How Macron went wrong
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Catherine Taylor on bookish goings on in the north of England, from her family’s bookshop in Sheffield to the Northern Fiction Alliance of small presses; Diarmaid Ferriter considers the fraught matter of the border between Ireland and Northern Ireland; Fríða Ísberg on the spectre of war in Icelandic film and fiction
Books
The Border: The legacy of a century of Anglo-Irish politics by Diarmaid Ferriter
Hotel Silence (Ör) by Auður Ava Ólafsdóttir
Woman at War, directed by Benedikt Erlingsson
Section 6 of “American Standard”, a new poem by Paul Muldoon published in this week’s TLS; read by Lisa Dwan (full recording available as a separate podcast episode)
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Imogen Russell Williams on children's books that tackle grief and war, “offering distressed adults the calming certainty of a script, and baffled children the reassurance of straightforward answers”; Carl Miller discusses the creation, and squabbling continuation, of Reddit, one of the most popular websites in the world; A. N. Wilson considers the Travellers Club in London, now in its 200th year, where Britain's prime ministers "got stuff done"
Books
White Feather by Catherine and David MacPhail
The Skylarks’ War by Hilary McKay
An Anty-War Story by Tony Ross
Only One of Me by Lisa Wells and Michelle Robinson (illustrated by Tim Budgen and Catalina Echeverri)
The Afterwards by A. F. Harrold and Emily Gravett
We Are the Nerds: The birth and tumultuous life of Reddit, the internet's culture laboratory by Christine Lagorio-Chafkin
The Travellers Club: A bicentennial history (1819–2019) by John Martin Robinson
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Boyd Tonkin states the case – never overstated – for literature in translation, and reviews a commendable recent effort "to grasp, and to survey, the entire planet of words"; Andrew Scull considers the travails of social psychology and the egos and experiments that professed to tell us something essential about human nature by setting fire to forests or electrocuting dogs...
Books
Found in Translation: 100 of the finest short stories ever translated, edited by Frank Wynne
The Lost Boys: Inside Muzafer Sherif’s Robbers Cave experiment by Gina Perry
The Hope Circuit: A psychologist’s journey from helplessness to optimism by Martin Seligman
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With Stig Abell and Lucy Dallas
Lara Pawson drops in to tell the tale of David Wojnarowicz, the New York artist whose time has come. Elaine Showalter examines a new biography of Germaine Greer. Kim Addonizio, winner of the Mick Imlah Prize for Poetry, reads her victorious poem. Plus, Lucy admits to having an allotment, and Stig learns he has been introducing the show all wrong.
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Lucy Atkins charts our changing relationship with Orcinus orca, from "demon dolphin" to cuddly icon; Ruth Scurr on the lives and unlikely friendship of Samuel Pepys and John Evelyn
Books
Orca: How we came to know and love the ocean’s greatest predator by Jason M. Colby
John Evelyn: A life of domesticity by John Dixon Hunt
The Curious World of Samuel Pepys and John Evelyn by Margaret Willes
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Michael Caines on the little-known romantic William Gilbert, a “man of fine genius” (according to William Wordsworth) who had “unfortunately received a few rays of supernatural light through a crack in his upper story”; Daniel Beer tells the tale of the Gulag at Solovki, a converted monastery known as “the Paris of the Northern concentration camps”, a place of brutality but also of resistant culture and ideas; finally, Laurence Scott considers the cultural history of shoeshining, from Dickens to Police Squad
Books
William Gilbert and Esoteric Romanticism by Paul Cheshire
Intellectual Life and Literature at Solovki, 1923–1930: The Paris of the northern concentration camps by Andrea Gullotta
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Forty years since the controversial Spanish constitution of 1978, Rupert Shortt, Hispanic editor at the TLS, discusses the painful evolution of democracy in Spain; Siobhan Magee considers our problematic relationship with farmed animals, namely dairy cows, and crops, such as palm oil; Dwight Garner, a literary critic at the New York Times, offers glimpses into his commonplace book, in which four decades of favourite quotations converse with each other
Books
The Cow with Ear Tag #1389 by Kathryn Gillespie
Palma Africana by Michael Taussig
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A handful of TLS editors gather for the yearly process of picking through contributors' Books of the Year selections, and nominate their own books to remember; Serhii Plokhy, the winner of this year's Baillie Gifford Prize for Non-Fiction for 'Chernobyl: The history of a nuclear catastrophe', speaks to the TLS's History editor David Horspool
Selected books
The Western Wind by Samantha Harvey
Charles de Gaulle: A certain idea of France by Julian Jackson
Normal People by Sally Rooney
Murmur by Will Eaves
Circe by Madeline Miller
Talking To Women by Nell Dunn
Ghost Wall by Sarah Moss
The Collected Letters of Flann O’Brien, edited by Maebh Long
Grant by Ron Chernow
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Mary Beard joins us to answer the question: Is it accurate to call Donald Trump a fascist?, while the TLS's fiction and politics editor Toby Lichtig discusses how the President is presented, in books and on film; and Julia Bell looks back on her Oxford entrance interview - with no fondness - and wonders: "Was it a trap or a test?"
Books
Fear: Trump in the White House by Bob Woodward
The Fifth Risk by Michael Lewis
Nobody hates Trump more than Trump by David Shields
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To mark the centenary of the end of the First World War, the TLS's History editor David Horspool talks us through books, exhibitions and events that commemorate cataclysmic slaughter and scars that endure to this day; it’s easy to think of privacy invasion as a peculiarly modern phenomenon, but it has its own history dating back to the American Civil War – Sarah Igo tells us more; finally, the food writer Bee Wilson discusses two new cookbooks that capture a “fresh mood of experiment in the kitchen”
Works discussed
Pandora’s Box: A history of the First World War, by Jörn Leonhard (translated by Patrick Camiller)
Robert Graves: From Great War poet to ‘Good-Bye to All That’, 1895–1929 by Jean Moorcroft Wilson
Making a New World (across the Imperial War Museum, London, and the Imperial War Museum North)
Plus reviews and original pieces published in the TLS, including “What did Tommy read: The complex mental worlds of soldiers on the Western Front” by Bill Bell – go to the-TLS.co.uk for details
Sight Smell Touch Taste Sound: A new way to cook by Sybil Kapoor
Lateral Cooking by Niki Segnit
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As Mike Leigh's film of the Peterloo massacre of 1819 is released, Clare Pettitt revisits the history; Marina Benjamin offers a personal and literary account of the threshold between sleep and wakefulness; following the publication of a second volume of Sylvia Plath's letters, Hannah Sullivan looks for fresh insights into the poet's work, life and death; finally, Sam Riviere reads his new poem, "Sushi Tuesday"
Works discussed
Peterloo, directed by Mike Leigh
Insomnia by Marina Benjamin
The Letters of Sylvia Plath Volume I (1940-1956) and Volume II (1956-1963), edited by Peter K. Steinberg and Karen V. Kukil
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Elaine Showalter on a history of obscenity and censorship and the largely futile efforts of a US Postal Inspector; Ladee Hubbard on five years of Black Lives Matter and the myth of an egalitarian, post-racial America; Kassia St Clair on women, weaving and the rewriting of history
Books
Lust on Trial: Censorship and the rise of obscenity in the age of Anthony Comstock by Amy Werbel
The Fire This Time: A new generation speaks about race, edited by Jesmyn Ward
My Brother Moochie: Regaining dignity in the face of crime, poverty and racism in the American South by Isaac J. Bailey
The Golden Thread: How fabric changed history by Kassia St Clair
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Keith Miller joins us to discuss everybody's favourite Renaissance man; the TLS's Fiction editor Toby Lichtig meets Anna Burns, the winner of the 2018 Man Booker Prize for her novel Milkman; this year's Nobel Prize for Literature, meanwhile, remains suspended following charges of serious sexual misconduct and cronyism – Richard Orange reports on the mess that has engulfed the Swedish Academy
Books
Living with Leonardo: Fifty years of sanity and insanity in the art world and beyond by Martin Kemp
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