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【CLOSE-UP】手技TEWAZA「越前打刃物」#青山スクエア #TEWAZA #伝統的工芸品 #越前打刃物 #Shorts

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起源は14世紀初めといわれる。刃物鋼づくりから柄付けまで、20余りの工程を経て作られる。全国有数の打刃物産地。

Echizen-uchihamono is said to have originated at the beginning of the 14th century. Craftsmen went to various places to collect lacquer sap for the lacquerware production industry nearby. At the same time they peddled sickles with the took with them. In this way they expanded their market for sickles throughtout Japan. Kitchen kneves, sickles, hatchets, and garden shears are manufactured ufilizing their highly specialized techniques.

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手技 TEWAZA「越前打刃物」ECHIZEN Uchihamono/伝統工芸 青山スクエア Japan traditional crafts Aoyama Square

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起源は14世紀初めといわれる。刃物鋼づくりから柄付けまで、20余りの工程を経て作られる。全国有数の打刃物産地。

Echizen-uchihamono is said to have originated at the beginning of the 14th century. Craftsmen went to various places to collect lacquer sap for the lacquerware production industry nearby. At the same time they peddled sickles with the took with them. In this way they expanded their market for sickles throughtout Japan. Kitchen kneves, sickles, hatchets, and garden shears are manufactured ufilizing their highly specialized techniques.


★詳細はこちら Click here for detail
https://kougeihin.jp/craft/0709/

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■青山スクエアの公式WEBサイト official website
https://kougeihin.jp/​​​

■工芸品を知る search for traditional crafts
https://kougeihin.jp/learn/

https://www.instagram.com/aoyama_square/
https://twitter.com/aoyama_square

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©一般財団法人伝統的工芸品産業振興協会 All Rights Reserved.
#青山スクエア #伝統的工芸品 #TEWAZA #DENSAN #越前打刃物

【CLOSE-UP】手技TEWAZA「佐渡無名異焼」#青山スクエア #TEWAZA #伝統的工芸品 #佐渡無名異焼 #Shorts

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「無名異土」と呼ばれる酸化鉄を多量に含んだ赤土を原料とする焼物。19世紀初頭に無名異土を混ぜる赤色の楽焼が最初に始まり、明治時代に高温で硬質に焼成する現在の無名異焼が完成した。
佐渡で産出する陶土と釉薬原料を使用することが原則だが、技術の進歩や陶工たちの長年の工夫により、近年は釉薬原料や造形が多様となり、窯元ごとに特徴の異なる製品が作り出されている。

Mumyoi ware is made from red clay containing a large amount of iron oxide called “Mumyoi-do,” and was first produced in the early 19th century as Raku ware in red color mixed with Mumyoi-do, and the present Mumyoi ware, fired at high temperature and hardness, was completed in the Meiji period.
In principle, clay and glaze materials produced on Sado Island should be used, but with the advancement of technology and the ingenuity of potters over the years, glaze materials and forms have become more diverse in recent years, and each kiln produces products with different characteristics.


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©一般財団法人伝統的工芸品産業振興協会 All Rights Reserved.
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