Artistas muito jovens, produzindo de forma quase experimental e artesanal, influenciam a música mainstream mundial há anos. Nos Estados Unidos, nomes como Playboi Carti, Yeat e Ice Spice redefiniram a estética global a partir de mixtapes, "leaks" e sons feitos literalmente no quarto.
Leia mais (11/21/2025 - 12h30)
New EP 'When the Word Was Song: https://idol-io.ffm.to/whenthewordwassong
Listen to the album OUR CALLING: https://idol-io.ffm.to/ourcalling
Subscribe to Nø Førmat!: https://bit.ly/NoFormatYT
New EP 'When the Word Was Song: https://idol-io.ffm.to/whenthewordwassong
Listen to the album OUR CALLING: https://idol-io.ffm.to/ourcalling
Subscribe to Nø Førmat!: https://bit.ly/NoFormatYT
New EP 'When the Word Was Song: https://idol-io.ffm.to/whenthewordwassong
Listen to the album OUR CALLING: https://idol-io.ffm.to/ourcalling
Subscribe to Nø Førmat!: https://bit.ly/NoFormatYT
New EP 'When the Word Was Song: https://idol-io.ffm.to/whenthewordwassong
Listen to the album OUR CALLING: https://idol-io.ffm.to/ourcalling
Subscribe to Nø Førmat!: https://bit.ly/NoFormatYT
O cinema nacional vive uma nova fase de ouro, consagrado pelo Oscar inédito dado ao “Ainda Estou Aqui”, como melhor filme internacional. O destaque da vez é "O Agente Secreto", que levou dois prêmios do festival de Cannes: o de melhor ator, para Wagner Moura, e o de melhor direção para o cineasta Kleber Mendonça Filho. O filme, que já foi eleito como representante do Brasil no Oscar 2026, também se passa durante o período da ditadura militar.
Neste episódio do Pauta, Kleber Mendonça Filho fala sobre cinema nacional, sobre o desafio de narrar a ditadura militar com complexidade e responsabilidade e sobre sua relação com a memória. O cineasta pernambucano também reflete sobre a importância de mostrar o Brasil real nas telas e como os filmes podem ajudar a romper silenciamentos construídos ao longo de décadas.
Ouça agora e compartilhe o que achou nos comentários e não esqueça de seguir e avaliar o Pauta Pública.
● Apresentação e entrevista: Andrea Dip ● Roteiro e produção: Stela Diogo e Rafaela de Oliveira ● Edição e Mixagem Final: Pedro Pastoriz ● ID Visual: Tayná Gonçalves ● Coordenação de podcast: Sofia Amaral ● Coordenação de Redes Sociais: Lorena Morgana ● Chamadas e teasers: Ethieny Karen ● Site: Guilherme Silva e Raphaela Ribeiro ● Trilha original composta por Pedro Vituri
contato: podcasts@apublica.orgV
Saiba que você pode ser aliado da Agência Pública e colaborar com esse trabalho. Saiba mais em apoie.apublica.orgou faça um pix de qualquer valor para contato@apublica.org. Contamos com seu apoio!
Nos 40 anos da retomada da democracia, como a literatura brasileira retrata a ditadura militar? Neste episódio, Ana Kiffer, Ana Cristina Braga Martes e Cadão Volpato, autores de livros com memórias desse período, falam sobre escrever o que foi sufocado na política, nas universidades, nas famílias e nas relações. Na conversa, os autores debatem temas que atravessam seus livros: desde a brutalidade daqueles anos e o impacto nas famílias à subversão criativa. A conversa, mediada pelo jornalista Eugênio Bucci, aconteceu em 19 de junho, durante A Feira do Livro 2025.
O episódio foi realizado com o apoio da Lei Rouanet – Incentivo a Projetos Culturais.
ARRI which still builds cameras in Germany is to close two factories as the ongoing retraction in filmmaking continues to bite.
The closure of the two facilities which produce ARRI lighting equipment (which by the way, is the best in the industry) will result in 150 job losses in Germany.
This is a real chance for Canon or Sony to save ARRI and in return be the dominant player in cinema.
If the company continues without a buyer, the future doesn’t look particularly bright – despite having the best sensor technology of any cinema camera company, and THE industry standard cinema camera with the Alexa 35.
What an amazing foothold in the market they have.
And yet, says ARRI this week:
“Like many companies in the film industry, Arri is undergoing a significant transformation to address lasting shifts in market demand while reinforcing its core strengths”
The problem is that high-end cinema is almost dead thanks to endless sequels, shitty multiplexes and a shift to streaming, the quality of filmmaking just hasn’t been there and the urge to leave the house has never been less.
The other problem is that the massive boom in streaming has also faltered and there’s now a glut of content, a total over supply of crap and the work has dried up at such an extent that it has rippled throughout the entire ecosystem – even going so far as to tanking the value of vintage glass on eBay!
Where once you couldn’t let a day pass without seeing 30 silly commercials on Sky TV shot with old anamorphic lenses, the bubbles and cinematic fashions have all seem to have gone away leaving just a general uninteresting slop in its place.
With the threat of Ai, it’s obvious that a further dramatic transformation of the commercial videography world will happen.
But as Nikon has shown with their purchase of RED, a company like ARRI would be an ideal target for Sony and can be an ongoing success story if only the 90 year old folk that run our favourite Japanese companies grew an imagination.
No episódio de hoje, Mano Brown e Semayat Oliveira recebem IZA para um papo leve, divertido e cheio de inspiração. Entre risadas e confidências, ela fala sobre o início da carreira antes de se descobrir na música, as transformações que vieram com a maternidade e os sonhos que ainda quer realizar. Uma conversa sincera sobre recomeços, fé, arte e futuro. Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this post, I reflect on the concept of an application menu for WordPress, aiming to streamline user interactions and enhance confidence in content manag
Most people struggle to find time and stick to a daily reading routine. So, in this week's episode, we'll give you a 2-step practical plan for making time & sticking with a daily reading goal.
Also, now you can take this show with you with the new podcast feed:
Apple Podcast: https://podcasts.apple.com/au/podcast/a-mug-of-insights/id1758593840
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Or wherever you get your podcasts!
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Download the digital notebook I use to organise ideas for these episodes: https://www.rcwaldun.com/your-syntopicon
My classes on rediscovering the joys of reading & writing: https://www.rcwaldun.com/classes
O Curso de Formação Histórica e Social será realizado entre setembro e dezembro de 2025, no formato híbrido, com encontros presenciais no Departamento de História da FFLCH-USP (Av. Lineu Prestes, 338 – Cidade Universitária, Sala de Vídeo – 1º andar) e transmissões online. A inscrição e a participação são gratuitas.
#darktable #tutorial #collections
In this episode, we look at how you can use the Collections module to find an image, or a range of images based on a single criterion, or on multiple criteria.
00:00 Start
00:29 Intro
00:43 Collection preferences
01:36 History button
02:16 Default filmroll sort order
03:06 Swap sort order button
04:11 Sorting by criteria other than filmroll pt 1
04:53 Viewing images in a folder
06:02 When darktable loses track of images
07:30 Resetting the Collections module
07:41 Sorting by criteria other than filmroll pt 2
08:24 Narrow down our search results
09:14 Add more images to our search results
09:56 Exclude images from our search results
11:02 Saving a Collection preset
12:00 Editing a saved Collection preset
12:23 Deleting a Collection preset
12:33 Other criteria we can use for filtering
As always, thanks to William Justice for his youtube chapter generator!
https://billjustice.com/youtube-chapter-generator
Also, thanks to my tier 1 Patreon supporters:
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If you'd like to support my work, get access to these videos before everyone else, AND get access to additional content, please head over to patreon.com/understandingdarktable and pick a tier that is comfortable for you.
Welcome back to 'Stories in Colour'! And welcome to the first episode of our new miniseries in which we'll be telling the story of a rare, sparkling and glistening colour – or should we say material?
Join Nelly von Aderkas from the National Gallery’s Scientific department and host Beks as they dive into the ancient origins of gold! From colliding supernovas to the tomb of Tutankhamun and the man with the Midas touch, we will be exploring the materiality of gold, where this precious metal comes from and its symbolism in art and literature.
Nelly is a Specialist Scientist and Organic Analyst at the National Gallery with a background in paintings conservation.
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Subscribe to our YouTube channel and never miss an episode of 'Stories in Colour': http://bit.ly/1HrNTFd
Watch your next episode of 'Stories in Colour': https://www.youtube.com/playlist?list=PLvb2y26xK6Y5oKGCTKesXyO-LR3f2XcZF
You can email us with any questions via podcast@nationalgallery.org.uk
Find out more about the podcast on our website: https://www.nationalgallery.org.uk/podcast
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🎨 Find out more about the artworks in this episode:
Duccio, 'The Virgin and Child with Saint Dominic and Saint Aurea, and Patriarchs and Prophets', about 1312-15 (?). The National Gallery, London https://www.nationalgallery.org.uk/paintings/duccio-the-virgin-and-child-with-saints-dominic-and-aurea
Jacopo di Cione, 'The Crucifixion', about 1369-70. The National Gallery, London https://www.nationalgallery.org.uk/paintings/jacopo-di-cione-the-crucifixion
'Close up of a gold nugget'. Photo by Marko Ivanov via UnSplash https://unsplash.com/photos/a-close-up-of-a-gold-nugget-eLeXwRx4ALs
'Golden death mask of Tutankhamun', 2005. Photo by Rosemary Calvert via Getty Images https://www.gettyimages.co.uk/detail/photo/golden-death-mask-of-tutankhamun-royalty-free-image/200009494-001?adppopup=true
'Cartonnage Mummy Case', c. 50 BCE–50 CE. The Cleveland Museum of Art https://www.clevelandart.org/art/1914.715
'Coffin of Bakenmut', c. 1000–900 BCE. The Cleveland Museum of Art https://www.clevelandart.org/art/1914.561
Nicolas Poussin, 'Midas Washing at the Source of the Pactolus', ca. 1627. The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/437328
Jean-François de Troy, 'The Capture of the Golden Fleece', 1742-3. The National Gallery, London https://www.nationalgallery.org.uk/paintings/jean-francois-de-troy-the-capture-of-the-golden-fleece
Nicolas Poussin, 'The Adoration of the Golden Calf', 1633-4. The National Gallery, London https://www.nationalgallery.org.uk/paintings/nicolas-poussin-the-adoration-of-the-golden-calf
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Further reading:
Discover more on gold in the National Gallery’s collection: https://www.youtube.com/watch?v=diJUaHMnazU
https://www.youtube.com/playlist?list=PLvb2y26xK6Y6T7IfNAc1jMa_zMoX231MX
Find out more about gold in Jacopo di Cione’s 'The Crucifixion': https://artsandculture.google.com/story/4gUB2kjMQI3paA
Find out more about Tutankhamun's Golden Burial Mask: https://gem.eg/en/collection/artefacts/the-golden-burial-mask-of-tutankhamun
Find out more about Tutankhamun's coffins: https://egypt-museum.com/innermost-coffin-of-tutankhamun/
Take a look at Egyptian coffins in the Fitzwilliam Museum: https://egyptiancoffins.org/coffin-catalogue
Cennino Cennini, 'Il libro dell'arte', written late 14th century
Kassia St Clair, 'The Secret Lives of Colour', 2016
J.R.R. Tolkein, 'The Hobbit', 1937
Apollonius Rhodius, 'Argonautica', written around 3rd century BC
[Author unknown], 'Beowulf', [date unknown]
Ovid, 'Metamorphoses', composed around 8th century AD
Stephen Fry, 'Troy: The Greek Myths Reimagined', 2021
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Episode credits:
Guest: Nelly von Aderkas
Host and executive producer: Beks Leary
Producer: Harry Rosehill
Researcher: Hannah Rogers
Technicians: Ian Warren and Timothy Carpenter
Video Producer: Jeanne Kenyon
Video Editor: Alessandro Sorenti
Theme music: Theo Elwell
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The National Gallery houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10am - 6pm and on Fridays between 10am - 9pm.
Part two of David’s conversation with historian Chris Clark asks whether the best historical insights into Trump-like leadership come from comparison with kings or commoners, democrats or dictators. Does Trump’s leadership style share much if anything with an epoch-making politician like Bismarck? Should Trump’s public persona be understood as standing outside the norm of presidential politics or as quintessentially American? And what can we learn from a close reading of his magnum opus, The Art of the Deal?
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