Juan Leyrado. Después de indagar a fondo en la compleja personalidad del autor de Facundo, el actor lo trae al presente en la Sala Solidaridad del CCC. «Subo al escenario y soy Sarmiento», dice. Historia, prejuicios y postales de una Argentina en crisis.
Leé la nota completa en:
https://accion.coop/2026/05/13/cultura/de-cerca/subo-al-escenario-y-soy-sarmiento/
On April 9th, 1959, Malcolm Scott Carpenter was announced by NASA as being one of seven astronauts chosen for Project Mercury. At Cape Canaveral in Florida a year later, Carpenter boarded the Aurora 7 spacecraft and circled Earth three times. On the eve of his historic journey, Carpenter’s father, Marion, wrote him a letter.
None other than British astronaut Tim Peake joined us to read this poignant letter at an Earth Day edition of Letters Live in support of Greenpeace, at London's Royal Albert Hall.
Hace 21 años, en un festival de jazz en Uruguay, sucedió un encuentro memorable entre Chango Spasiuk y Darío Eskenazi.
El acordeón y el piano se unieron en una fusión única de chamamé y jazz, dando vida a una música innovadora y emocionante.
Antes del regreso de Darío a Nueva York, ciudad donde vive, se reunieron en un estudio de grabación en la ciudad de Buenos Aires para plasmar la música que nació de ese encuentro.
La grabación fue realizada por el ingeniero Amilcar Gilabert una tarde de febrero del año 2003.
Este registro es un testimonio vivo de aquella fusión mágica, donde la improvisación y la creatividad se unieron para crear algo verdaderamente especial.
Disfruta de la música de estos dos grandes artistas, que siguen inspirando y emocionando a audiencias de todo el mundo."
============================================================
"21 years ago, at a jazz festival in Uruguay, a memorable encounter took place between Chango Spasiuk and Darío Eskenazi. The accordion and piano came together in a unique fusion of chamamé and jazz, giving life to an innovative and exciting music. Before Darío's return to New York, the city where he lives, they gathered at a recording studio in Buenos Aires to capture the music born from that encounter. The recording was made by engineer Amilcar Gilabert one afternoon in February 2003. This record is a living testament to that magical fusion, where improvisation and creativity came together to create something truly special. Enjoy the music of these two great artists, who continue to inspire and thrill audiences around the world."
============================================================
"Il y a 21 ans, dans un festival de jazz en Uruguay, un rencontre mémorable a eu lieu entre Chango Spasiuk et Darío Eskenazi. L'accordéon et le piano se sont unis dans une fusion unique de chamamé et de jazz, donnant vie à une musique innovante et excitante. Avant le retour de Darío à New York, la ville où il vit, ils se sont réunis dans un studio d'enregistrement à Buenos Aires pour capturer la musique née de cette rencontre. L'enregistrement a été réalisé par l'ingénieur Amilcar Gilabert un après-midi de février 2003. Ce disque est un témoignage vivant de cette fusion magique, où l'improvisation et la créativité se sont unies pour créer quelque chose de vraiment spécial. Profitez de la musique de ces deux grands artistes, qui continuent d'inspirer et de passionner les auditoires du monde entier."
============================================================
"Vor 21 Jahren fand auf einem Jazz-Festival in Uruguay ein unvergessliches Treffen zwischen Chango Spasiuk und Darío Eskenazi statt. Akkordeon und Klavier verschmolzen zu einer einzigartigen Fusion von Chamamé und Jazz, die zu einer innovativen und aufregenden Musik wurde. Bevor Darío nach New York zurückkehrte, wo er lebt, trafen sie sich in einem Tonstudio in Buenos Aires, um die Musik, die aus diesem Treffen entstand, festzuhalten. Die Aufnahme wurde von dem Ingenieur Amilcar Gilabert an einem Nachmittag im Februar 2003 gemacht. Diese Aufnahme ist ein lebendiges Zeugnis dieser magischen Fusion, bei der Improvisation und Kreativität zusammenkamen, um etwas wirklich Besonderes zu schaffen. Genießen Sie die Musik dieser beiden großen Künstler, die weiterhin Menschen auf der ganzen Welt inspirieren und begeistern."
============================================================
"Há 21 anos, em um festival de jazz no Uruguai, ocorreu um encontro inesquecível entre Chango Spasiuk e Darío Eskenazi. O acordeão e o piano se uniram em uma fusão única de chamamé e jazz, dando vida a uma música inovadora e emocionante. Antes de Darío retornar a Nova York, cidade onde vive, eles se reuniram em um estúdio de gravação em Buenos Aires para capturar a música que nasceu desse encontro. A gravação foi realizada pelo engenheiro Amilcar Gilabert em uma tarde de fevereiro de 2003. Este registro é um testemunho vivo dessa fusão mágica, onde a improvisação e a criatividade se uniram para criar algo verdadeiramente especial. Aproveite a música desses dois grandes artistas, que continuam a inspirar e emocionar públicos em todo o mundo."
============================================================
¨Febrero 2003¨
Darío Eskenazi – Piano
Chango Spasiuk – Acordeón
Producción Ejecutiva – Chango Spasiuk / Pynandi Music
Grabación de audio – Ing. Amilcar Gilabert
Mezcla y masterización – Nicola Carrara – Camarón Brujo Música
Diseño de tapa y piezas de comunicación – Francisco Spertino
Fotos y registros audiovisuales – Jeremías Vizcaíno
Managment Chango Spasiuk (Argentina y Sudamérica) – Daniel González
Managment Chango Spasiuk (Europa) – Sebastián Ettiene
Producción General Chango Spasiuk – Pablo R. Caputo
Grabado en la ciudad de Buenos Aires en 2003 – Estudios Circo Beat
The Future in Our Past tells the story of the 1926 General Strike on its centenary. In the book, Callum Cant and Matthew Lee take us on a journey through a Britain living on its nerves, from the London docklands to the South Wales coalfields and the railways and warehouses of middle England.
100 years later, they visited the communities where the struggle burned brightest, uncovering the lessons the General Strike holds for labour movements today.
The Future in our Past: The General Strike, 1926/2026 by Callum Cant and Matthew Lee is out now: https://www.versobooks.com/products/3483-the-future-in-our-past?utm_source=youtube&utm_medium=social&utm_campaign=may_day_26
Celebrate May Day with up to 40% off all books on our site until May 10th at 11:59pm ET: https://www.versobooks.com/blogs/news/site-wide-sale-celebrate-may-day-with-verso-up-to-40-off?utm_source=youtube&utm_medium=social&utm_campaign=may_day_26
Hace 21 años, en un festival de jazz en Uruguay, sucedió un encuentro memorable entre Chango Spasiuk y Darío Eskenazi.
El acordeón y el piano se unieron en una fusión única de chamamé y jazz, dando vida a una música innovadora y emocionante.
Antes del regreso de Darío a Nueva York, ciudad donde vive, se reunieron en un estudio de grabación en la ciudad de Buenos Aires para plasmar la música que nació de ese encuentro.
La grabación fue realizada por el ingeniero Amilcar Gilabert una tarde de febrero del año 2003.
Este registro es un testimonio vivo de aquella fusión mágica, donde la improvisación y la creatividad se unieron para crear algo verdaderamente especial.
Disfruta de la música de estos dos grandes artistas, que siguen inspirando y emocionando a audiencias de todo el mundo."
============================================================
"21 years ago, at a jazz festival in Uruguay, a memorable encounter took place between Chango Spasiuk and Darío Eskenazi. The accordion and piano came together in a unique fusion of chamamé and jazz, giving life to an innovative and exciting music. Before Darío's return to New York, the city where he lives, they gathered at a recording studio in Buenos Aires to capture the music born from that encounter. The recording was made by engineer Amilcar Gilabert one afternoon in February 2003. This record is a living testament to that magical fusion, where improvisation and creativity came together to create something truly special. Enjoy the music of these two great artists, who continue to inspire and thrill audiences around the world."
============================================================
"Il y a 21 ans, dans un festival de jazz en Uruguay, un rencontre mémorable a eu lieu entre Chango Spasiuk et Darío Eskenazi. L'accordéon et le piano se sont unis dans une fusion unique de chamamé et de jazz, donnant vie à une musique innovante et excitante. Avant le retour de Darío à New York, la ville où il vit, ils se sont réunis dans un studio d'enregistrement à Buenos Aires pour capturer la musique née de cette rencontre. L'enregistrement a été réalisé par l'ingénieur Amilcar Gilabert un après-midi de février 2003. Ce disque est un témoignage vivant de cette fusion magique, où l'improvisation et la créativité se sont unies pour créer quelque chose de vraiment spécial. Profitez de la musique de ces deux grands artistes, qui continuent d'inspirer et de passionner les auditoires du monde entier."
============================================================
"Vor 21 Jahren fand auf einem Jazz-Festival in Uruguay ein unvergessliches Treffen zwischen Chango Spasiuk und Darío Eskenazi statt. Akkordeon und Klavier verschmolzen zu einer einzigartigen Fusion von Chamamé und Jazz, die zu einer innovativen und aufregenden Musik wurde. Bevor Darío nach New York zurückkehrte, wo er lebt, trafen sie sich in einem Tonstudio in Buenos Aires, um die Musik, die aus diesem Treffen entstand, festzuhalten. Die Aufnahme wurde von dem Ingenieur Amilcar Gilabert an einem Nachmittag im Februar 2003 gemacht. Diese Aufnahme ist ein lebendiges Zeugnis dieser magischen Fusion, bei der Improvisation und Kreativität zusammenkamen, um etwas wirklich Besonderes zu schaffen. Genießen Sie die Musik dieser beiden großen Künstler, die weiterhin Menschen auf der ganzen Welt inspirieren und begeistern."
============================================================
"Há 21 anos, em um festival de jazz no Uruguai, ocorreu um encontro inesquecível entre Chango Spasiuk e Darío Eskenazi. O acordeão e o piano se uniram em uma fusão única de chamamé e jazz, dando vida a uma música inovadora e emocionante. Antes de Darío retornar a Nova York, cidade onde vive, eles se reuniram em um estúdio de gravação em Buenos Aires para capturar a música que nasceu desse encontro. A gravação foi realizada pelo engenheiro Amilcar Gilabert em uma tarde de fevereiro de 2003. Este registro é um testemunho vivo dessa fusão mágica, onde a improvisação e a criatividade se uniram para criar algo verdadeiramente especial. Aproveite a música desses dois grandes artistas, que continuam a inspirar e emocionar públicos em todo o mundo."
============================================================
¨Febrero 2003¨
Darío Eskenazi – Piano
Chango Spasiuk – Acordeón
Producción Ejecutiva – Chango Spasiuk / Pynandi Music
Grabación de audio – Ing. Amilcar Gilabert
Mezcla y masterización – Nicola Carrara – Camarón Brujo Música
Diseño de tapa y piezas de comunicación – Francisco Spertino
Fotos y registros audiovisuales – Jeremías Vizcaíno
Managment Chango Spasiuk (Argentina y Sudamérica) – Daniel González
Managment Chango Spasiuk (Europa) – Sebastián Ettiene
Producción General Chango Spasiuk – Pablo R. Caputo
Grabado en la ciudad de Buenos Aires en 2003 – Estudios Circo Beat
Kdenlive has built-in presets to render videos with alpha channels, so you can export projects with transparent backgrounds.
This is a good way to reuse assets without needing to keep image sequences.
► Support the channel: https://ko-fi.com/nuxttux
Chapters:
0:00 Opening
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In this extra bonus editing video I'll be demonstrating an alternate method of producing a starless image in Siril that gives me high quality files to do further editing in Photoshop.
#seestar.official
Video Equipment:
Sony A7siii https://amzn.to/3z7LZ8q
Sony 20mm f1.8 G https://amzn.to/3Bc9sam
Sony 24mm f1.4 GM https://amzn.to/3xMTMYY
Tamron 28-75 f2.8 Sony https://amzn.to/3es44Gw
Tamron 28-200 Sony https://amzn.to/3zeqtz1
DJI Osmo Pocket 3 Combo Kit https://amzn.to/3QYSjuk
Z96 video lights https://amzn.to/2LYYey6
Yongnuo YN300 video lights https://amzn.to/2qTfU6V
Rode Wireless Go ii Radio Microphones https://amzn.to/3wROry9
Magmod Flash Modifiers https://amzn.to/2ElgBZD
As an Amazon Associate I earn from qualifying purchases. I earn a very small commission on the above links if you decide to purchase the item. This commission slowly adds up and greatly helps me to continue creating content for this channel. I very much appreciate your support!
vou deixar abaixo os produtos mencionados no vídeo.
contato do vendedor da bateria Danilo beco Diagonal
https://Wa.me/5511910419497
contato do vendedor do motor metal gold
Wa.me/55 31 9948-9017
site Metal gold
https://www.metalgold.com.br/
ou compre pela shope.ee
motor
https://s.shopee.com.br/4fskNCL6oM
controladora
https://s.shopee.com.br/5q4hleioDX
painel
https://s.shopee.com.br/9Uy08jMMpy
conheça os produtos boxer
Boxersoldas.com.br
mig 0 a melhor máquina de solda sem gás
https://meli.la/2ni5Lkg
arame solda sem gás
https://s.shopee.com.br/8fOt9VdrbD
conheça os produtos Bluetti e compre com nosso cupom para ter 5%de desconto
BLUETTI BR: Estação de Energia Portátil, Kit de Gerador Solar https://share.google/WFi76s7rix281P5LI
marcador de precisão
https://canal-pox-tutoriais.lojaintegrada.com.br/?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAb21jcARhbIdleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA81NjcwNjczNDMzNTI0MjcAAaeWWDOZfwD6sPi210gAGtnWtM9KVcbT0afKOpM9pI40ErWJ-V3Hm2Ewc61G3w_aem_EPmosGkqq3DZofUkgvuP4w
Big thanks to Bambu Lab for supporting the channel — check out their printers here: https://dada.link/ia28Zl
I’ve been looking for one of these for a couple of years and when this 1957 Kuhlmann pantograph finally turned up, it definitely needed some attention.
In this video I go through the process of bringing it back to life — cleaning, repairing, and getting it working the way it should. It’s a really interesting machine, almost like a manual CNC, and now that it’s set up properly it’s incredibly satisfying to use.
Hope you enjoy the process
#bambulab
As always I'm happy to answer any questions.
If you would like to support this channel you can do so here
https://www.patreon.com/PaskMakes
You can also help me out by purchasing one of my shirts, you can find them here https://paskmakes.threadless.com
Check out my new website
http://paskmakes.com/
Check out my Instagram to see more of my work https://www.instagram.com/paskmakes/
Also you can check out my photography at my website (nothing to do with making but you may be interested in what I do) http://www.neilpaskinphotography.com
My email can be found in the about section of this channel.
For real mail,
Pask Makes
P.O BOX 768
Yandina
Queensland
4561
Australia
Por que a China é tão segura?
Na cidade dos pandas eu descobri a verdade.
Curso de mandarim completo: https://mestresdomandarim.com.br
Se inscreva no canal: https://www.youtube.com/channel/UCprD...
Quem sou eu?
Karina Cunha é tradutora profissional e professora de mandarim. Com 15 anos de vivência na China, adquiriu nível máximo (6) no teste HSK. Voltou para o Brasil em 2012 após se formar em administração e desde então trabalha diariamente em contato com a língua chinesa.
#darktable #tutorial #restoration
In this episode, we look at how you might correct for colour shifts in old photographic prints.
00:00 start
00:24 intro
00:53 funeral
01:30 image 1
06:43 image 2
08:43 image 3
10:50 more videos like this
As always, thanks to William Justice for his youtube chapter generator!
https://billjustice.com/youtube-chapter-generator
Also, thanks to my tier 1 Patreon supporters:
William Atkinson
Totoroot
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travellingjournalist
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peterschlaufer
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Dan Putler
If you'd like to support my work, get access to these videos before everyone else, AND get access to additional content, please head over to patreon.com/understandingdarktable and pick a tier that is comfortable for you.
I've had so many people ask me about the editing methods I use to incorporate my Seestar S30 Pro images together with my astro landscape foregrounds. Well here it is. In this video I'll go through the whole process using a number of different software packages.
Let me know what you think in the comments below.
I intend to follow this up with another editing video shortly using a different method to produce a starless image.
Video Equipment:
Sony A7siii https://amzn.to/3z7LZ8q
Sony 20mm f1.8 G https://amzn.to/3Bc9sam
Sony 24mm f1.4 GM https://amzn.to/3xMTMYY
Tamron 28-75 f2.8 Sony https://amzn.to/3es44Gw
Tamron 28-200 Sony https://amzn.to/3zeqtz1
DJI Osmo Pocket 3 Combo Kit https://amzn.to/3QYSjuk
Z96 video lights https://amzn.to/2LYYey6
Yongnuo YN300 video lights https://amzn.to/2qTfU6V
Rode Wireless Go ii Radio Microphones https://amzn.to/3wROry9
Magmod Flash Modifiers https://amzn.to/2ElgBZD
As an Amazon Associate I earn from qualifying purchases. I earn a very small commission on the above links if you decide to purchase the item. This commission slowly adds up and greatly helps me to continue creating content for this channel. I very much appreciate your support!
To support independent science journalism and get bonus content ...
JOIN OUR PATREON: https://www.patreon.com/Howtown
Here are some of the wonderful people on who support this channel through our Patreon Town Council:
Bev Fong
Sean Barrett
Jon Hewett
Albychen
Aatish Bhatia
avaren
Evan Hass
Mark Tinker
L.A. O’Connor
Marcos Huerta
Joaquim Salles
Sam Gaty
Edgar Sutawika
Tim Davey
Navneet
Pedro ZM
Martin Weeks
Dimi
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Estelle Caswell
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Slightly Suspicious Mind
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omg.science
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Scott Heimendinger
Thin Air
Do animals actually like music — or are humans just projecting? In this episode of Howtown, we investigate the science of animals and music through experiments with cotton-top tamarins, orangutans, rats, mice, parrots, dogs, cats, and a wild fox who seemed captivated by a banjo.
We look at what animal behavior research, neuroscience, and music cognition can tell us about rhythm, pitch, melody, consonance, dissonance, emotion, reward, pattern recognition, and why human brains find music so powerful. Along the way, we explore studies on cotton-top tamarins preferring silence to human music, orangutans choosing silence over different music genres, rats conditioned to prefer Miles Davis, mice exposed to Beethoven during development, dogs howling along to favorite songs, and Snowball the cockatoo dancing to the beat.
Featuring conversations with researchers and musicians including Aniruddh Patel, Pralle Kriengwatana, David Teie, Suzanne MacDonald, and Andy Thorn, this episode asks: can animals hear music the way we do? Can they recognize rhythm or melody? Do they feel emotion from music? And what does animal music research reveal about the evolution of music in humans?
00:00 the song
00:56 the fox
02:09 what’s music?
02:56 pitch = rhythm
05:57 incogni
07:00 tamarins & taste
08:35 orangutans & opera
10:22 other species
11:11 rats & reward
12:38 parrots & patterns
13:46 complex vocal learning
15:55 shallow howl
17:24 melody
18:41 consonance v dissonance
20:09 mice & memory
22:27 more than a feeling
23:39 the cellist
25:46 composing the song
28:41 the monkeys listen
30:26 good anthropomorphizing?
Se meu mundo cair (José Miguel Wisnik)
Renato Braz, voz
José Miguel Wisnik, piano
Gravado, mixado e masterizado no estúdio Space Blues, por Alexandre Fontanetti
En este capítulo visita nuestro Tíbet Ronny de la Cruz, presidente de COGAM, Colectivo LGTBI+ de Madrid. Nacido en República Dominicana, es muy conocido por su labor en la defensa de derechos, la lucha contra la discriminación y la alerta sobre el aumento de discursos de odio entre jóvenes. Hablamos de una figura muy activa en la visibilidad afrodescendiente dentro del colectivo.
Entre el caos habitual de los anfitriones, Ronny habla de asuntos como las diferentes plumas, las herramientas e iniciativas de COGAM ante el auge de la homofobia entre los jóvenes en España, de por qué se está retrasando salir del armario, o de la inclusión de las personas del colectivo en la ficción.
00:00 Inicio
03:00 Frank conoce Tinder, pero no Raya
09:20 ¿Qué le contestarías a Broncano en la pregunta de dinero en el banco?
13:10 Presentación de Ronny de la Cruz
19:00 Pluma negra y pluma blanca hetero
00:23 Conocemos mejor COGAM, el Colectivo LGTBI de Madrid
31:40 Por miedo se retrasa “salir del armario”
40:10 La reacción ante el asesinato de Samuel Luiz
46:25 Hablemos de República Dominicana, cuna de Ronny
54:00 Tarzán, rey blanco de la selva en África
01:00:30 ¿De qué color es el activismo LGTBI en España?
Fiquei uma semana com uma Honda NC750C DCT, cedida pela Honda Brasil pra teste. Vem ver como foi pegar estrada com ela, usar no dia a dia, veja minhas considerações sobre a suspensão, sobre a altura do solo, sobre o torque e potencia do motor.
Obrigado, Honda Brasil pela oportunidade e Confiança!
Motociclismo, Motovlog
Você já pode baixar o manual de como construir o desidratador. Para isso é só se cadastrar em nossa academia gratuita de aprendizagem online da F4F, aqui: https://academy.forests4farming.org
Acesse a biblioteca da Academia para fazer o download do manual de construção do desidratador e assista às aulas do curso de processamento e agregação de valor na academia F4F.
Você pode comprar a segunda edição impressa do livro, Agricultura Sintrópica segundo Ernst Götsch, com desenhos inéditos e originais de Ernst. Comprando o livro você apoia as pesquisas de Ernst Götsch e do CEPEAS.
Acesse a loja no link abaixo:
https://www.lojaplantandoflorestas.com
Para comprar na Europa acesse: https://bambualportugal.pt/ (inglês e português)
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