This ironware was started in the mid-17th century with artisans who were invited from Kyoto. The technique incolves pouring molten iron into a sand mold, whereby a kettle or a teakettle is casted. The sand lold with dots creates a tiny knobbed body on the kettle.
Support the Immigrant Rapid Response Fund
Purchase a limited edition print by Alec Soth & Brad Zellar at https://littlebrownmushroom.com
While the recent ICE surge in Minnesota may be winding down, the damage it has left behind is not. The organizations doing the long work of repair, protection, and care remain and they need sustained support. We invite you to stand with the Women’s Foundation of Minnesota Immigrant Rapid Response Fund (IRRF), a coalition of 32 philanthropic leaders rooted in communities most impacted by immigration-related harm.
Produced in collaboration with Sister Black Press, it pairs an inkjet photograph by Alec Soth with letterpress text by Brad Zellar.
I wanted to make a cool stand for a 60 year old bandsaw I recently bought, but give it the look of old workshop furniture. The legs are designed to look like cast iron, even though they're actually made from plywood. This video is more about the design and process and just enjoying a fun project.
As always I'm happy to answer any questions.
If you would like to support this channel you can do so here
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You can also help me out by purchasing one of my shirts, you can find them here https://paskmakes.threadless.com
Check out my new website
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Check out my Instagram to see more of my work https://www.instagram.com/paskmakes/
Also you can check out my photography at my website (nothing to do with making but you may be interested in what I do) http://www.neilpaskinphotography.com
My email can be found in the about section of this channel.
For real mail,
Pask Makes
P.O BOX 768
Yandina
Queensland
4561
Australia
Uma realização Circus Produções Culturais em parceria com a Uns Produções e Filmes
Caetano Veloso - voz
Tom Veloso - violão
José Miguel Wisnik - Direção artística
Gravado no Estúdio de Caetano Veloso, Rio de Janeiro, agosto de 2025.
Lucas Nunes - produção musical, mixagem e masterização
Elaine Ramos - design
Gal Oppido - foto (acervo Grupo Corpo)
Gabriel Baiano e Piky Candeias - assessoria de imprensa
Beatriz Grassi - edição do lyric video
CIRCUS Produções Culturais
Lucas de Avelar - assistência
Guto Ruocco - direção de produção
🔥 ACESSO VITALÍCIO LIBERADO — Formação completa de mecânica de motos: 100cc a 1000cc. Diagnóstico, elétrica, injeção. Sem trocar peça no chute. Mais de 5.000 alunos formados.
👉 https://www.airtoncardoso.com
This ironware was started in the mid-17th century with artisans who were invited from Kyoto. The technique incolves pouring molten iron into a sand mold, whereby a kettle or a teakettle is casted. The sand lold with dots creates a tiny knobbed body on the kettle.
★詳細はこちら Click here for detail
https://kougeihin.jp/craft/0701/
ーーーーーーーーーー
■青山スクエアの公式WEBサイト official website
https://kougeihin.jp/
■工芸品を知る search for traditional crafts
https://kougeihin.jp/learn/
Want to restore the planet’s ecosystems and see your impact in monthly videos? The first 100 people to join Planet Wild with my code STEFAN2 will get the first month for free on me: https://planetwild.com/r/stefanmilo/join
If you want to get to know them better first, check out their mission restoring America’s Serengeti: https://planetwild.com/r/stefanmilo/m19
66 million years ago a giant rock blasted the dinosaurs into the pages of history. However we are alive today, therefore our ancestor survived this event, so who were they? What fossils do we have from this time? What can palaeontology tell us about our evolution? And was a little chap called purgatorius eating flowers?
This video absolutely couldn't have been made without the help of Andrew Schwartz. Huge thanks to him for everything.
0:00 The impact
2:13 why are we primates?
8:24 the first primates (vs arctic crocs)
13:43 the mystery of plesiadapiforms
15:50 the miserable purgatorius
18:07 are we all flower children
Huge thanks to my generous patrons
https://www.patreon.com/stefanmilo
Watch my videos Ad free only on Nebula
https://go.nebula.tv/stefanmilo
This week, we'll cover a simple journaling protocol that'll give you an accurate picture of how far you've come.
If you've enjoyed this video, now you can get these ideas & insights delivered to your inbox every Saturday! Sign up for a free subscription to A Mug of Insights here:
https://www.amugofinsights.org/
Also, we've hosted a workshop on The Five Master Keys to Reading Difficult Fiction. If you want to strengthen your fiction reading muscles, check out the full workshop here:
https://www.amugofinsights.org/session-3-the-5-master-keys-to-unlocking-difficult-literature/
Thanks for hanging out with me this week, and I'll see you soon with more!
Robin
This showreel highlights Natasha Billson as an experienced studio expert across factual TV formats which combine drone footage and archive/B-roll with expert analysis and narrator-led storytelling. Natasha appears as one of a wider specialist panel, helping unpack the history, archaeology, and evidence behind each episode’s story.
Featured clips:
- Castle Secrets - Super Channel / Channel 4 - Go Button Media
- Oops I Changed The World - Curiosity Channel - Arrow Media
- Mysteries of the Ancient Dead - Super Channel / Sky History - Go Button Media
- Secrets in the Ice - Science Channel - Shark Teeth Films
Have a TV project or collaboration?
Email Oleksandr at oleksandr@heritagemedia.uk
Natasha Billson is a public archaeologist, historian, and presenter with a passion for storytelling. She is one of the lead presenters on Channel 4’s The Great British Dig with Hugh Dennis, and has featured on numerous television shows across the UK, North America, and Europe.
Natasha also established an international initiative supporting Ukrainian archaeologists, including 3D scanning artefacts and monuments at risk from bombardment and looting. She is the creator of the YouTube live show Archaeologists in Quarantine (Behind The Trowel) and co-founder of Heritage Media Group, bridging heritage organisations and audiences through social media management, video production, and training.
All clip rights belong to their respective owners and are included here for showreel/presentation purposes only.
Natasha Billson has worked on a range of military heritage and conflict archaeology projects, from recording coastal defences in England and Barbados, to WWII bunkers and surviving battlefield infrastructure.
She has also supported archaeological projects working with veterans as a form of rehabilitation, including excavations on sites near Akrotiri Military Base.
This showreel highlights Natasha speaking on:
0:00-0:13 Battle of the Reichstag, Berlin
0:13-0:30 Battle of Stalingrad - Mamerki bunkers, Poland
0:30-0:52 The Battle of Britain - Heinkel He III
0:52-1:30 ITV x Ancestry's D-Day 80 special, British Normandy Memorial
1:30-1:37 Contact details
…with a focus on what structures still remain today (e.g., bunkers, anti-tank defences, and other wartime landscapes).
Also included: a clip from D-Day 80 at the Royal Albert Hall segment filmed at the British Normandy Memorial with Traitors winner and veteran, Harry Clark — the first short documentary filmed on site.
Have a TV project or collaboration?
Email Oleksandr at oleksandr@heritagemedia.uk
Featuring clips from Series 1–3 of National Geographic’s WWII Secrets From Above (Produced by Windfall). All clip rights belong to their respective owners and are included here for showreel/presentation purposes.
ABOUT ME
Natasha Billson is a public archaeologist, historian and presenter with a passion for storytelling. She is one of the lead presenters on Channel 4’s The Great British Dig (alongside Hugh Dennis) and has featured on numerous television shows across the UK, North America, and Europe.
Natasha also established an international initiative supporting Ukrainian archaeologists, including 3D scanning artefacts and monuments at risk from bombardment and looting. She is the creator of the YouTube live show Archaeologists in Quarantine (Behind The Trowel) and co-founder of Heritage Media Group, bridging heritage organisations and audiences through social media management, video production, and training.
Sube el volumen para escuchar este nuevo capítulo, porque se llena de buen jazz, gospel r&b, soul y ritmos africanos. Hoy visita el Tíbet Astrid Jones, cantante y actriz madrileña, originaria de Guinea Ecuatorial, y la música lo inunda todo, porque ella conoce bien el teatro musical, y vive rodeada de música.
Entre sus proyectos destaca el haber interpretado a Tina Turner en el musical "Tina", y a Josephine Baker en la serie de TVE “El ministerio del tiempo”. Además, formó parte del coro Gospel Factory durante quince años, y ha sido corista de Pitingo, Marta Sánchez, Beatriz Luengo, Raphael y muchos más. Además, tiene su propia banda, Astrid Jones & The Blue Flaps (aleteo azul de colibríes...)
Nuestra invitada entra en el loco universo de nuestro pódcast, y comparte sus inquietudes sobre la industria de la música actual, la situación de las salas y grupos independientes del país, y su experiencia como mujer negra en el mundo del espectáculo, casi nada.
00:00 - Empezamos
01:10 - Asaari, ¿qué te pasa con la lluvia?
03:40 - En este programa venimos a victimizarnos
06:00 - Nos han mandado un regalo
08:30 - Hoy viene al programa Astrid Jones
18:00 - ¿Conoces el retrosoul?
29:10 - La pandemia cambió la música
32:50 - ¿Cómo entender que mientras cierran salas Bad Bunny venda miles de entradas?
46:00 - ¿Eres del príncipe de Bel-Air o de Kunta Kinte?
52:40 - Cuando Astrid Jones conoció a los Obama
59:00 - El sueño de Lamine
01:01:00 - ¡Astrid lleva ropa!
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