What’s up with rocket stages crashing into the moon? Neil deGrasse breaks down headlines about SpaceX rocket stages crashing into the moon and ways of dealing with space junk as we begin a possible permanent presence on the moon.
Timestamps:
00:00 - Rocket Parts Slamming Into the Moon
01:43 - The Different Rocket Stages
05:26 - Moon Quake Detectors
08:10 - SpaceX Slamming Into the Moon
09:32 - Finding Apollo 12’s Third Stage & The Tesla Roadster
11:10 - Protecting the Moon Base
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Science meets pop culture on StarTalk! Astrophysicist & Hayden Planetarium director Neil deGrasse Tyson, his comic co-hosts, guest celebrities & scientists discuss astronomy, physics, and everything else about life in the universe. Keep Looking Up!
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✅ Melhore seu setup com as mesas Geniodesk (30 dias de teste): https://geniodesk.com.br/?utm_source=diolinux
Use o cupom DIOLINUX para 5% OFF.
Será que um iniciante consegue instalar e configurar o Linux do zero seguindo apenas os conselhos da Inteligência Artificial? No vídeo de hoje, colocamos o Gemini (a IA do Google) à prova para testar se os chatbots são realmente confiáveis para quem quer migrar para o Linux ou se eles alucinam a ponto de quebrar o sistema.
Ignorando mais de 15 anos de experiência com o sistema do Tux, fiz o papel de um usuário vindo do Windows tentando se livrar da Mcirosoft. Analisamos desde o guia de instalação passo a passo até as configurações pós-instalação avançadas, mostrando onde a IA acerta com precisão e onde ela se perde completamente em respostas erradas.
Se você utiliza o ChatGPT, Gemini ou Claude para tirar dúvidas de terminal, instalar programas ou resolver erros no Linux, entenda os riscos e aprenda como filtrar as dicas boas dos conteúdos incorretos gerados por LLMs.
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📎 Fontes e Links referentes ao conteúdo:
‣ Como a Inteligência Artificial Generativa Funciona na Prática: https://youtu.be/nv0P9n_JU60
00:00 - Inteligência Artificial é confiável para te ajudar com Linux?
01:53 - O primeiro desafio: Como instalar o Linux e remover o Windows
02:47 - Qual a melhor distro para iniciantes: Ubuntu ou Linux Mint?
03:38 - Passo a passo: Baixando a ISO e preparando o pen drive
06:07 - Resolvendo problemas de Boot e BIOS com a IA
08:14 - Iniciando o instalador do Linux Mint
09:12 - Configurações regionais e de teclado
10:06 - Conectando ao Wi-Fi e baixando drivers essenciais
11:33 - Formatando o SSD e apagando o Windows
14:44 - Finalizando a configuração de usuário e fuso horário
16:44 - Primeiro boot e login no novo sistema
17:30 - Pós-instalação: Atualizando o sistema e repositórios
20:12 - Dicas bônus: Customização, Backups e Segurança (Firewall)
22:18 - Como instalar programas (Discord) no Linux Mint
24:12 - Conclusão: A IA substitui o conhecimento técnico?
Principais destaques do vídeo:
‣ Testando o Gemini gratuito no processo de instalação do Linux
‣ A IA realmente ajuda usuários iniciantes a saírem do Windows?
‣ Onde os chatbots acertam: resolução de erros simples e comandos diretos
‣ Onde a IA falha gravemente: pós-instalação e configurações técnicas avançadas
‣ Como usar a Inteligência Artificial no Linux sem comprometer seu sistema
📹 Produção:
Roteiro e Apresentação: Dionatan Simioni
Edição e efeitos: Willian Zanella
Thumbnail: @adrielfilipetech
D. Carleton Gajdusek won the Nobel Prize for his work on a disease in Papua New Guinea. In the course of three decades, he brought dozens of boys from the Pacific Islands to live with him in the United States. Gajdusek cast the arrangement in philanthropic as well as anthropological terms, but the reality was darker. What became of the boys he brought to America has never been fully reported—until now.
👉 Link para a planilha: https://docs.google.com/spreadsheets/d/1ZZWzMAPCjpzyY3zlNLkCmghwlSujpOuqrCbsXSD0H5c/edit?usp=sharing
GRUPO DE OFERTAS:
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🎧 MINHA MARCA DE FONES: https://l.kuba.audio/8a5rZY
🎁 LISTA DE PRODUTOS RECOMENDADOS: https://mindtheheadphone.com.br/?page_id=520
👓 Meus óculos: http://zerezes.com.br (cupom "EZ-LEODRUMMOND")
🎶 PLAYLIST PARA TESTAR FONES: https://bit.ly/3gpqoQa
Câmeras e Lentes
• Sony A6400: https://amzn.to/3slfAYZ
• Sony A6500: https://amzn.to/2zneOEN
• Lente Sigma 16mm f/1.4 DC DN: https://amzn.to/3vbAlqK
• Lente Sigma 30mm f/1.4 DC DN: https://amzn.to/2THw8ev
• Lente Sony E 4/PZ 18-105 G OSS: https://amzn.to/3ehaoOg
Alguns links fornecidos nas descrições dos vídeos e planilhas são comissionados. Isso significa que, ao comprar um produto por meio destes links, ganho uma pequena comissão em cima dessa venda. Porém, como digo frequentemente, isso de forma alguma afeta minha imparcialidade, como explico no seguinte vídeo, que pode ser assistido para maiores esclarecimentos: https://youtu.be/Z_JV9Ke4ghE
No começo de agosto, teve início a Campanha de Multivacinação de 2026, que oferta 20 imunizantes do Calendário Nacional de Vacinação até o dia 1º de setembro.
Durante o Dia D da campanha, em 22 de agosto, os postos de saúde abrem em horários especiais para facilitar o acesso da população às vacinas.
Após o registro de casos de sarampo relacionados à importação do vírus, o Ministério da Saúde está intensificando a vacinação contra a doença em São Paulo, Guarulhos e São Bernardo do Campo, ampliando a oferta para todas as pessoas de 6 meses a 59 anos.
Neste Assunto da Semana, Mariana Varella fala sobre a importância da vacinação.
Assista também:
Pra quem eu vou contar? - Um retrato da violência doméstica no Brasil: https://bit.ly/4ei98Jx
Trocando Ideia com Drauzio Varella: https://bit.ly/3Cg1Ng9
Conteúdos sobre o SUS: https://bit.ly/4feXjFj
Inscreva-se na newsletter semanal: https://bit.ly/NewsletterPortalDrauzio
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DrauzioCast: https://bit.ly/2NP7o4n
Outras Histórias: https://bit.ly/3rd2L1y
Por Que Dói?: https://bit.ly/2QpNfCH
Saúde Sem Tabu: https://bit.ly/3vYTBJQ
Conversando com chineses, eles me explicaram sobre a pressão da concorrência e a vontade de sair da China para melhorar de vida.
Curso de mandarim completo: https://mestresdomandarim.com.br
Se inscreva no canal: https://www.youtube.com/channel/UCprD...
Quem sou eu?
Karina Cunha é tradutora profissional e professora de mandarim. Com 15 anos de vivência na China, adquiriu nível máximo (6) no teste HSK. Voltou para o Brasil em 2012 após se formar em administração e desde então trabalha diariamente em contato com a língua chinesa.
Com a probabilidade de chegar a uma intensidade muito alta entre a primavera e o início do verão, o El Niño pode aumentar o risco de incêndios florestais e piorar a incidência das queimadas descontroladas.
Devido à liberação de uma grande quantidade de fumaça e partículas tóxicas na atmosfera, estes fenômenos podem trazer prejuízos à saúde pulmonar, cardíaca e mental.
Neste vídeo, Drauzio Varella fala sobre o impacto dos incêndios florestais.
Assista também:
Pra quem eu vou contar? - Um retrato da violência doméstica no Brasil: https://bit.ly/4ei98Jx
Trocando Ideia com Drauzio Varella: https://bit.ly/3Cg1Ng9
Conteúdos sobre o SUS: https://bit.ly/4feXjFj
Inscreva-se na newsletter semanal: https://bit.ly/NewsletterPortalDrauzio
Escute nossos podcasts:
DrauzioCast: https://bit.ly/2NP7o4n
Outras Histórias: https://bit.ly/3rd2L1y
Por Que Dói?: https://bit.ly/2QpNfCH
Saúde Sem Tabu: https://bit.ly/3vYTBJQ
How did the Bayeux Tapestry survive for nearly 1,000 years?
Battles, revolutions and world wars – the Bayeux Tapestry has survived them all. But how did something made from linen and wool almost 1,000 years ago survive to tell its story today?
In this film, you’ll discover:
- How the Bayeux Tapestry was made using linen, wool and skilled embroidery
- Who may have made and commissioned it – and why
- How storage may have helped it survive for centuries
Designed for learners aged 11+, this short animation is equally suitable for families, teachers, students and anyone with an interest in history.
Discover the Bayeux Tapestry:
See the Bayeux Tapestry at the British Museum, on display from 10 September 2026 to 11 July 2027, or explore more online:
Bring the Bayeux Tapestry live into your classroom!
Join the British Museum’s live schools broadcast on 14 October 2026, for an action-packed journey through the Bayeux Tapestry, with expert guests, fascinating stories and a live student Q&A. Created especially for learners aged 7–14.
Book your class now https://www.britishmuseum.org/learn/schools/ages-7-14/live-schools-broadcast-bayeux-tapestry
Explore our wider schools offer:
https://www.britishmuseum.org/learn/schools
Subscribe to the British Museum for more films exploring history, archaeology and the world’s cultures.
When I’m making mugs, I like to make lots at once. Generally, this means spending a week or two producing 100-200 pieces, whilst juggling a number of other tasks, mainly, as I feel as if by working on so many at once, they end up being more consistent and I become faster as I’m repeating the creation process so many times in a row. It sort of feels like practice and I can always sense a difference in my ability at the beginning of a mug making session, versus how naturally they are formed and handled towards the end, after I’ve warmed up, essentially.
I throw mine from 300 grams of clay, (plus or minus 10 for speedier weighing out), to 11 cm tall by 8.5 cm wide, give or take a few millimetres. I don’t mind if one is a smidge below my throwing gauge’s pointer as I pull up the walls, or if one is fractionally too wide, as these minute discrepancies will barely be noticeable once the pot has been trimmed, handled, glazed and fired.
What I do care about though are the proportions and the slightly tapering shape. It can hard to see, but these pots are marginally wider at the base and then they slope inwards ever so slightly as they reach upwards. It’s subtle but it makes a big difference and so, if I notice that a mug is too straight, or that it flared out towards the top, it’ll be instantly destroyed if I can’t fix that during the throwing process itself. It’s good to be brutal, you can never be too precious, essentially with vessels as simple as these are.
Lifting off these thinly walled pots in the perhaps the trickiest part. There’s a bit of a knack to it, (that’s better explained in my YouTube video that specifically covers this step), but it means I can heap more onto each ware board, which means I don’t have to use batts and for a pot like this that means I end up saving a bit more space in the studio.
Space, as you quickly realise, is perhaps one of the most importance things about a potter’s studio. It’s a bottleneck you’ll often run into and you need more space during the production stage, as pots need room to dry and components eat up shelves before they’re assembled.
“I like to surprise people. Perhaps even shock my readership.”
We met German writer Jenny Erpenbeck, winner of the 2024 International Booker Prize, for a very personal conversation about reading, writing, and growing up in first a divided and then a reunified Germany.
“I would love to enter the worlds of others. And I always liked to become someone else.”
”I think in language, the sound and the thinking, the music and the writing, come together. So, the language is always, even if you read silently, something that you imagine as a sound.”
“I like to tell a story in the way in which I use the language to give it a rhythm, to slow down, to speed up, to give a feeling of hesitating. Also, the sound of the voids is interesting. What interests me most is to write something in a way so that the silence between two passages, two words, is to be heard. Language is also a way to produce silence. Like a cliff. You give the reader a cliff to look into the abyss.”
Jenny Erpenbeck (b. 1967 in East Berlin) is an opera director, playwright, and award-winning novelist. She first trained as a bookbinder, then worked as a theatre props manager before studying musical theatre direction and enjoying a successful career as an opera director from the late 1990s.
She published her debut novella, Geschichte vom alten Kind, in 1999. Susan Bernofsky’s English translation, The Old Child, was published in 2005. Erpenbeck’s other translated works include The Book of Words (2008), Visitation (2010), and The End of Days (2014, winner of the Independent Foreign Fiction Prize), and Go, Went, Gone (2017, which was longlisted for the International Booker Prize in 2018), as well as Not a Novel: Collected Writings and Reflections (2020).
Her work has been translated into over 30 languages. In 2019, her novel Visitation was named one of the 100 best books of the 21st century by the Guardian. In the United States, her novel Kairos, translated by Michael Hofmann, was longlisted for 2023’s National Book Award for Translated Literature. In May 2024, Kairos won the International Booker Prize.
Jenny Erpenbeck was interviewed by Marc-Christoph Wagner in October 2024. The conversation took place at the Louisiana Museum of Modern Art in Humlebæk, Denmark.
Camera: Jarl Therkelsen Kaldan
Edit: Nanna Dahm
Produced by: Marc-Christoph Wagner
Copyright: Louisiana Museum of Modern Art, 2026
Louisiana Channel is supported by Den A.P. Møllerske Støttefond.
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To mark the milestone, we asked New York Magazine’s senior art critic, Jerry Saltz, to select his 12 favourite pieces of advice from the series: “It’s getting them from the horse’s mouth as opposed to the horse’s you-know-what.”
Sign up for our newsletter for an exclusive preview of his selection:
https://channel.louisiana.dk/newsletter
Photo: Lucia Bell-Epstein
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O centrão passou a influenciar, nos últimos anos, uma área bilionária e que passa ao largo da opinião pública: a estrutura formada a partir do leilão do 5G.
O sistema criado pelo edital é vinculado ao setor público de Telecomunicações. Desde o começo do governo Lula, a área está sob influência do grupo político do presidente do Senado, Davi Alcolumbre (União-AP).
No novo episódio do UOL Prime, o apresentador José Roberto de Toledo conversa com a repórter Julia Affonso, que se debruçou sobre as empresas contratadas por essa estrutura, que administra quase R$ 10 bilhões.
“Every home has its own sound world,” says musician and sound artist Alice Boyd. As long-time admirers of Alice’s mesmerising soundscapes, we invited her to create a “sonic portrait” of Hunts Green Barn, an award-winning home in the Chiltern Hills of East Oxfordshire, recently on the market with us. We follow Alice as she creates her field recordings, which capture the gentle rhythms of the house and the surrounding landscape. Alices field recordings have been set to three original compositions you can listen to on Spotify.
Music and soundscapes by Alice Boyd
Film by Ellen Hancock
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