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Published — 27 June 2018 ⏭

The wildness of Muriel Spark

Critic and novelist Margaret Drabble joins us to review the life and work of Muriel Spark, whose centenary we mark this year; Samuel Graydon discusses a new exhibition on J. R. R. Tolkien, including drawings and doodles, language trees and fan mail; the TLS's History editor David Horspool introduces a selection of new work on the medieval period


Works discussed

The Centenary Edition of the Novels of Muriel Spark, edited by Alan Taylor

Tolkien: Maker of Middle-Earth, an exhibition at the Bodleian Library, Oxford, with accompanying book by Catherine McIlwaine

‘Finding Henry – Why England’s most powerful medieval monarch should be better remembered’ by Claudia Gold, in this week’s TLS

Medieval Bodies: Life, death and art in the Middle Ages by Jack Hartnell

Sea of Caliphs: The Mediterranean in the medieval Islamic world by Christophe Picard, translated by Nicholas Elliott

The Oxford English Literary History, Volume 1: 1000–1350: Conquest and Transformation by Laura Ashe

Hosted on Acast. See acast.com/privacy for more information.

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Published — 25 June 2018 ⏭

Balkan Gypsy Music

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Romani music or Gipsy music is the music of the Romani people, who have their origins in northern India, but today live mostly in Europe. Historically nomadic, though now largely settled, the Romani people have long acted as entertainers and tradesmen. In many of the places Romanies live they have become known as musicians. The wide distances travelled have introduced a multitude of influences of Byzantine, Greek, Arabic, Indian, Persian, Turkish, Slavic, Romanian, German, Dutch, French, Spanish and even Jewish musical forms. It is difficult to define the parameters of a unified Romani musical style, as there are many differences in melodic, harmonic, rhythmic and formal structures from region to region. Lyrics to Romani songs are often sung in one or more dialects of the Romani language, and dance frequently accompanies Romani music performance.

The quintessentially Spanish flamenco is to a very large extent the music (and dance, or indeed the culture) of the Romani people of Andalusia. Apart from Romani music for local use, in Eastern Europe a separate Romani music originated for entertainment at parties and celebrations. This music drew its themes from Hungarian, Romanian, Russian and other sources. Later on it gained popularity in Western Europe, where many Romani orchestras were active, playing sophisticated melodies of East European origin. Most Romani music is based on the folk music of the countries where the Romani went through or settled. Local music is adopted and performed – usually instrumental – and, slowly, it is transformed into Romani styles, which are usually more complex than the original styles. In its turn, Romani music has greatly influenced the local music.

Traditional Music Channel is for everyone who has a passion for music.

Music is an expression of human creativity. UNESCO reports that among all the performing arts, music is the most universal and is found in every society, most often as an integral part of other performing art forms and other domains of intangible cultural heritage.

Traditional forms of music are considered carriers of cultural heritage because they represent expressions and traditions transferred through generations of a community.

With recordings from more than hundred nations our collection of traditional music offers a staggering diversity of our humanity.

Traditional Music Channel © All Rights Reserved
Published — 20 June 2018 ⏭

Russia's blood games

We're joined by Arkady Ostrovsky to discuss Russia’s long history of using sport as a proxy for war and invasion; E. J. Iannelli draws our attention to the rise and (perhaps...) fall of the automobile in the US, and the distinctly American phenomenon of the car as teenage male rite of passage


Books

Machines of Youth: America’s car obsession by Gary S. Cross 

Hosted on Acast. See acast.com/privacy for more information.

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Published — 19 June 2018 ⏭

Greek Music & Dances - Popular Folk Songs from Greece

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The music of Greece is as diverse and celebrated as its history. Greek music separates into two parts: Greek traditional music and Byzantine music, with more eastern sounds. These compositions have existed for millennia: they originated in the Byzantine period and Greek antiquity; there is a continuous development which appears in the language, the rhythm, the structure and the melody. Music is a significant aspect of Hellenic culture, both within Greece and in the diaspora. Greek musical history extends far back into ancient Greece, since music was a major part of ancient Greek theater. Later influences from the Roman Empire, Eastern Europe and the Byzantine Empire changed the form and style of Greek music. Greek folk traditions are said to derive from the music played by ancient Greeks. There are said to be two musical movements in Greek folk music: Acritic songs and Klephtic songs. Akritic music comes from the 9th century akrites, or border guards of the Byzantine Empire. Following the end of the Byzantine period, klephtic music arose before the Greek Revolution, developed among the kleftes, warriors who fought against the Ottoman Empire. Klephtic music is monophonic and uses no harmonic accompaniment.

Dhimotika tragoudhia are accompanied by clarinets, guitars, tambourines and violins, and include dance music forms like syrtó, kalamatianó, tsámiko and hasaposérviko, as well as vocal music like kléftiko. Greek folk music is found all throughout Greece, Cyprus and several regions of Turkey. The island of Cyprus and several regions of Turkey are home to long-standing communities of Greeks in Turkey with their own unique styles of music. Nisiotika is a general term denoting folk songs from the Greek islands, especially the Aegean Islands. Ikariótikos is a traditional type of dance, and also the name of its accompanying type of singing, originating in the Aegean island of Ikaria. The Cretan lyra is the dominant folk instrument on the island of Creta; it is a three-stringed bowed instrument similar to the Byzantine Lyra. It is often accompanied with laouto (laoúto), which is similar to both an oud and a lute. The violin is used also in Cretan music.

Traditional Music Channel is for everyone who has a passion for music.

Music is an expression of human creativity. UNESCO reports that among all the performing arts, music is the most universal and is found in every society, most often as an integral part of other performing art forms and other domains of intangible cultural heritage.

Traditional forms of music are considered carriers of cultural heritage because they represent expressions and traditions transferred through generations of a community.

With recordings from more than hundred nations our collection of traditional music offers a staggering diversity of our humanity.

Traditional Music Channel © All Rights Reserved
Published — 15 June 2018 ⏭

Moldavian Folk Music

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Moldova is a country in Eastern Europe. Moldovan music is closely related to that of its neighbour Romania. Moldovan folk is known for swift, complex rhythms (a characteristic shared with many Eastern European traditions), musical improvisation, syncopation and much melodic ornamentation. Moldova's traditional folk culture is very rich. Folk traditions, including ceramics and weaving, continue to be practiced in rural areas.

Traditional Music Channel is for everyone who has a passion for music.

Music is an expression of human creativity. UNESCO reports that among all the performing arts, music is the most universal and is found in every society, most often as an integral part of other performing art forms and other domains of intangible cultural heritage.

Traditional forms of music are considered carriers of cultural heritage because they represent expressions and traditions transferred through generations of a community.

With recordings from more than hundred nations our collection of traditional music offers a staggering diversity of our humanity.

Traditional Music Channel © All Rights Reserved
Published — 13 June 2018 ⏭

Changing your mind and opening the doors

We talk to Michael Pollan about his new book How To Change Your Mind: The new science of psychedelics, in which he explores the history and landscape of psychedelic drugs, for therapeutic and personal use.

Hosted on Acast. See acast.com/privacy for more information.

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Rules of law

With Stig Abell and Lucy Dallas. On the first anniversary of Grenfell Tower, Terri Apter tells us about how art can respond to tragedy; former New York prosecutor David Pitofsky assesses the judicial heft of James Comey; and hear a bit of our interview with Michael Pollan on the beneficial return of psychedelic drugs.

Hosted on Acast. See acast.com/privacy for more information.

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Published — 9 June 2018 ⏭

Carpathian Folk Music

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The Carpathian Mountains or Carpathians are a mountain range system across Central and Eastern Europe. They are the third-longest mountain range in Europe after the Ural Mountains and Scandinavian Mountains. The Carpathians consist of a chain of mountain ranges that stretch in an arc from the Czech Republic in the northwest through Slovakia, Poland, Hungary and Ukraine, Serbia and Romania in the southeast. The highest range within the Carpathians is the Tatras, on the border of Slovakia and Poland. The second-highest range is the Southern Carpathians in Romania.

The largest range is the Tatras in Poland and Slovakia. A major part of the western and northeastern Outer Eastern Carpathians in Poland, Ukraine, and Slovakia is traditionally called the Eastern Beskids. Section of the Carpathians within borders of Ukraine is commonly known as the Ukrainian Carpathians. Classification of eastern sections of the Carpathians is particularly complex, since it was influenced by several overlapping traditions. Terms like Wooded Carpathians, Poloniny Mountains or Eastern Beskids are often used in varying scopes by authors belonging to different traditions.

Traditional Music Channel is for everyone who has a passion for music.

Music is an expression of human creativity. UNESCO reports that among all the performing arts, music is the most universal and is found in every society, most often as an integral part of other performing art forms and other domains of intangible cultural heritage.

Traditional forms of music are considered carriers of cultural heritage because they represent expressions and traditions transferred through generations of a community.

With recordings from more than hundred nations our collection of traditional music offers a staggering diversity of our humanity.

Traditional Music Channel © All Rights Reserved
Published — 7 June 2018 ⏭

Jesmyn Ward’s lyrical fiction - a bonus episode

Jesmyn Ward’s most recent novel Sing, Unburied Sing won the National Book Award in 2017 and was shortlisted for the Women’s Prize for Fiction this year. In this bonus episode, Jesmyn Ward talks to Roz Dineen about fiction, her characters, living through Hurricane Katrina, and the enormous burden of empathy. This continues a conversation started earlier in the year - and included in the podcast of April 26 - when Jesmyn discussed The Fire This Time, a collection of essays she had edited about racial politics and experience in America.

Hosted on Acast. See acast.com/privacy for more information.

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Published — 6 June 2018 ⏭
Published — 5 June 2018 ⏭

Balkan Gypsy Music

💾

Romani music or Gipsy music is the music of the Romani people, who have their origins in northern India, but today live mostly in Europe. Historically nomadic, though now largely settled, the Romani people have long acted as entertainers and tradesmen. In many of the places Romanies live they have become known as musicians. The wide distances travelled have introduced a multitude of influences of Byzantine, Greek, Arabic, Indian, Persian, Turkish, Slavic, Romanian, German, Dutch, French, Spanish and even Jewish musical forms. It is difficult to define the parameters of a unified Romani musical style, as there are many differences in melodic, harmonic, rhythmic and formal structures from region to region. Lyrics to Romani songs are often sung in one or more dialects of the Romani language, and dance frequently accompanies Romani music performance.

The quintessentially Spanish flamenco is to a very large extent the music (and dance, or indeed the culture) of the Romani people of Andalusia. Apart from Romani music for local use, in Eastern Europe a separate Romani music originated for entertainment at parties and celebrations. This music drew its themes from Hungarian, Romanian, Russian and other sources. Later on it gained popularity in Western Europe, where many Romani orchestras were active, playing sophisticated melodies of East European origin. Most Romani music is based on the folk music of the countries where the Romani went through or settled. Local music is adopted and performed – usually instrumental – and, slowly, it is transformed into Romani styles, which are usually more complex than the original styles. In its turn, Romani music has greatly influenced the local music.

Traditional Music Channel is for everyone who has a passion for music.

Music is an expression of human creativity. UNESCO reports that among all the performing arts, music is the most universal and is found in every society, most often as an integral part of other performing art forms and other domains of intangible cultural heritage.

Traditional forms of music are considered carriers of cultural heritage because they represent expressions and traditions transferred through generations of a community.

With recordings from more than hundred nations our collection of traditional music offers a staggering diversity of our humanity.

Traditional Music Channel © All Rights Reserved
Published — 2 June 2018 ⏭

Bulgarian Balkan Music

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Bulgarian music uses a wide range of instruments. Some folk instruments are variants of traditional Asian instruments such as the "Saz" (Bulgarian tambura), or the kemençe (Bulgarian gъdulka). Bulgarian folk bands, called bitovi, use instruments that commonly include: The gaida, a traditional goat-skin bagpipe. The kaval, an end-blown flute is very close to the Turkish kaval, as well as the Arabic Ney. The gadulka, a bowed stringed instrument perhaps descended from the rebec, held vertically, with melody and sympathetic strings. The tǔpan, a large drum worn over the shoulder by the player and hit with a beater ("kiyak") on one side and a thin stick ("osier") on the other. The tambura, a long-necked, metal-strung, fretted lute used for rhythmic accompaniment as well as melodic solos. The tarabuka or dumbek, an hourglass-shaped finger-drum. Other instruments arrived in Bulgaria in the 19th century, including the accordion and the clarinet. Regional styles abound in Bulgaria. Dobrudzha, Sofia, the region surrounding Sofia (Shope style), Rhodopes, Macedonia (Pirin), Thrace, Strandzha and the Danube shore all have distinctive sounds. Some folk music revolves around holidays like Christmas, New Year's Day, midsummer, and the Feast of St. Lazarus, as well as the Strandzha region's unusual Nestinarstvo rites. The distinctive sounds of women's choirs in Bulgarian folk music come from their unique rhythms, harmony and vocal production. The tradition of church singing in Bulgaria is more than a thousand years old, and can be traced back to the early Middle Ages.

Traditional Music Channel is for everyone who has a passion for music.

Music is an expression of human creativity. UNESCO reports that among all the performing arts, music is the most universal and is found in every society, most often as an integral part of other performing art forms and other domains of intangible cultural heritage.

Traditional forms of music are considered carriers of cultural heritage because they represent expressions and traditions transferred through generations of a community.

With recordings from more than hundred nations our collection of traditional music offers a staggering diversity of our humanity.

Traditional Music Channel © All Rights Reserved
Published — 30 May 2018 ⏭

Philip Roth and the translatable

Philip Roth, who died last week aged eighty-five, has left behind a vast literary canon and a complicated legacy. But is there more to this great American novelist than just sordid sex? Ben Markovits shares his thoughts; TLS Features editor, Roz Dineen interviews Man Booker international prize winner Olga Tokarczuk, and her translator, Jennifer Croft; Eric Ormsby explores the significance of context when translating the seemingly immutable text of the Qur’an.


Books


Flights by Olga Tokarczuk

The Koran in English - A biography by Bruce B. Lawrence 

The Qur'an - A historical-critical introduction by Nicolai Sinai 

The Sanaa Palimpsest - The transmission of the Qur'a n in the first centuries by Asma Hilali 

Hosted on Acast. See acast.com/privacy for more information.

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Greek Byzantine Music

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The music of Greece is as diverse and celebrated as its history. Greek music separates into two parts: Greek traditional music and Byzantine music, with more eastern sounds. These compositions have existed for millennia: they originated in the Byzantine period and Greek antiquity; there is a continuous development which appears in the language, the rhythm, the structure and the melody. Music is a significant aspect of Hellenic culture, both within Greece and in the diaspora. Greek musical history extends far back into ancient Greece, since music was a major part of ancient Greek theater. Later influences from the Roman Empire, Eastern Europe and the Byzantine Empire changed the form and style of Greek music. Greek folk traditions are said to derive from the music played by ancient Greeks. There are said to be two musical movements in Greek folk music: Acritic songs and Klephtic songs. Akritic music comes from the 9th century akrites, or border guards of the Byzantine Empire. Following the end of the Byzantine period, klephtic music arose before the Greek Revolution, developed among the kleftes, warriors who fought against the Ottoman Empire. Klephtic music is monophonic and uses no harmonic accompaniment.

Traditional Music Channel is for everyone who has a passion for music.

Music is an expression of human creativity. UNESCO reports that among all the performing arts, music is the most universal and is found in every society, most often as an integral part of other performing art forms and other domains of intangible cultural heritage.

Traditional forms of music are considered carriers of cultural heritage because they represent expressions and traditions transferred through generations of a community.

With recordings from more than hundred nations our collection of traditional music offers a staggering diversity of our humanity.

Traditional Music Channel © All Rights Reserved
Published — 27 May 2018 ⏭

Ancient Russian Folk Music

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Written documents exist that describe the musical culture of the Rus'. The most popular kind of instruments in medieval Russia were thought to have been string instruments, such as the gusli or gudok. Other instruments in common use include flutes (svirel), and percussive instruments such as the treshchotka and the buben. Novgorod republic (a medieval East Slavic state) had deep traditions in music. The most popular form of music, however was singing. Bylinas (epic ballads) about folk heroes were often sung, sometimes to instrumental accompaniment.

Traditional Music Channel is for everyone who has a passion for music.

Music is an expression of human creativity. UNESCO reports that among all the performing arts, music is the most universal and is found in every society, most often as an integral part of other performing art forms and other domains of intangible cultural heritage.

Traditional forms of music are considered carriers of cultural heritage because they represent expressions and traditions transferred through generations of a community.

With recordings from more than hundred nations our collection of traditional music offers a staggering diversity of our humanity.

Traditional Music Channel © All Rights Reserved
Published — 25 May 2018 ⏭

The making of me

We’re joined by the novelist Margaret Drabble, whose books have for decades chronicled the difficult path to selfhood, particularly for women, and the actor and writer Robert Webb, whose recent memoir How Not To Be a Boy, focuses on how notions of masculinity shape identity. Recorded in front of a live audience at Bath Festival. 

Hosted on Acast. See acast.com/privacy for more information.

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Published — 18 May 2018 ⏭

Henri 11 - "Oh, revoir"

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Henri is taking a much deserved retirement from videos. Finally, he will be free from the prodding of the thieving filmmaker.
Published — 16 May 2018 ⏭

Roman emperors and football managers

The world is being slowly poisoned, the environment destroyed. Why don’t we care about such an apocalypse more? Clare Saxby joins us to discuss; Mary Beard considers the cultural legacy of Caligula, that most reviled of all emperors, via a revisionist work of fiction told from the perspective of the emperor's exiled sister; as Arsène Wenger's twenty-two year tenure as Arsenal manager draws to a close, the TLS's History editor and Arsenal fan David Horspool shares his thoughts on football's modern myth-making


Books  


Mourning Nature: Hope at the heart of ecological loss and grief, edited by Ashlee and Karen Landman Cunsolo

Walking on Lava: Selected works for uncivilised times, edited by Charlotte Du Cann, Dougald Hine, Nick Hunt and Paul Kingsnorth

Energy Humanities: An anthology, edited by Imre Szeman and Dominic Boyer

Caligula by Simon Turney

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Published — 9 May 2018 ⏭
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