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Trump ajuda Bolsonaro a satisfazer aliados

Jair Bolsonaro trouxe de Washington uma vitória para seu governo. Na Casa Branca, ele obteve concessões para dar aos principais grupos de interesse que o sustentam no poder. A soma de benefícios constitui o maior pacote de apoio já dado pelo incumbente americano ao mandatário brasileiro numa visita inaugural desde 1985.  Leia mais (03/21/2019 - 02h00)

Forgotten, not gone

Carol Tavris considers new approaches to the old problem of old age (and the newer problem of old old age); as secularism wanes on the global scale, Rupert Shortt considers whether religion does more harm than good 


Books

Bolder: Making the most of our longer lives by Carl Honoré

Borrowed Time: The science of how and why we age by Sue Armstrong

Retirement and Its Discontents: Why we won’t stop working, even if we can by Michelle Pannor Silver

Women Rowing North: Navigating life’s currents and flourishing as we age by Mary Pipher

On the Brink of Everything: Grace, gravity and getting old by Parker J. Palmer

This Chair Rocks: A manifesto against ageism by Ashton Applewhite

Does Religion do More Harm than Good? by Rupert Shortt


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Dave Eggers: The violations start with us

“What we often forget in the daily drumbeat of abuses by the dominant tech companies is our complicity in these abuses, and in the fundamental and unsettling ways the internet has changed every one of us.”


As the Universal Declaration of Human Rights enters its seventieth anniversary, Dave Eggers, in the 2018 PEN H. G. Wells lecture, argues that urgent amendments are needed to mitigate the corrosive effects of technology on the societal and the personal. You can read an edited extract from the lecture on the TLS website.


This is a recording of an event that took place on December 16, 2018, at the Bridge Theatre, London.  


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O, the Edward Gorey of it all

Phil Baker guides us through the morbid, wistful and yet immensely charming world of the writer and illustrator Edward Gorey; Frances Wilson weighs the pleasures and pains of letter and email writing; Ian Sansom on the struggle to be funny


Books

Born To Be Posthumous: The eccentric life and mysterious genius of Edward Gorey, by Mark Dery

What a Hazard a Letter Is: The strange destiny of the unsent letter, by Caroline Atkins

Written In History: Letters that changed the world, by Simon Sebag Montefiore

In Their Own Words: Volume 2: More letters from history

Wit's End: What wit is, how it works, and why we need it, by James Geary

Messing About In Quotes: A little Oxford dictionary of humorous quotations, compiled by Gyles Brandreth


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#03 – Por que amamos armas de fogo? (Parte 02)

Na segunda parte do episódio sobre armas de fogo, especialistas falam sobre a falta de controle e de fiscalização, que, na prática, tem feito muita gente sair armado nas ruas impunemente. Também fomos a campo tentar sentir na pele o fascínio por pólvora e metal na esperança de responder por que, afinal, tanta gente ama as armas de fogo?

– Entrevistados do episódio:

Bruno Langeani

Gerente da área de Justiça e Segurança do Instituto Sou da Paz

Carolina Ricardo

Assessora Sênior do Instituto Sou da Paz

Coronel José Vicente da Silva Filho

Coronel reformado da Polícia Militar, secretário nacional de segurança pública durante o governo FHC.

Miriam Chnaiderman

Psicóloga, psicanalista e cineasta.

Ouça primeira parte do episódio.:

Aqui.

– Ficha técnica:

Produção, apresentação e edição: Tomás Chiaverini

Trilha sonora: Paulo Gama

Mixagem: Vitor Coroa

– Colabore com o projeto Rádio Escafandro:

Clique aqui.

 

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Eimear McBride - Interview

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Eimear McBride is an Irish novelist popularly known for her debut novel, A Girl Is a Half-formed Thing, which won the inaugural Goldsmiths Prize in 2013 and the 2014 Baileys Women's Prize for Fiction.

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Raf Bonachela: The Land of Yes and the Land of No

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Rafael Bonachela, artistic director of Sydney Dance Company, and the composer Ezio Bosso, together devised the work and music for The Land of Yes and the Land of No as a collaboration with HiBROW. Rafael took the bold move of rehearsing and performing the piece on the steps of St Paul’s Cathedral over three consecutive weekday lunchtimes. The work was received with great enthusiasm, and audiences grew each day as word spread of this extraordinary event. Mobile technology allowed the HiBROW team to immerse themselves in the project, allowing the viewer into the heart of it in a way seldom seen on screen before.

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Graeme Simsion reads from The Rosie Project

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For World Book Night 2013 at the Queen Elizabeth Hall in London, novelist Graeme Simsion reads from his book The Rosie Project.

Graeme later spoke exclusively to HiBROW about the pleasures and challenges of writing, turning to professional writing late in life, how he writes, and the books that mean the most to him...

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Derek Jarman's War Requiem

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Derek Jarman creates a visual evocation of Benjamin Britten’s choral masterpiece, The War Requiem, which blends the Latin Mass of the Dead with the poignant poetry of Wilfred Owen. Dramatised scenes featuring spellbinding performances from an extraordinary cast are interwoven with cinematic, poetic images and harrowing archive footage, which all serve to recreate the horrors of 20th century wars – the loss of innocence, the unbearable suffering, the nightmares, the tragic waste of life. Critically acclaimed on its release, Derek Jarman’s War Requiem is perhaps the visionary director’s greatest film. As a testament to the futility of war it is a unique, poignant and haunting experience.

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All is Vanity - Run Through

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When HiBROW approached Dominic Hill, artistic director of the Traverse Theatre in Edinburgh, to serve as its first curator of theatre he explained that he had wanted to preserve the theatre's 50 year old international reputation as the champion of fresh contemporary playwriting. To demonstrate that, he commissioned five leading British writers to write a half hour play which would unapologetically rely on text and be performed in what is now regarded as an established 'hybrid' platform for new plays: the 'staged reading'.

All is Vanity is one such play, directed by the wonderful David Eldridge.

Featuring: Dominic Hill (director), David Eldridge (writer), Jane Bertish (Ursula), Meg Fraser (Charlotte) and others...

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Alison Jackson Interview // A Might Big If

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Multi-award winning artist, photographer and filmmaker Alison Jackson, internationally renowned for her satirical lookalike images including her iconoclastic new opera "La Trashiata" sits down with Richard Strange during The Might Big If.

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All is Vanity - David Eldridge: writer

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The writer discusses his part in ‘All is Vanity’ as part the ‘Impossible Things Before Breakfast’ series at the Traverse Theatre during the Edinburgh Festival.

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All is Vanity by David Eldridge

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When HiBROW approached Dominic Hill, artistic director of the Traverse Theatre in Edinburgh, to serve as its first curator of theatre he explained that he had wanted to preserve the theatre's 50 year old international reputation as the champion of fresh contemporary playwriting. To demonstrate that, he commissioned five leading British writers to write a half hour play which would unapologetically rely on text and be performed in what is now regarded as an established 'hybrid' platform for new plays: the 'staged reading'.

All is Vanity is one such play, directed by the wonderful David Eldridge.

Featuring: Dominic Hill (director), David Eldridge (writer), Jane Bertish (Ursula), Meg Fraser (Charlotte) and others...

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Alison Jackson's "La Trashiata" - FULL OPERA

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An iconoclastic new opera devised and directed by multi-award winning artist, photographer and filmmaker Alison Jackson, internationally renowned for her satirical lookalike images (including BBC2 BAFTA winning series Doubletake).

"Jaw-Dropping" The Mail on Sunday

The Queen: Mary Reynolds / Prince William: Simon Watkins / Prince Harry: Mat Carter / Kate Middleton: Heidi Agan / Pippa Middleton: Hannah Williams, Aemilia Rose Owen / Gordon Ramsey: Martin Jordan / Simon Cowell: Andy Monk / Nigella: Justine Viani / Charles Saatchi: Grahame Edwards / Madonna: Lisa McCheyne / Lady GaGa: Cat Winter / Vladimir Putin: Slawomir Sobala / David Beckham: Andy Harmer
Dancers: Katie Monks, Hannah Rose, Lauren Barton, Francis Foreman, Alex Tranter, David Benjamin

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All is Vanity - Ian Dunn: actor

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The actor discusses performance and ‘All is Vanity’ at the Traverse Theatre, Edinburgh.

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Eric Van Hove: V12 Laraki PREVIEW

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The Cameroon-raised Belgian describes his V12 Laraki sculpture at the Marrakech Biennale.

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World Book Night 2013

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After an introduction from Southbank Centre Artistic Director, Jude Kelly, host Hardeep Singh Kohli welcomes to the stage an array of world-renowned writers, poets and performers including Sebastian Barry, Tracy Chevalier, Charles Dance, Sarah Dunant, Lucy Fleming, Mark Haddon, Victoria Hislop, Andrew Motion, Jojo Moyes, David Nicholls, Alice Oswald, Elif Shafak, Lemn Sissay, Rupert Thomson, Rose Tremain, and debut author of the moment Graeme Simsion with his first-ever UK reading from The Rosie Project.

The evening was directed by James Runcie, Southbank Centre’s Head of Literature and the Spoken Word, and takes the audience on a journey through time, place and genre. Short readings from 2013’s World Book Night books are deftly interwoven with poetic pieces chosen by the Josephine Hart Foundation, which was set up to celebrate Hart’s passion for poetry. Each World Book Night book features a poem chosen by the Josephine Hart Foundation.

Actor Charles Dance OBE reads from Josephine Hart’s Damage; Lucy Fleming reads from Ian Fleming’s How to Write a Thriller; novelist David Nicholls reads from Casino Royale; Rose Tremain reads from her award-winning novel The Road Home; Tracy Chevalier reads from her global bestseller Girl with a Pearl Earring; ‘Ireland’s finest writer’ Sebastian Barry reads from The Secret Scripture and Byron’s So we’ll go no more a roving; and much much more.

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A nose is a nose is a nose…

David Coward celebrates the 400th anniversary of the birth of Cyrano de Bergerac, whose radical thought has long been obscured by his protuberant nose; Muriel Zagha on Molière, France’s most famous playwright, and a bold new adaptation of Tartuffe; finally, a poem by Stephen Knight: “Rail Replacement Bus Service” (sigh)

 

Molière’s ‘Tartuffe’, a new version by John Donnelly, at the National Theatre, London


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