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Normal view

Gatopardo 234 | Detrás de la portada

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La mujer se llama Andrea. Alza una rubia, un pez pargo, que sacó de las aguas junto a su esposo y su hijo pequeño. Es venezolana y tiene 22 años. Está en la portada de Gatopardo.

La Colectiva Solunar, integrada por Andrea Hernández Briceño, Lety Tovar y Freisy González, la conoció mientras desarrollaba su proyecto Luna de agua, una serie fotográfica que retrata los cambios en las dinámicas económicas y sociales de las costas venezolanas. Y es que, ante la incertidumbre social y económica que atraviesa el país sudamericano, cada vez son más las mujeres que asumen el oficio de la pesca, en un contexto marcado por el machismo y la misoginia.

Nos gusta contar historias en: https://gatopardo.com/

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In NY and LA Theatres January 2026 – major new movie Magellan is shot on the Panasonic GH7

With really filmic results, the filmmaker Lav Diaz decided to use the most compact Super 16mm rig out-there – the Panasonic GH7. It has a hypnotic hybrid documentary-cinematic look and the look of Super 16mm film, showing that the format of Micro Four Thirds is still every bit as brilliant in the right hands as full frame or Super 35mm – despite the large-sensor-craze of the 2020s!

According to Reddit, it was shot with native glass as well. The Panasonic 12mm F1.4 and 25mm primes. [Reddit Source]

The dynamic range is really up there with film isn’t it?

The final cut also shows off a perfect fine monochromatic grain and texture, just like real thing (Super 16mm film). Although it isn’t certain whether this is added in post, or straight out of camera in V-LOG, the look is absolutely fantastic.

The movie premiered at Cannes this year and will have a theatrical release just after Christmas.

Cast and crew:

https://www.festival-cannes.com/en/f/magalhaes/

Be sure to seek it out in a town or city near you.

There’s in-depth discussion on Reddit, and on the EOSHD Forum here.

Lav Diaz's newest feature film Magellan is Shot on lumix cameras particularly the GH7
byu/hennyl0rd inLumix

The post In NY and LA Theatres January 2026 – major new movie Magellan is shot on the Panasonic GH7 appeared first on EOSHD.com - Filmmaking Gear and Camera Reviews.

I made an actual River Desk

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Big thanks to Branch for partnering with me! Transform your workspace by heading to my link https://branchfurniture.yt.link/mpONIfY.


Can I build the nicest desk on youtube and prove the haters wrong? Lets find out.

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The Rise and Fall of Homo Sapiens

Today’s episode explores some very big picture history: David talks to palaeontologist and science writer Henry Gee about the story of the human species from origin to peak to inevitable decline. When and how did Homo sapiens see off the competition from its rivals in the human and animal world? Why did that point mark the start of an inexorable drift towards extinction? In what ways are our strengths as a species also our fatal weaknesses? And how near are we to the end?

Part two of this conversation, which takes the story of human species from the hunter-gatherer period to the present and beyond to explore how long we have left, is available tomorrow on PPF+. To get this and all our bonus episodes plus ad-free listening sign up to PPF+ now https://www.ppfideas.com/join-ppf-plus

Henry Gee’s The Decline and Fall of the Human Empire is available wherever you get your books https://bit.ly/4pshODe

Read more by David about depopulation and human extinction in the current issue of the London Review of Books https://bit.ly/43FEwiO

There are still a few tickets remaining for the next film in our autumn 'Films of Ideas' season at the Regent Street Cinema in London: join us on Friday 28th November for a screening of Eternal Sunshine of the Spotless Mind followed by a live recording of PPF with special guest Beeban Kidron https://bit.ly/4a78KyZ

Next time – Now & Then with Robert Saunders: Thatcher @100

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COP30 ends with a whimper

The climate conference acknowledged that more climate action is needed, then failed to provide it

Piers Faccini & Ballaké Sissoko - When the Word Was Song

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New EP 'When the Word Was Song: https://idol-io.ffm.to/whenthewordwassong
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Piers Faccini & Ballaké Sissoko - Special Rider Blues

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Piers Faccini & Ballaké Sissoko - Melancholy

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© Copyright: 2025 NØ FØRMAT!
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Piers Faccini & Ballaké Sissoko - Harbour

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© Copyright: 2025 NØ FØRMAT!
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O Agente Secreto e o Brasil que se vê nas telas

O cinema nacional vive uma nova fase de ouro, consagrado pelo Oscar inédito dado ao “Ainda Estou Aqui”, como melhor filme internacional. O destaque da vez é "O Agente Secreto", que levou dois prêmios do festival de Cannes: o de melhor ator, para Wagner Moura, e o de melhor direção para o cineasta Kleber Mendonça Filho. O filme, que  já foi eleito como representante do Brasil no Oscar 2026, também se passa durante o período da ditadura militar.

Neste episódio do Pauta, Kleber Mendonça Filho fala sobre cinema nacional, sobre o desafio de narrar a ditadura militar com complexidade e responsabilidade e sobre sua relação com a memória. O cineasta pernambucano também reflete sobre a importância de mostrar o Brasil real nas telas e como os filmes podem ajudar a romper silenciamentos construídos ao longo de décadas.

Ouça agora e compartilhe o que achou nos comentários e não esqueça de seguir e avaliar o Pauta Pública.

Disponível em Amazon Music, Apple Podcasts, Castbox, Deezer, Google Podcasts, Spotify ou no seu tocador favorito.

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Quem faz o Pauta: 

● Apresentação e entrevista: Andrea Dip
● Roteiro e produção: Stela Diogo e Rafaela de Oliveira
● Edição e Mixagem Final: Pedro Pastoriz
● ID Visual: Tayná Gonçalves
● Coordenação de podcast: Sofia Amaral
● Coordenação de Redes Sociais: Lorena Morgana
● Chamadas e teasers: Ethieny Karen
● Site: Guilherme Silva e Raphaela Ribeiro
● Trilha original composta por Pedro Vituri

contato: podcasts@apublica.orgV

Saiba que você pode ser aliado da Agência Pública e colaborar com esse trabalho. Saiba mais em apoie.apublica.org ou faça um pix de qualquer valor para contato@apublica.org.
Contamos com seu apoio!

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#173 Escrever a ditadura — Ana Kiffer, Ana Cristina Braga Martes e Cadão Volpato

Nos 40 anos da retomada da democracia, como a literatura brasileira retrata a ditadura militar? Neste episódio, Ana Kiffer, Ana Cristina Braga Martes e Cadão Volpato, autores de livros com memórias desse período, falam sobre escrever o que foi sufocado na política, nas universidades, nas famílias e nas relações. Na conversa, os autores debatem temas que atravessam seus livros: desde a brutalidade daqueles anos e o impacto nas famílias à subversão criativa. A conversa, mediada pelo jornalista Eugênio Bucci, aconteceu em 19 de junho, durante A Feira do Livro 2025.

O episódio foi realizado com o apoio da Lei Rouanet – Incentivo a Projetos Culturais.

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Books of the Year

This week, TLS contributors select their favourites from 2025; plus an interview with CD Rose, winner of this year’s Goldsmiths Prize.


‘We Live Here Now’, by CD Rose


Produced by Charlotte Pardy


Hosted on Acast. See acast.com/privacy for more information.

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ARRI closes factories, contemplates company sale

ARRI which still builds cameras in Germany is to close two factories as the ongoing retraction in filmmaking continues to bite.

The closure of the two facilities which produce ARRI lighting equipment (which by the way, is the best in the industry) will result in 150 job losses in Germany.

This is a real chance for Canon or Sony to save ARRI and in return be the dominant player in cinema.

If the company continues without a buyer, the future doesn’t look particularly bright – despite having the best sensor technology of any cinema camera company, and THE industry standard cinema camera with the Alexa 35.

What an amazing foothold in the market they have.

And yet, says ARRI this week:

“Like many companies in the film industry, Arri is undergoing a significant transformation to address lasting shifts in market demand while reinforcing its core strengths”

Source: Bloomberg: https://archive.ph/cOwK1

The problem is that high-end cinema is almost dead thanks to endless sequels, shitty multiplexes and a shift to streaming, the quality of filmmaking just hasn’t been there and the urge to leave the house has never been less.

The other problem is that the massive boom in streaming has also faltered and there’s now a glut of content, a total over supply of crap and the work has dried up at such an extent that it has rippled throughout the entire ecosystem – even going so far as to tanking the value of vintage glass on eBay!

Where once you couldn’t let a day pass without seeing 30 silly commercials on Sky TV shot with old anamorphic lenses, the bubbles and cinematic fashions have all seem to have gone away leaving just a general uninteresting slop in its place.

With the threat of Ai, it’s obvious that a further dramatic transformation of the commercial videography world will happen.

But as Nikon has shown with their purchase of RED, a company like ARRI would be an ideal target for Sony and can be an ongoing success story if only the 90 year old folk that run our favourite Japanese companies grew an imagination.

The post ARRI closes factories, contemplates company sale appeared first on EOSHD.com - Filmmaking Gear and Camera Reviews.

IZA: Maternidade, estratégia e som

No episódio de hoje, Mano Brown e Semayat Oliveira recebem IZA para um papo leve, divertido e cheio de inspiração. Entre risadas e confidências, ela fala sobre o início da carreira antes de se descobrir na música, as transformações que vieram com a maternidade e os sonhos que ainda quer realizar. Uma conversa sincera sobre recomeços, fé, arte e futuro. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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