Discover the dazzling, sweeping new novel from Sunday Times bestselling author, Emily Henry, Great Big Beautiful Life.
-------------------------------------------------------------------------
Subscribe to the Penguin channel:
http://po.st/SubscribePenguinYouTube
How did Marian Keyes inspire Bryony Gordon’s writing? How do you write about family without falling into stereotypes? Which books capture the messy reality of life? And what is your favourite habit to fit reading into your life?
The Ask Penguin team returns with a shelf-load of must-read book recommendations - and we're joined by bestselling author, journalist, and podcaster Bryony Gordon to discuss her debut novel, People Pleaser.
Discover all the books mentioned in this episode here: https://www.penguin.co.uk/discover/articles/must-read-book-to-make-me-laugh-bryony-gordon
The novel follows Olivia Greenwood, a self-confessed people pleaser who, after one chaotic night out, decides it’s time to start living life on her own terms. Bryony Gordon is a columnist, author, and host of the podcast The Life of Bryony. She is the author of several bestselling books, including Mad Girl and You Got This, both Sunday Times No.1 bestsellers and British Book Award nominees, and is a passionate advocate for mental health, founding Mental Health Mates, a global peer support network. People Pleaser is her first novel.
Keep up to date and listen to more episodes here: https://podfollow.com/thepenguinpodcast
For more information about the National Year of Reading click explore
https://goallin.org.uk
Ask Penguin is the podcast where your quirkiest, trickiest, and most urgent book questions get answered. Hosted by Rhianna Dhillon, we bring bestselling authors and Penguin insiders to explore some of your favourite books and discover new ones that you are yet to read.
Keep up to date and listen to more episodes here: https://podfollow.com/thepenguinpodcast
0:00 Intro
01:01 Bryony Gordon
38:33 Ask Penguin Questions
56:41 Outro
Does decolonization require violence? In episode 172 of Overthink, Ellie and David take a closer look at Frantz Fanon’s The Wretched of the Earth, “the bible of decolonization.” They discuss Fanon’s bold stance on violence, his condemnation of rituals and dance, and some potential criticisms. They also question what the subjectivity of colonized people looks like given colonialism’s psycho-affective effects. What does violence do for the colonized? Who gets liberation movements off the ground? And what are the challenges that a newly independent nation might face once a colonial power has been overthrown? In the Substack bonus segment, your hosts talk about Fanon’s critique of Africanism and some of the clinical cases Fanon incorporates into this important work.
Go to Quince.com/overthink for free shipping on your orders and 365-day returns. Now available in Canada, too. Go to Rula.com/overthink for convenient therapy that’s covered by insurance.
Overthink is a philosophy podcast hosted by your new favorite professors, Ellie Anderson (Pomona College) and David Peña-Guzmán (San Francisco State University). Check out our episodes for deep dives into concepts such as existential anxiety, empathy, and gaslighting.
Works Discussed:
Frantz Fanon, The Wretched of The Earth
Concerning Violence (2014)
Enjoy our work? Support Overthink via tax-deductible donation: https://www.givecampus.com/fj0w3v
Subscribe to our Substack for ad-free versions of both audio and video episodes, extended episodes, exclusive live chats, and more: https://overthinkpod.substack.com/
Website: overthinkpodcast.com
Substack: overthinkpod.substack.com
Facebook: https://www.facebook.com/Overthink-podcast-105420885026249
Apple podcasts: https://podcasts.apple.com/us/podcast/overthink/id1538249280
Spotify: https://open.spotify.com/show/4aIlXHTDz5vrc78DyjFg66
Art19 RSS: https://rss.art19.com/overthink
Find us on Instagram, Twitter, and TikTok at @overthink_pod
Juan Leyrado. Después de indagar a fondo en la compleja personalidad del autor de Facundo, el actor lo trae al presente en la Sala Solidaridad del CCC. «Subo al escenario y soy Sarmiento», dice. Historia, prejuicios y postales de una Argentina en crisis.
Leé la nota completa en:
https://accion.coop/2026/05/13/cultura/de-cerca/subo-al-escenario-y-soy-sarmiento/
On April 9th, 1959, Malcolm Scott Carpenter was announced by NASA as being one of seven astronauts chosen for Project Mercury. At Cape Canaveral in Florida a year later, Carpenter boarded the Aurora 7 spacecraft and circled Earth three times. On the eve of his historic journey, Carpenter’s father, Marion, wrote him a letter.
None other than British astronaut Tim Peake joined us to read this poignant letter at an Earth Day edition of Letters Live in support of Greenpeace, at London's Royal Albert Hall.
Hace 21 años, en un festival de jazz en Uruguay, sucedió un encuentro memorable entre Chango Spasiuk y Darío Eskenazi.
El acordeón y el piano se unieron en una fusión única de chamamé y jazz, dando vida a una música innovadora y emocionante.
Antes del regreso de Darío a Nueva York, ciudad donde vive, se reunieron en un estudio de grabación en la ciudad de Buenos Aires para plasmar la música que nació de ese encuentro.
La grabación fue realizada por el ingeniero Amilcar Gilabert una tarde de febrero del año 2003.
Este registro es un testimonio vivo de aquella fusión mágica, donde la improvisación y la creatividad se unieron para crear algo verdaderamente especial.
Disfruta de la música de estos dos grandes artistas, que siguen inspirando y emocionando a audiencias de todo el mundo."
============================================================
"21 years ago, at a jazz festival in Uruguay, a memorable encounter took place between Chango Spasiuk and Darío Eskenazi. The accordion and piano came together in a unique fusion of chamamé and jazz, giving life to an innovative and exciting music. Before Darío's return to New York, the city where he lives, they gathered at a recording studio in Buenos Aires to capture the music born from that encounter. The recording was made by engineer Amilcar Gilabert one afternoon in February 2003. This record is a living testament to that magical fusion, where improvisation and creativity came together to create something truly special. Enjoy the music of these two great artists, who continue to inspire and thrill audiences around the world."
============================================================
"Il y a 21 ans, dans un festival de jazz en Uruguay, un rencontre mémorable a eu lieu entre Chango Spasiuk et Darío Eskenazi. L'accordéon et le piano se sont unis dans une fusion unique de chamamé et de jazz, donnant vie à une musique innovante et excitante. Avant le retour de Darío à New York, la ville où il vit, ils se sont réunis dans un studio d'enregistrement à Buenos Aires pour capturer la musique née de cette rencontre. L'enregistrement a été réalisé par l'ingénieur Amilcar Gilabert un après-midi de février 2003. Ce disque est un témoignage vivant de cette fusion magique, où l'improvisation et la créativité se sont unies pour créer quelque chose de vraiment spécial. Profitez de la musique de ces deux grands artistes, qui continuent d'inspirer et de passionner les auditoires du monde entier."
============================================================
"Vor 21 Jahren fand auf einem Jazz-Festival in Uruguay ein unvergessliches Treffen zwischen Chango Spasiuk und Darío Eskenazi statt. Akkordeon und Klavier verschmolzen zu einer einzigartigen Fusion von Chamamé und Jazz, die zu einer innovativen und aufregenden Musik wurde. Bevor Darío nach New York zurückkehrte, wo er lebt, trafen sie sich in einem Tonstudio in Buenos Aires, um die Musik, die aus diesem Treffen entstand, festzuhalten. Die Aufnahme wurde von dem Ingenieur Amilcar Gilabert an einem Nachmittag im Februar 2003 gemacht. Diese Aufnahme ist ein lebendiges Zeugnis dieser magischen Fusion, bei der Improvisation und Kreativität zusammenkamen, um etwas wirklich Besonderes zu schaffen. Genießen Sie die Musik dieser beiden großen Künstler, die weiterhin Menschen auf der ganzen Welt inspirieren und begeistern."
============================================================
"Há 21 anos, em um festival de jazz no Uruguai, ocorreu um encontro inesquecível entre Chango Spasiuk e Darío Eskenazi. O acordeão e o piano se uniram em uma fusão única de chamamé e jazz, dando vida a uma música inovadora e emocionante. Antes de Darío retornar a Nova York, cidade onde vive, eles se reuniram em um estúdio de gravação em Buenos Aires para capturar a música que nasceu desse encontro. A gravação foi realizada pelo engenheiro Amilcar Gilabert em uma tarde de fevereiro de 2003. Este registro é um testemunho vivo dessa fusão mágica, onde a improvisação e a criatividade se uniram para criar algo verdadeiramente especial. Aproveite a música desses dois grandes artistas, que continuam a inspirar e emocionar públicos em todo o mundo."
============================================================
¨Febrero 2003¨
Darío Eskenazi – Piano
Chango Spasiuk – Acordeón
Producción Ejecutiva – Chango Spasiuk / Pynandi Music
Grabación de audio – Ing. Amilcar Gilabert
Mezcla y masterización – Nicola Carrara – Camarón Brujo Música
Diseño de tapa y piezas de comunicación – Francisco Spertino
Fotos y registros audiovisuales – Jeremías Vizcaíno
Managment Chango Spasiuk (Argentina y Sudamérica) – Daniel González
Managment Chango Spasiuk (Europa) – Sebastián Ettiene
Producción General Chango Spasiuk – Pablo R. Caputo
Grabado en la ciudad de Buenos Aires en 2003 – Estudios Circo Beat
The Future in Our Past tells the story of the 1926 General Strike on its centenary. In the book, Callum Cant and Matthew Lee take us on a journey through a Britain living on its nerves, from the London docklands to the South Wales coalfields and the railways and warehouses of middle England.
100 years later, they visited the communities where the struggle burned brightest, uncovering the lessons the General Strike holds for labour movements today.
The Future in our Past: The General Strike, 1926/2026 by Callum Cant and Matthew Lee is out now: https://www.versobooks.com/products/3483-the-future-in-our-past?utm_source=youtube&utm_medium=social&utm_campaign=may_day_26
Celebrate May Day with up to 40% off all books on our site until May 10th at 11:59pm ET: https://www.versobooks.com/blogs/news/site-wide-sale-celebrate-may-day-with-verso-up-to-40-off?utm_source=youtube&utm_medium=social&utm_campaign=may_day_26
Hace 21 años, en un festival de jazz en Uruguay, sucedió un encuentro memorable entre Chango Spasiuk y Darío Eskenazi.
El acordeón y el piano se unieron en una fusión única de chamamé y jazz, dando vida a una música innovadora y emocionante.
Antes del regreso de Darío a Nueva York, ciudad donde vive, se reunieron en un estudio de grabación en la ciudad de Buenos Aires para plasmar la música que nació de ese encuentro.
La grabación fue realizada por el ingeniero Amilcar Gilabert una tarde de febrero del año 2003.
Este registro es un testimonio vivo de aquella fusión mágica, donde la improvisación y la creatividad se unieron para crear algo verdaderamente especial.
Disfruta de la música de estos dos grandes artistas, que siguen inspirando y emocionando a audiencias de todo el mundo."
============================================================
"21 years ago, at a jazz festival in Uruguay, a memorable encounter took place between Chango Spasiuk and Darío Eskenazi. The accordion and piano came together in a unique fusion of chamamé and jazz, giving life to an innovative and exciting music. Before Darío's return to New York, the city where he lives, they gathered at a recording studio in Buenos Aires to capture the music born from that encounter. The recording was made by engineer Amilcar Gilabert one afternoon in February 2003. This record is a living testament to that magical fusion, where improvisation and creativity came together to create something truly special. Enjoy the music of these two great artists, who continue to inspire and thrill audiences around the world."
============================================================
"Il y a 21 ans, dans un festival de jazz en Uruguay, un rencontre mémorable a eu lieu entre Chango Spasiuk et Darío Eskenazi. L'accordéon et le piano se sont unis dans une fusion unique de chamamé et de jazz, donnant vie à une musique innovante et excitante. Avant le retour de Darío à New York, la ville où il vit, ils se sont réunis dans un studio d'enregistrement à Buenos Aires pour capturer la musique née de cette rencontre. L'enregistrement a été réalisé par l'ingénieur Amilcar Gilabert un après-midi de février 2003. Ce disque est un témoignage vivant de cette fusion magique, où l'improvisation et la créativité se sont unies pour créer quelque chose de vraiment spécial. Profitez de la musique de ces deux grands artistes, qui continuent d'inspirer et de passionner les auditoires du monde entier."
============================================================
"Vor 21 Jahren fand auf einem Jazz-Festival in Uruguay ein unvergessliches Treffen zwischen Chango Spasiuk und Darío Eskenazi statt. Akkordeon und Klavier verschmolzen zu einer einzigartigen Fusion von Chamamé und Jazz, die zu einer innovativen und aufregenden Musik wurde. Bevor Darío nach New York zurückkehrte, wo er lebt, trafen sie sich in einem Tonstudio in Buenos Aires, um die Musik, die aus diesem Treffen entstand, festzuhalten. Die Aufnahme wurde von dem Ingenieur Amilcar Gilabert an einem Nachmittag im Februar 2003 gemacht. Diese Aufnahme ist ein lebendiges Zeugnis dieser magischen Fusion, bei der Improvisation und Kreativität zusammenkamen, um etwas wirklich Besonderes zu schaffen. Genießen Sie die Musik dieser beiden großen Künstler, die weiterhin Menschen auf der ganzen Welt inspirieren und begeistern."
============================================================
"Há 21 anos, em um festival de jazz no Uruguai, ocorreu um encontro inesquecível entre Chango Spasiuk e Darío Eskenazi. O acordeão e o piano se uniram em uma fusão única de chamamé e jazz, dando vida a uma música inovadora e emocionante. Antes de Darío retornar a Nova York, cidade onde vive, eles se reuniram em um estúdio de gravação em Buenos Aires para capturar a música que nasceu desse encontro. A gravação foi realizada pelo engenheiro Amilcar Gilabert em uma tarde de fevereiro de 2003. Este registro é um testemunho vivo dessa fusão mágica, onde a improvisação e a criatividade se uniram para criar algo verdadeiramente especial. Aproveite a música desses dois grandes artistas, que continuam a inspirar e emocionar públicos em todo o mundo."
============================================================
¨Febrero 2003¨
Darío Eskenazi – Piano
Chango Spasiuk – Acordeón
Producción Ejecutiva – Chango Spasiuk / Pynandi Music
Grabación de audio – Ing. Amilcar Gilabert
Mezcla y masterización – Nicola Carrara – Camarón Brujo Música
Diseño de tapa y piezas de comunicación – Francisco Spertino
Fotos y registros audiovisuales – Jeremías Vizcaíno
Managment Chango Spasiuk (Argentina y Sudamérica) – Daniel González
Managment Chango Spasiuk (Europa) – Sebastián Ettiene
Producción General Chango Spasiuk – Pablo R. Caputo
Grabado en la ciudad de Buenos Aires en 2003 – Estudios Circo Beat
Kdenlive has built-in presets to render videos with alpha channels, so you can export projects with transparent backgrounds.
This is a good way to reuse assets without needing to keep image sequences.
► Support the channel: https://ko-fi.com/nuxttux
Chapters:
0:00 Opening
Download Kdenlive and Fritction
https://kdenlive.org/
https://friction.graphics/
=============================
#kdenlive #Nuxttux #transparentbackground
=============================
Subscribe for more content
=============================
Where to find me:
Website: https://www.nuxttux.com/
In this extra bonus editing video I'll be demonstrating an alternate method of producing a starless image in Siril that gives me high quality files to do further editing in Photoshop.
#seestar.official
Video Equipment:
Sony A7siii https://amzn.to/3z7LZ8q
Sony 20mm f1.8 G https://amzn.to/3Bc9sam
Sony 24mm f1.4 GM https://amzn.to/3xMTMYY
Tamron 28-75 f2.8 Sony https://amzn.to/3es44Gw
Tamron 28-200 Sony https://amzn.to/3zeqtz1
DJI Osmo Pocket 3 Combo Kit https://amzn.to/3QYSjuk
Z96 video lights https://amzn.to/2LYYey6
Yongnuo YN300 video lights https://amzn.to/2qTfU6V
Rode Wireless Go ii Radio Microphones https://amzn.to/3wROry9
Magmod Flash Modifiers https://amzn.to/2ElgBZD
As an Amazon Associate I earn from qualifying purchases. I earn a very small commission on the above links if you decide to purchase the item. This commission slowly adds up and greatly helps me to continue creating content for this channel. I very much appreciate your support!
vou deixar abaixo os produtos mencionados no vídeo.
contato do vendedor da bateria Danilo beco Diagonal
https://Wa.me/5511910419497
contato do vendedor do motor metal gold
Wa.me/55 31 9948-9017
site Metal gold
https://www.metalgold.com.br/
ou compre pela shope.ee
motor
https://s.shopee.com.br/4fskNCL6oM
controladora
https://s.shopee.com.br/5q4hleioDX
painel
https://s.shopee.com.br/9Uy08jMMpy
conheça os produtos boxer
Boxersoldas.com.br
mig 0 a melhor máquina de solda sem gás
https://meli.la/2ni5Lkg
arame solda sem gás
https://s.shopee.com.br/8fOt9VdrbD
conheça os produtos Bluetti e compre com nosso cupom para ter 5%de desconto
BLUETTI BR: Estação de Energia Portátil, Kit de Gerador Solar https://share.google/WFi76s7rix281P5LI
marcador de precisão
https://canal-pox-tutoriais.lojaintegrada.com.br/?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAb21jcARhbIdleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA81NjcwNjczNDMzNTI0MjcAAaeWWDOZfwD6sPi210gAGtnWtM9KVcbT0afKOpM9pI40ErWJ-V3Hm2Ewc61G3w_aem_EPmosGkqq3DZofUkgvuP4w
Big thanks to Bambu Lab for supporting the channel — check out their printers here: https://dada.link/ia28Zl
I’ve been looking for one of these for a couple of years and when this 1957 Kuhlmann pantograph finally turned up, it definitely needed some attention.
In this video I go through the process of bringing it back to life — cleaning, repairing, and getting it working the way it should. It’s a really interesting machine, almost like a manual CNC, and now that it’s set up properly it’s incredibly satisfying to use.
Hope you enjoy the process
#bambulab
As always I'm happy to answer any questions.
If you would like to support this channel you can do so here
https://www.patreon.com/PaskMakes
You can also help me out by purchasing one of my shirts, you can find them here https://paskmakes.threadless.com
Check out my new website
http://paskmakes.com/
Check out my Instagram to see more of my work https://www.instagram.com/paskmakes/
Also you can check out my photography at my website (nothing to do with making but you may be interested in what I do) http://www.neilpaskinphotography.com
My email can be found in the about section of this channel.
For real mail,
Pask Makes
P.O BOX 768
Yandina
Queensland
4561
Australia
Por que a China é tão segura?
Na cidade dos pandas eu descobri a verdade.
Curso de mandarim completo: https://mestresdomandarim.com.br
Se inscreva no canal: https://www.youtube.com/channel/UCprD...
Quem sou eu?
Karina Cunha é tradutora profissional e professora de mandarim. Com 15 anos de vivência na China, adquiriu nível máximo (6) no teste HSK. Voltou para o Brasil em 2012 após se formar em administração e desde então trabalha diariamente em contato com a língua chinesa.
#darktable #tutorial #restoration
In this episode, we look at how you might correct for colour shifts in old photographic prints.
00:00 start
00:24 intro
00:53 funeral
01:30 image 1
06:43 image 2
08:43 image 3
10:50 more videos like this
As always, thanks to William Justice for his youtube chapter generator!
https://billjustice.com/youtube-chapter-generator
Also, thanks to my tier 1 Patreon supporters:
William Atkinson
Totoroot
Peter Frohberg
travellingjournalist
SaturdayScience
Rainer H
Bas van de Kerkhof
Marcus Ahlberg
Dave Shepherd
Pascal
John Bell
mike s
Carsten Wünsch
Alexander Haak
Kevin McKibben
chris8142
Rudolfs
Gitte
David Staves
Erik Oksanen
Rob van Esseveld
Ferg
Fernando Pérez
Steve Ansell
Emil Ohlsson
Robert Stites
Daniel
Bart Bartels
Ulrich Gesing
Andy McGarty
Michael Rasmussen
Matthias Liebich
Martin Vines
Rohn Shearer
Alun Spencer
Jon Hoskins
SteMuBo
Stewart Logie
Henry St. Clair
peterschlaufer
Larry
Dan Putler
If you'd like to support my work, get access to these videos before everyone else, AND get access to additional content, please head over to patreon.com/understandingdarktable and pick a tier that is comfortable for you.
I've had so many people ask me about the editing methods I use to incorporate my Seestar S30 Pro images together with my astro landscape foregrounds. Well here it is. In this video I'll go through the whole process using a number of different software packages.
Let me know what you think in the comments below.
I intend to follow this up with another editing video shortly using a different method to produce a starless image.
Video Equipment:
Sony A7siii https://amzn.to/3z7LZ8q
Sony 20mm f1.8 G https://amzn.to/3Bc9sam
Sony 24mm f1.4 GM https://amzn.to/3xMTMYY
Tamron 28-75 f2.8 Sony https://amzn.to/3es44Gw
Tamron 28-200 Sony https://amzn.to/3zeqtz1
DJI Osmo Pocket 3 Combo Kit https://amzn.to/3QYSjuk
Z96 video lights https://amzn.to/2LYYey6
Yongnuo YN300 video lights https://amzn.to/2qTfU6V
Rode Wireless Go ii Radio Microphones https://amzn.to/3wROry9
Magmod Flash Modifiers https://amzn.to/2ElgBZD
As an Amazon Associate I earn from qualifying purchases. I earn a very small commission on the above links if you decide to purchase the item. This commission slowly adds up and greatly helps me to continue creating content for this channel. I very much appreciate your support!
To support independent science journalism and get bonus content ...
JOIN OUR PATREON: https://www.patreon.com/Howtown
Here are some of the wonderful people on who support this channel through our Patreon Town Council:
Bev Fong
Sean Barrett
Jon Hewett
Albychen
Aatish Bhatia
avaren
Evan Hass
Mark Tinker
L.A. O’Connor
Marcos Huerta
Joaquim Salles
Sam Gaty
Edgar Sutawika
Tim Davey
Navneet
Pedro ZM
Martin Weeks
Dimi
Bryce Golden-Chen
Estelle Caswell
Gregory Laborde
Yash Murthy
Matthew Stvartak
Garret Wates
Slightly Suspicious Mind
Kellyn Lorentzen-Goler
omg.science
Duncan Stannett
Keith England
Jocelyn Tabancay Duffy
Casey Schatz
Mark McCreary
Jonathan McCabe
Branden Ushjima
Esh Tatla
Wookiee Henderson
Byung-Cheol Cho
Frances Haugen
Gilbo Jiménez
Roy Lara
Kai Tze
Melanie Halley
Archie Stonehill
Ed Martini
Jose Zaragoza Jr
Jamieson Urquhart
Nate Hingst
Jay McZara
Scott Heimendinger
Thin Air
Do animals actually like music — or are humans just projecting? In this episode of Howtown, we investigate the science of animals and music through experiments with cotton-top tamarins, orangutans, rats, mice, parrots, dogs, cats, and a wild fox who seemed captivated by a banjo.
We look at what animal behavior research, neuroscience, and music cognition can tell us about rhythm, pitch, melody, consonance, dissonance, emotion, reward, pattern recognition, and why human brains find music so powerful. Along the way, we explore studies on cotton-top tamarins preferring silence to human music, orangutans choosing silence over different music genres, rats conditioned to prefer Miles Davis, mice exposed to Beethoven during development, dogs howling along to favorite songs, and Snowball the cockatoo dancing to the beat.
Featuring conversations with researchers and musicians including Aniruddh Patel, Pralle Kriengwatana, David Teie, Suzanne MacDonald, and Andy Thorn, this episode asks: can animals hear music the way we do? Can they recognize rhythm or melody? Do they feel emotion from music? And what does animal music research reveal about the evolution of music in humans?
00:00 the song
00:56 the fox
02:09 what’s music?
02:56 pitch = rhythm
05:57 incogni
07:00 tamarins & taste
08:35 orangutans & opera
10:22 other species
11:11 rats & reward
12:38 parrots & patterns
13:46 complex vocal learning
15:55 shallow howl
17:24 melody
18:41 consonance v dissonance
20:09 mice & memory
22:27 more than a feeling
23:39 the cellist
25:46 composing the song
28:41 the monkeys listen
30:26 good anthropomorphizing?
Se meu mundo cair (José Miguel Wisnik)
Renato Braz, voz
José Miguel Wisnik, piano
Gravado, mixado e masterizado no estúdio Space Blues, por Alexandre Fontanetti
Login
