there; Kate Symondson on an all but forgotten novel by Joseph Conrad and a clutch of new books that scrutinize his philosophical and political scepticism – a man for our times?
A recording from the TLS’s 2016 London Lit Weekend at King’s Place, London: Historians Simon Bradley and Rosemary Ashton and the architect Paul Williams (of Stanton Williams Architects) discuss the literary and architectural heritage of King’s Cross, London, an area which has seen tremendous upheaval in the past century.Discover more at www.the-tls.co.uk
A recording from the TLS’s 2016 London Lit Weekend at King’s Place, London: 2016 was the 200th anniversary of a dark and stormy night with an extraordinary literary legacy: Frankenstein. Frances Wilson and Benjamin Markovits recount the three days in June, 1816, at the Villa Diodati near Lake Geneva, when a group of young writers – among them Mary Godwin – sheltered from the gloom.Find out more at www.the-tls.co.uk
A recording from the TLS’s 2016 London Lit Weekend at King’s Place, London: Cinema and television are brimming with literary adaptations. But how does the page translate to the screen? To discuss the ins and outs, successes and failures, we brought together Mary Beard, David Farr (whose screenwriting credits include The Night Manager), and the novelist and literary adaptee Alan Hollinghurst. Discover more at www.the-tls.co.uk
A recording from the TLS’s 2016 London Lit Weekend at King’s Place, London: Overrated/Underrated, a favourite TLS game in which a panel of critics (David Collard, Alex Clark and Michael Caines) select the esteemed writers they would like to build up or knock down a peg or two. Discover more at www.the-tls.co.uk
With Stig Abell and Thea Lenarduzzi – James O'Brien on Brexit and the battle for Britain's soul; a (rather idiosyncratic) round-up of the best arts of 2016 with Arts editor Lucy Dallas; finally, in honour of the season, Philosophy editor and oenophile Tim Crane on the "champagne phenomenon"; see you in 2017.
With Stig Abell and Thea Lenarduzzi – Rupert Shortt on why Christianity has been more help than hindrance to social and intellectual progress; Fiction editor Toby Lichtig meets Emily Witt to discuss sex, drugs and a new novel by Dana Spiotta; Terri Apter on new essays by Siri Hustvedt, the (narrowing?) gap between art and science, and the persistent gender biases that underpin experience. Discover more at www.the-tls.co.uk
With Stig Abell and Thea Lenarduzzi – Frances Wilson on the eccentric life of Lady Anne Barnard, loved by men and bad girls alike; Michael Caines on death and women, and indeed, dead women, on the Shakespearean stage; Scott Esposito on Mexico's violence transmogrified into art, including music made using human vertebrae; finally, seven new (and rare) poems from the critic Barbara Everett. Discover more at www.the-tls.co.uk
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