00:00 - Intro
00:22 - The Basics
06:13 - Final Cut Pro - Signal Flow
08:20 - DaVinci Resolve - Signal Flow
10:09 - Premiere Pro - Signal Flow
12:06 - GET THIS RIGHT! - Going from Log or Raw to Rec.709
16:34 - Final Cut Pro - Order of Operations for LUTs and Colour Space Transformation
18:34 - Premiere Pro - Order of Operations for LUTs and Colour Space Transformation
20:32 - DaVinci Resolve - Order of Operations for LUTs and Colour Space Transformation
23:25 - Order of Operations ≠ Workflow
24:20 - An Easy Shortcut
24:57 - Order of Operations Blue Print
I made this coffee mug from Better Call Saul by hand. From choosing the right clay, throwing the exact shape on the potter's wheel, trimming, pulling a handle, and developing a matching glaze from scratch, this was a long and fun process.
0:00 Understanding the core
0:53 How to not do it
1:59 How to do it better
2:09 Light motivates our decisions
2:45 Reduction beats Addition
4:48 Less is more
5:19 If it's not easy, don't do it
6:20 Two birds, one Stone
8:38 A quick recap
Merging an old TV with an old projector creates magical results! Also, start using Odoo today! https://www.odoo.com/r/y7C
Discuss on the DIY Perks Discord server: https://discord.com/invite/XuTCwVwwnC
Forum thread for further development: https://forum.diyperks.com/displays-and-monitors-tvs/diy-infinity-contrast-display-projector-lcd-backlight-mod-development-thread/
The wonderful Polish artist Karolina Wojtas on her experience with The Little Brown Mushroom Workshop.
Apply to our next workshop at LittleBrownMushroom.com
Écoutez l'album "Our Calling": https://idol-io.ffm.to/ourcalling
Toutes les dates de la tournée ici : https://idol-io.ffm.to/piersxballake
Abonnez-vous à Nø Førmat! : https://bit.ly/NoFormatYT
Écoutez l'album "Our Calling": https://idol-io.ffm.to/ourcalling
Toutes les dates de la tournée ici : https://idol-io.ffm.to/piersxballake
Abonnez-vous à Nø Førmat! : https://bit.ly/NoFormatYT
Paroles
I wanted to belong
As hope does to the sun
Far away the plain
Across the sea again
And to feel as if
Winds sailing against the cliff
Were calling out a home
South the way they’re blown
Home
I want to feel the ground
The way her weight resounds
Longing for steps
The ones that I have left
I never meant to stay
Despite the way I craved
To lose and not betray
The calling I obeyed
Écoutez l'album "Our Calling": https://idol-io.ffm.to/ourcalling
Toutes les dates de la tournée ici : https://idol-io.ffm.to/piersxballake
Abonnez-vous à Nø Førmat! : https://bit.ly/NoFormatYT
Paroles
You caught me whispering to myself
Finding somewhere that I can be
For something that I see in you
For someone that you would see in me
If nothing is real
Then nothing is true
If nothing is real
Today will turn away from you
We played with fire until it grew cold
With my own eyes saw the embers fade
Castles we built made of sand
With the rain how they washed away
If nothing is real
Then nothing is true
When nothing is real
Today will turn away from you
Away from you
Away from you
Away from you
Today will turn away from you
Écoutez l'album "Our Calling": https://idol-io.ffm.to/ourcalling
Toutes les dates de la tournée ici : https://idol-io.ffm.to/piersxballake
Abonnez-vous à Nø Førmat! : https://bit.ly/NoFormatYT
Paroles
How the storm has blown us
Thrown our tracks to the dust
Oh the nights I craved
For the dream I betrayed
Under your spell I lay
Under your spell I lay
Didn’t mean to be wrong
Anger bled out and gone
How the living are slow
While their time runs down I know
Under your spell I go
Under your spell I go
Do you remember I warned you
Only darkness is true
Took defeat to be brave
By your hand I craved
Under your spell I prayed
Under your spell I prayed
Écoutez l'album "Our Calling": https://idol-io.ffm.to/ourcalling
Toutes les dates de la tournée ici : https://idol-io.ffm.to/piersxballake
Abonnez-vous à Nø Førmat! : https://bit.ly/NoFormatYT
Écoutez l'album "Our Calling": https://idol-io.ffm.to/ourcalling
Toutes les dates de la tournée ici : https://idol-io.ffm.to/piersxballake
Abonnez-vous à Nø Førmat! : https://bit.ly/NoFormatYT
Paroles
Go there nowhere tear down stars
In between light through the bars
Go there nowhere small and rare
To gather prayers til winds are fair
Go where eyes untie me from you
Where the ground lies no words are true
Go there dying just like a sun
Drawing shadows til they’re done
Not for silver and not for gold
Not for all that shines in this world
Not for a promise not for a word
I found a way through when I heard
Not for mercy tearing at the crack
Not for pleas prayed to call you back
Not for fury I had to shout
Go within or go without
How the fever bled night from me
Now the fire’s out I see
Throw your net wide trawl the skies
Hide in plain sight under eyes
Below the ill winds over cries
Feel the ground shake as you lie
Not for bounty creaking in the bows
But for earth turning in the plough
For revolutions we’ll never doubt
To be with them or be without
How the fever bled night from me
Now the fire’s out I see
Go where comets burn worlds through
Behind the fault line there’s the clue
Go where seeing is for believing
Breathing in is to be dreaming
Blow the dust uncover signs
As old as time hidden in the mine
Go there dying just like a sun
Drawing shadows til they’re done
Most architects graduate with big ideas, but reality hits hard. Boring projects. Creative stagnation. Wojciech faced the same thing. Stuck in a traditional firm, he felt disconnected from the creativity that drew him to architecture in the first place. Instead of settling, he turned a small side project into a business built on his terms.
He didn’t start with a grand plan. His success came from small, daily experiments—testing ideas, following his instincts, and letting results guide him. Over time, those experiments turned into something much bigger: a business that quadrupled his income, feeds his family and keeps him creatively fulfilled.
Want to see exactly how he did it?
→ Download the free PDF case study: https://thirtybyforty.com/case-study-selling-plan-sets
▬▬▬▬▬ Resources ▬▬▬▬▬
➕ Digital drawing templates: https://thirtybyforty.com/digital-drawing-templates
➕ Architect's Toolkit: https://thirtybyforty.com/toolkit
➕ Architect + Entrepreneur Course (lessons on selling plan sets): https://thirtybyforty.com/a-e-course
▬▬▬▬▬ Timestamps ▬▬▬▬▬
00:00 Introduction
00:48 Simple Side Project
01:58 Validating the Idea
03:06 Could this be a real business?
03:54 "I lost my job"
05:06 Focus on the 80-20
06:02 Kaizen!
06:50 How to price plan sets
08:00 Financials
08:49 Lumpy income
09:59 Managing your time
10:18 Another Side Hustle
11:08 What you get bored?
11:43 New business
12:42 Download the Case Study PDF
13:08 Resources to Sell Your Own Plan Sets
🔗 Connect with Wojciech: https://homemadesauna.com/
→ Download the free PDF case study: https://thirtybyforty.com/case-study-selling-plan-sets
El maestro argentino Chango Spasiuk, la figura internacional del chamamé, sigue su carrera con un nuevo proyecto que emocionará escenarios de todo el mundo. Con su repertorio “Taco y suela: tradición”, bajo formato trío, continúa con su labor de transmisión de las fuerzas de su tierra natal. Chango Spasiuk evoca aquí a los padres fundadores de aquello que es mucho más que un género musical: se trata de la historia de una cultura viva y mestiza, conectada con la naturaleza y en diálogo permanente con la espiritualidad...
Dentro del retrato de esta mirada que conecta a un pasado fecundo con un futuro prometedor se encuentra, en esta nueva colaboración, con el joven acordeonista Enzo Demartini. El virtuosismo de los dos se complementan entre lo diatónico y lo cromático, mientras que su cómplice, Marcos Villalba, sobresale en la percusión.
El refrán local evoca que el chamamé es una oración que se baila, una danza que se reza... Es un trance suave y poderoso, una música que conecta al cuerpo con el corazón para llevar al público a una celebrada comunión universal!
The Argentinian maestro Chango Spasiuk, the international figure of chamamé, enriches his journey with a new project to shake the stages worldwide. With the repertoire «Taco y suela: tradición», performed as a trio, he revives energies from his native land while continuing his transmission work. Chango Spasiuk here invokes the founding fathers of what is much more than a musical genre: a living and mixed culture, connected to nature and imbued with spirituality...
The illustration of this approach, which draws a link between a rich past and a promising future, lies in his new collaboration with the young accordionist Enzo Demartini. The two virtuosos complete each other between diatonic and chromatic, while long-time accomplice Marcos Villalba excels on percussion.
The local adage is evocative: chamamé is a prayer that is danced, a dance that is prayed... It is a trance that is gentle and powerful, a music that connects the legs to the heart to take the audience into a joyful and universal communion!
Le maestro argentin Chango Spasiuk, figure internationale du chamamé, enrichit son parcours d’un nouveau projet pour faire vibrer les scènes du monde entier. Avec le répertoire « Taco y suela : tradiciòn » porté en trio, il réactive les énergies de sa terre natale en poursuivant son œuvre de transmission. Chango Spasiuk invoque ici les pères fondateurs de ce qui est bien plus qu’un genre musical : une culture vivante et métissée, connectée à la nature et empreinte de spiritualité.
L’illustration de cette démarche reliant un riche passé et un avenir prometteur réside dans cette nouvelle collaboration avec le jeune accordéoniste Enzo Demartini. Les deux virtuoses se complètent entre diatonique et chromatique, pendant que le complice de longue date Marcos Villalba excelle aux percussions.
L’adage local est évocateur : le chamamé est une prière qui se danse, une danse qui se prie... C’est une transe à la fois douce et puissante, une musique et une danse qui connectent les jambes au cœur pour embarquer le public dans une joyeuse communion universelle !
El maestro argentino Chango Spasiuk, la figura internacional del chamamé, sigue su carrera con un nuevo proyecto que emocionará escenarios de todo el mundo. Con su repertorio “Taco y suela: tradición”, bajo formato trío, continúa con su labor de transmisión de las fuerzas de su tierra natal. Chango Spasiuk evoca aquí a los padres fundadores de aquello que es mucho más que un género musical: se trata de la historia de una cultura viva y mestiza, conectada con la naturaleza y en diálogo permanente con la espiritualidad...
Dentro del retrato de esta mirada que conecta a un pasado fecundo con un futuro prometedor se encuentra, en esta nueva colaboración, con el joven acordeonista Enzo Demartini. El virtuosismo de los dos se complementan entre lo diatónico y lo cromático, mientras que su cómplice, Marcos Villalba, sobresale en la percusión.
El refrán local evoca que el chamamé es una oración que se baila, una danza que se reza... Es un trance suave y poderoso, una música que conecta al cuerpo con el corazón para llevar al público a una celebrada comunión universal!
The Argentinian maestro Chango Spasiuk, the international figure of chamamé, enriches his journey with a new project to shake the stages worldwide. With the repertoire «Taco y suela: tradición», performed as a trio, he revives energies from his native land while continuing his transmission work. Chango Spasiuk here invokes the founding fathers of what is much more than a musical genre: a living and mixed culture, connected to nature and imbued with spirituality...
The illustration of this approach, which draws a link between a rich past and a promising future, lies in his new collaboration with the young accordionist Enzo Demartini. The two virtuosos complete each other between diatonic and chromatic, while long-time accomplice Marcos Villalba excels on percussion.
The local adage is evocative: chamamé is a prayer that is danced, a dance that is prayed... It is a trance that is gentle and powerful, a music that connects the legs to the heart to take the audience into a joyful and universal communion!
Le maestro argentin Chango Spasiuk, figure internationale du chamamé, enrichit son parcours d’un nouveau projet pour faire vibrer les scènes du monde entier. Avec le répertoire « Taco y suela : tradiciòn » porté en trio, il réactive les énergies de sa terre natale en poursuivant son œuvre de transmission. Chango Spasiuk invoque ici les pères fondateurs de ce qui est bien plus qu’un genre musical : une culture vivante et métissée, connectée à la nature et empreinte de spiritualité.
L’illustration de cette démarche reliant un riche passé et un avenir prometteur réside dans cette nouvelle collaboration avec le jeune accordéoniste Enzo Demartini. Les deux virtuoses se complètent entre diatonique et chromatique, pendant que le complice de longue date Marcos Villalba excelle aux percussions.
L’adage local est évocateur : le chamamé est une prière qui se danse, une danse qui se prie... C’est une transe à la fois douce et puissante, une musique et une danse qui connectent les jambes au cœur pour embarquer le public dans une joyeuse communion universelle !
El maestro argentino Chango Spasiuk, la figura internacional del chamamé, sigue su carrera con un nuevo proyecto que emocionará escenarios de todo el mundo. Con su repertorio “Taco y suela: tradición”, bajo formato trío, continúa con su labor de transmisión de las fuerzas de su tierra natal. Chango Spasiuk evoca aquí a los padres fundadores de aquello que es mucho más que un género musical: se trata de la historia de una cultura viva y mestiza, conectada con la naturaleza y en diálogo permanente con la espiritualidad...
Dentro del retrato de esta mirada que conecta a un pasado fecundo con un futuro prometedor se encuentra, en esta nueva colaboración, con el joven acordeonista Enzo Demartini. El virtuosismo de los dos se complementan entre lo diatónico y lo cromático, mientras que su cómplice, Marcos Villalba, sobresale en la percusión.
El refrán local evoca que el chamamé es una oración que se baila, una danza que se reza... Es un trance suave y poderoso, una música que conecta al cuerpo con el corazón para llevar al público a una celebrada comunión universal!
The Argentinian maestro Chango Spasiuk, the international figure of chamamé, enriches his journey with a new project to shake the stages worldwide. With the repertoire «Taco y suela: tradición», performed as a trio, he revives energies from his native land while continuing his transmission work. Chango Spasiuk here invokes the founding fathers of what is much more than a musical genre: a living and mixed culture, connected to nature and imbued with spirituality...
The illustration of this approach, which draws a link between a rich past and a promising future, lies in his new collaboration with the young accordionist Enzo Demartini. The two virtuosos complete each other between diatonic and chromatic, while long-time accomplice Marcos Villalba excels on percussion.
The local adage is evocative: chamamé is a prayer that is danced, a dance that is prayed... It is a trance that is gentle and powerful, a music that connects the legs to the heart to take the audience into a joyful and universal communion!
Le maestro argentin Chango Spasiuk, figure internationale du chamamé, enrichit son parcours d’un nouveau projet pour faire vibrer les scènes du monde entier. Avec le répertoire « Taco y suela : tradiciòn » porté en trio, il réactive les énergies de sa terre natale en poursuivant son œuvre de transmission. Chango Spasiuk invoque ici les pères fondateurs de ce qui est bien plus qu’un genre musical : une culture vivante et métissée, connectée à la nature et empreinte de spiritualité.
L’illustration de cette démarche reliant un riche passé et un avenir prometteur réside dans cette nouvelle collaboration avec le jeune accordéoniste Enzo Demartini. Les deux virtuoses se complètent entre diatonique et chromatique, pendant que le complice de longue date Marcos Villalba excelle aux percussions.
L’adage local est évocateur : le chamamé est une prière qui se danse, une danse qui se prie... C’est une transe à la fois douce et puissante, une musique et une danse qui connectent les jambes au cœur pour embarquer le public dans une joyeuse communion universelle !
I made a new front door for my mother's house, as it was damaged and difficult to lock.
The wood used is chestnut wood. Chestnut wood has little expansion and contraction and is resistant to water.
傷んで鍵も閉まりにくくなっていた母の家の玄関ドア新しく作りました。
木は栗の木を使っています。 栗の木は伸縮が少なく、水に強いです。
All large woodworking machines are used machines.
Many of them were manufactured more than 40 years ago, and it has become difficult to obtain those in good condition.
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