IG:@archivo_ideas
Archivo de ideas recibidas es un proyecto interdisciplinario de investigación y difusión que busca registrar y relacionar las ideas de personas que contribuyen al ecosistema creativo contemporáneo desde el arte, el diseño y la arquitectura.
El proyecto se construye desde las conversaciones que el equipo sostiene con diversos creadores, en donde se profundizan temas relacionados a la memoria, la academia, el contexto cultural, sus principales influencias y metodologías de trabajo.
Estas conversaciones constituyen el punto de partida para entender a la persona detrás de los proyectos y las ideas que marcan su práctica profesional y creativa.
--
La entrevista esta estructurada a partir de siete temas que funcionan como punto de partida para tocar distintos aspectos de la vida y obra del invitado. Los temas son los siguientes:
Sound effects obtained from https://www.zapsplat.com
In this video I start building a new workbench by fabricating heavy duty metal legs. They’re made from plain angle iron but I shaped and finished them to look like vintage cast iron. They're strong enough to last for more than a lifetime and (hopefully you agree) with some style.
As always I'm happy to answer any questions.
If you would like to support this channel you can do so here
https://www.patreon.com/PaskMakes
You can also help me out by purchasing one of my shirts, you can find them here https://paskmakes.threadless.com
Check out my new website
http://paskmakes.com/
Check out my Instagram to see more of my work https://www.instagram.com/paskmakes/
Also you can check out my photography at my website (nothing to do with making but you may be interested in what I do) http://www.neilpaskinphotography.com
My email can be found in the about section of this channel.
For real mail,
Pask Makes
P.O BOX 768
Yandina
Queensland
4561
Australia
For the first episode in a new series about the ideas that could help democracy work better David talks to David Klemperer of the Constitution Society about proportional representation. How did nineteenth-century advocates of PR think it could improve democratic representation? Why did PR get adopted in some places but not in others during the twentieth century? What are the advantages of proportional systems? And when will we get serious electoral reform in the UK?
The 2nd film in our autumn season of Films of Ideas at the Regent Street cinema is coming up on Thursday 25th September: a screening of My Dinner with Andre, followed by a live recording of PPF with playwright and screenwriter Lee Hall, creator of Billy Elliot. Tickets are available now https://bit.ly/4fWDa7V
Enquanto ocorre o julgamento histórico de Bolsonaro e militares, vale relembrar que os bolsonaristas não foram os únicos a se voltar contra as instituições brasileiras. Elon Musk e Mark Zuckerberg atacaram ou fizeram insinuações tentando minar a credibilidade do STF e junto de outras gigantes da tecnologia atuaram diretamente para enterrar o PL das Fake News
O lobby que as chamadas big techs mobilizaram para derrubar o projeto de lei traz um panorama explícito da aproximação destas empresas com a extrema-direta. Essa movimentação e outras reportagens fazem parte do especial A Mão Invisível das Big Techs, uma investigação transnacional que mostra como big techs usam lobby para influenciar leis e frear regulação em todo o mundo.
O projeto é liderado pela Agência Pública e o Centro Latinoamericano de Investigación Periodística (CLIP).
No episódio desta semana o Pauta conversa com a diretora executiva da Pública, Natalia Viana, a repórter Laura Scofield, da nossa sucursal em Brasília, e a jornalista Juliana Dal Piva, do ICL Notícias. Um time de jornalistas que acompanham de perto a atuação destas empresas que acumulam um imenso poder financeiro e que tem interesses cada vez mais claros em interferir em democracias pelo mundo. Não esqueça de seguir e curtir o Pauta Pública nas plataformas de áudio.
====
PARCERIA RÁDIO GUARDA CHUVA
====
Quem faz o Pauta:
● Apresentação e entrevista: Andrea Dip ● Roteiro e produção: Stela Diogo e Rafaela de Oliveira ● Edição e Mixagem Final: Pedro Pastoriz ● ID Visual: Tayná Gonçalves ● Coordenação de podcast: Sofia Amaral ● Coordenação de Redes Sociais: Lorena Morgana ● Chamadas e teasers: Ethieny Karen ● Site: Guilherme Silva e Raphaela Ribeiro ● Trilha original composta por Pedro Vituri
contato: podcasts@apublica.org
Saiba que você pode ser aliado da Agência Pública e colaborar com esse trabalho. Saiba mais em apoie.apublica.orgou faça um pix de qualquer valor para contato@apublica.org. Contamos com seu apoio!
O que aprendemos depois de décadas de divã? Este episódio recebe a escritora e psicanalista Vera Iaconelli, que fala sobre seu livro Análise (Zahar), um relato franco em que ela expõe questões familiares e da sua própria intimidade elaboradas em mais de trinta anos de análise. Na conversa, Iaconelli reflete sobre a dificuldade brutal de escrever sobre as angústias e revela descobertas inesperadas que só vieram com a escrita — como aceitar que o pai tinha uma família paralela e os limites da própria psicanálise.
Apoio confirmado: Lei Rouanet – Incentivo a Projetos Culturais
This week, James Shapiro celebrates New York's love affair with Shakespeare; Mark Nayler goes on the hunt for monsters; and Lily Herd introduces this issue's In Brief pages.
'Monsterland: A journey around the world’s dark imagination', by Nicholas Jubber
'The Perilous Deep: A supernatural history of the Atlantic', by Karl Bell
Neste episódio, Mano Brown e Semayat Oliveira recebem Luedji Luna para uma conversa que atravessa música, ancestralidade e identidade. A cantora compartilha sua trajetória artística, a ponte entre Bahia e São Paulo, o papel do candomblé em sua vida e a importância da família em seu caminho pessoal e profissional. O papo também passa por sua visão sobre negócios na música, além de revelar curiosidades sobre a conexão de Luedji e Brown como parte da mesma família de terreiro. Uma troca profunda, inspiradora e cheia de verdade. Learn more about your ad choices. Visit podcastchoices.com/adchoices
David talks to Lea Ypi about her new book Indignity: A Life Reimagined, which tells the story of her grandmother’s extraordinary life and in doing so uncovers the hidden history of mid-twentieth-century Europe. But it is also a book about the different philosophies of dignity and how those ideas can shape, make and break individual human lives. A conversation about death and displacement, identity and betrayal, secrecy and salvation.
The 2nd film in our autumn season of Films of Ideas at the Regent Street cinema is coming up on Thursday 25th September: a screening of My Dinner with Andre, followed by a live recording of PPF with playwright and screenwriter Lee Hall, creator of Billy Elliot. Tickets are available now https://bit.ly/4fWDa7V
Next up, the start of a new series: Fixing Democracy
Nikon are a strange company, and you could say that Japan is a strange country. Having made cameras for 100 years, you’d think Nikon would know a thing or two about marketing cameras. Nikon bought RED for the cinema brand prestige. The original pioneer in digital cinema, is now apparently too unimportant to deserve a proper RED badge on the front of the Nikon Zr, the first Cinema Z camera which is less Hollywood, more vlogger.
Strange as it may seem, I am currently a RED user.
Yes there’s been dark things in the past, abusive lawsuits, unkind words and even unkinder YouTube videos but EOSHD has a RED EPIC sitting on the shelf. I want to sell it… 2000 euros for those interested. But that’s besides the point…
RED was one of cinema’s most valuable brands. Nikon’s deal to buy the pioneers of digital Hollywood cinematography was a decision Panasonic should have taken. A masterstroke, which gives them the best RAW codec license-free and the best brand. What’s more RED sold at the right time – just as the cinema industry headed into a death spiral.
But Nikon’s first hybrid stills/video camera with RED tech, the soon to be announced Nikon Zr is a cheapening of the once great cinema brand.
With this first Nikon x RED camera (x as in kisses?), the Japanese corporation had the chance to make a big cinematic statement. Canon have already done so… long, long ago, when in late 2011 Martin Scorsese appeared on stage introducing the Cinema EOS C300. This was a proper cinema camera, aimed at indies and docus and even TV crews.
Nikon’s debut with Cinema Z is a strange one, they have entered not cinema but content creation.
The Sony ZV1E-look-alike is a significantly less Hollywood, more consumer-point&shoot camera than the latest Canon hybrid… which actually bothers to uses the word “Cinema” properly in its name, the Cinema EOS C50. The Zr seems to strip back on what made the Sony FX3 and soon the Canon C50 so popular with video people…
High spec, high build quality, serious looks, and Cinema branding (and cinema usage in terms of the FX3 in feature-film production).
This makes me think Nikon does not have a good plan for RED, and indeed does not know how to market the brand.
Will we be getting a higher-end ZR8 soon?
Unless they quickly follow-up with something more exciting, with the RED badge actually on it more prominently, with headline specs that are at least Z8-level, with 8K REDCODE RAW at 60fps and 4K 120fps without a crop, the RED brand risks becoming like Hasselblad in 2025… a patent holder for an Asian corporation, and a badge for some colour profiles.
It’s not that the Nikon Zr is a terrible camera, it’s a similar concept to what I wanted RED to make way back in 2012 in the DSLR video days.
It’s just that the reborn, revitalised Japanese version of RED deserved to hit the headlines with a big splash and a big dollop of CINEMA.
“Content creator” camera does not have quite the same value.
What do you get when you take the viewfinder hump of a mirrorless camera?
A cinema camera, apparently.
The Sony FX3 really seems to have set a trend, but there looks to be important differences between the C50 and Zr.
The Zr (below) looks to be a more YouTuber style of camera, and appears to sport a very large 16:9 aspect ratio screen. It’s rumoured to have 6K RAW video along with IBIS. A bit more like a Sony ZV1E than an FX3, perhaps. We’ve yet to see what RED technology it implements, whether it’ll shoot N-RAW or REDCODE.
Whereas the Cinema EOS C50 looks to be aimed at the higher-end of the market, around the $4K mark, it is rumoured to lack IBIS and the RF mount isn’t as flexible or adaptable as Nikon Z, but it is one of the first Canon mirrorless cameras to shoot open gate, with an anamorphic mode.
Rumoured C50 specs:
32MP FF sensor
7k internal Raw at 50fps
4k 120p
Two base ISO of 800 and 6400
Open Gate
no IBIS
no built-in ND’s
1 CF express Type B and 1 SD slot
Price around 4.000 Euros
Rumoured Zr specs:
24MP partially stacked sensor (Z6 III)
6K RAW
IBIS
One SD card slot + one micro SD slot (Weird choice)
Price expected to be around $2500
The C50 is set to be officially announced later today, with the Zr to follow tomorrow (10th September).
IG:@archivo_ideas
Archivo de ideas recibidas es un proyecto interdisciplinario de investigación y difusión que busca registrar y relacionar las ideas de personas que contribuyen al ecosistema creativo contemporáneo desde el arte, el diseño y la arquitectura.
El proyecto se construye desde las conversaciones que el equipo sostiene con diversos creadores, en donde se profundizan temas relacionados a la memoria, la academia, el contexto cultural, sus principales influencias y metodologías de trabajo.
Estas conversaciones constituyen el punto de partida para entender a la persona detrás de los proyectos y las ideas que marcan su práctica profesional y creativa.
--
La entrevista esta estructurada a partir de siete temas que funcionan como punto de partida para tocar distintos aspectos de la vida y obra del invitado. Los temas son los siguientes:
1. Presentación
2. Origen
3. Mentores y Maestros / Influencias
4. Lugar memorable
5. Dia a día
6. Docencia / Academia
7. Procesos y aprendizajes
Archivo de ideas recibidas son: Asiel Nuñez, Carolina Rivera, Erick Bergelund, Mauricio Villagra, Milagros Rodríguez
Entrevista realizada por: Juan Cantú
Fecha de entrevista:
Lugar de entrevista:
Edición: Asiel Nuñez
Animación: Asiel Nuñez
Sound effects obtained from https://www.zapsplat.com
Taking the rarest wood in North America and turning it into junk....Well kind of
Thanks to Lectric eBikes for sponsoring this video! Ready to join over 500,000 happy riders? Head to https://lectricebikes.yt.link/QyfsBfg, and get a free bike cover on us with your bike order by using code Lincoln at checkout!
Login
