❌

Normal view

🔴 SEM CENSURA RECEBE MARIA CRISTINA CABRAL, ADRIANO CARNEIRO DE MENDONÇA E RUAN JULIET

💾

O #SemCensura desta quarta-feira (17/12), recebe a arquiteta Maria Cristina Cabral e ela vai nos contar sobre revitalização urbana, explicando como a arte e a cultura podem transformar bairros e cidades ao se revitalizar espaços, antes negligenciados. Um bom exemplo, é a Rua do Senado, no centro do Rio de Janeiro, que foi reconhecida recentemente como a rua mais cool do mundo a partir de intervenções culturais, como a do urbanista Adriano Carneiro de Mendonça, que abriu no local o restaurante Solar dos Abacaxis, dando nova vida a esta parte do bairro. Cissa também vai bater um papo bem descontraído com o criador de conteúdo Ruan Juliet. Cria da Rocinha – uma das favelas mais populosas do país – ele acaba de conquistar o Prêmio Inspira Rio 2025 ao abordar nas redes arquitetura popular, gírias locais e soluções criativas na rotina dos moradores. Fechando a bancada, a jornalista da TV Brasil, Marilia Arrigoni, participa como debatedora do dia.

O programa vai ao ar de segunda a sexta, das 16h às 18h, na TV Brasil e também pode ser acompanhado pelo Youtube e pelo app TVBrasil Play.

#SemCensura40anos #semcensura

Conheça a programação da sua TV Brasil: http://tvbrasil.ebc.com.br

Siga a TV Brasil nas redes sociais:
Instagram - / tvbrasil
TikTok - / tvbrasil
Kwai - https://www.kwai.com/@tvbrasil
BlueSky - https://bsky.app/profile/tvbrasil.ebc...
Facebook - / tvbrasil
Threads - https://www.threads.net/@tvbrasil
X - https://x.com/TVBrasil

10 Vintage Hangouts We Wish Were Still Around

💾

Original newsreels used in this compilation:

1. 1955 Coffee House (1955) (00:00 - 02:43)
https://www.britishpathe.com/asset/44251/
Film ID 25.21

2. Skiffle Barber Shop (1957) (02:43 - 04:44)
https://www.britishpathe.com/asset/36062/
Film ID 63.17

3. French Nightclub in Soho (1954) (04:44 - 06:01)
https://www.britishpathe.com/asset/189013
Film ID 1603.27

4. Art Studio Restaurant (1959) (06:01 - 07:37)
https://www.britishpathe.com/asset/36211/
Film ID 91.03

5. Two Tempo Restaurant (1965) (07:37 - 10:40)
https://www.britishpathe.com/asset/37896/
Film ID 333.03

6. Jazz Club (1955) (10:40 - 14:18)
https://www.britishpathe.com/asset/78932/
Film ID 1279.08

7. Curiosity Pub (1959) (14:18 - 16:00)
https://www.britishpathe.com/asset/36178
Film ID 89.12

8. Pub on Stilts (1938) (16:00 - 16:20)
https://www.britishpathe.com/asset/80264/
Film ID 1262.16

9. Victorian-Themed Fish Bar (1962) (16:20 - 18:25)
https://www.britishpathe.com/asset/37198/
Film ID 191.03

10. Medieval Restaurant (1970) (18:25- 20:09)
https://www.britishpathe.com/asset/89931/
Film ID 2241.31

Join this channel to get access to perks:
https://www.youtube.com/channel/UCGp4u0WHLsK8OAxnvwiTyhA/join

Geheime Reichssache - Die Hitler-Attentäter des 20. Juli 1944 vor dem Volksgericht (1/2)

💾

Hier Teil 2 ansehen: https://youtu.be/ZT5ktI4D7RU

Die Prozesse gegen die Beteiligten und Mitwisser des Attentates auf Adolf Hitler am 20. Juli 1944 fanden vom 7. August 1944 bis in den März 1945 statt. An 9 Verhandlungstagen, zwischen dem 7. August und dem 20. Oktober 1944, wurde der Verlauf der Prozesse gefilmt. Ursprünglich für die Deutsche Wochenschau und Dokumentarfilme zusammengestellt, wurden die Aufnahmen von Reichspropagandaminister Goebbels zur "Geheimen Reichssache" erklärt. Goebbels erschienen das Auftreten und die Antworten der Verschwörer vor dem Volksgerichtshof für eine Veröffentlichung nicht geeignet, auch nicht die Verhandlungsführung und die entwürdigenden Äußerungen des Vorsitzenden des Volksgerichtshofes Dr. Roland Freisler, der die Angeklagten kaum zu Worte kommen ließ.
Es werden Ausschnitte des Films "Verräter vor dem Volksgericht" gezeigt, den Goebbels über den Prozess gegen die Beteiligten des Aufstands vom 20. Juli 1944 mit versteckten Kameras drehen ließ: Der Film sollte die Widerständler verächtlich machen, was aber nicht gelang, da alle tapfer zu ihren Taten standen. Daher wurde er im Dritten Reich auch nicht gezeigt, sondern als "Geheime Reichssache" behandelt.

Abonniere chronoshistory: http://goo.gl/IVGjVB

#berlin #geschichte #hitler #nationalsozialismus

I built an agent that automatically replies to my emails.

💾

Here is the source code: https://github.com/svpino/gmail-draft-loop

To create an MCP server using Zapier: https://bit.ly/4alplzh

I teach a live, interactive program that'll help you build production-ready Machine Learning systems from the ground up. Check it out here:

https://www.ml.school

To keep up with my content:
• Twitter/X: https://www.twitter.com/svpino
• LinkedIn: https://www.linkedin.com/in/svpino

🔔 Subscribe for more stories: https://www.youtube.com/@underfitted?sub_confirmation=1

CURSO DE FORMAÇÃO HISTÓRICA E SOCIAL | Cinema e marxismo (Mauricio Parisi)

💾

O Curso de Formação Histórica e Social será realizado entre setembro e dezembro de 2025, no formato híbrido, com encontros presenciais no Departamento de História da FFLCH-USP (Av. Lineu Prestes, 338 – Cidade Universitária, Sala de Vídeo – 2º andar) e transmissões online. A inscrição e a participação são gratuitas.

Films of Ideas: Rope w/Nicci Gerrard & Sean French

Today it’s the first in our series of live episodes recorded at the Regent Street Cinema in London: David talks to the crime writers Nicci Gerrard and Sean French (aka Nicci French) about Alfred Hitchcock’s Rope (1948), based on Patrick Hamilton’s play of the same name, itself based on the real-life case of Leopold and Loeb. What is the true subject of this film: murder, sex, morality or something else? Why is James Stewart so hopelessly miscast? And how does all this connect to Nietzsche?

If you are still looking for Christmas presents we have 6- and 12-month gift subscriptions to PPF+ giving access to all our bonus episodes, ad-free listening and automatic sign-up to our fortnightly newsletter – which can be delivered to the recipient of your choice on Christmas Day! ⁠https://ppf.supportingcast.fm/gifts⁠

Next time: My Dinner with Andre w/Lee Hall

Learn more about your ad choices. Visit podcastchoices.com/adchoices

💾

❌