Giovana Xavier, autora de "História social da beleza negra", e Kiusam de Oliveira, autora de "Tayó em quadrinhos", entre outros livros voltados para público infantojuvenil, falam de como a beleza e a autoestima são usadas para o fortalecimento da identidade negra, da indústria de cosméticos e do resgate de histórias de pessoas negras que foram invisibilizadas. Assine a revista e apoie o podcast 451 MHz: https://bit.ly/Assine451
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Assim que Jair Bolsonaro foi eleito presidente, o escritor Ricardo Lísias começou a escrever O Diário da Catástrofe Brasileira. A ideia inicial era que o livro fosse lançado como e-book. E que fosse uma análise quente e mutante do novo governo.
A partir da história do livro, da dificuldade para publicá-lo como um produto mutável, e de outras desventuras da carreira de Lísias, falamos sobre a relação entre arte e política, sobre a literatura como instrumento de protesto, sobre os paralelos com a arte conceitual de Marcel Duchamp e dos artistas que se colocavam contra a ditadura de 1964.
– Colabore com a Rádio Escafandro e receba recompensas.
*****
Episódios relacionados
01: Como ser escritor no Brasil?
39: J.P. Cuenca no país da pós-censura
Entrevistados do episódio
Escritor, autor de Divórcio, O céu dos suicídas, O diário da catástrofe brasileira, entre outros.
Professora, curadora de arte, autora do livro Arte brasileira na ditadura militar.
Ficha técnica
Concepção, produção, roteiro, apresentação, sonorização e edição: Tomás Chiaverini
Trilha sonora tema: Paulo Gama
Mixagem: Vitor Coroa
Design das capas: Cláudia Furnari
Trilha incidental: Blue Dots.
Lota de Macedo Soares e Elizabeth Bishop viveram uma relação de amor, vida e realização artística que quebrou tabus no Brasil dos anos 1950 e 1960. Juntas, elas mudaram a forma como olhamos para o país, para nossas cidades e também para o amor entre mulheres. Este episódio especial narrativo conta a história de Elizabeth, Lota e sua grande criação, o parque do Flamengo.
O programa tem participação especial do tradutor de Bishop, Paulo Henriques Britto, das historiadoras Nadia Nogueira e Silvia Ilg Byington e do editor Sebastião Lacerda. Apresentação de Flora Thomson-DeVeaux (de Praia dos Ossos) e leituras de Bruna Beber.
Assine a revista e apoie o podcast 451 MHz: https://bit.ly/Assine451
This week, Thea Lenarduzzi and Lucy Dallas are joined by Francesca Wade, at work on a book about Gertrude Stein’s afterlife, to discuss Stein’s ‘lost’ notebooks – and the magnificent amount of research conducted by Leon Katz, who discovered them some seventy years ago – and shed new light on the writer’s process and personal life; and the musician and critic Wesley Stace takes us back to a stormy but productive time in the life of The Beatles, via a new film by Peter Jackson
‘No no no, nonsense, never: Hidden notebooks reveal the tense relationships behind Gertrude Stein’s genius’ by Francesca Wade, in this week’s TLS.
‘The Beatles: Get Back’, on Disney+
Produced by Sophia Franklin
Hosted on Acast. See acast.com/privacy for more information.
Preface
Acknowledgments
Introduction
PART ONE ANCESTORS
Chapter 1 Writing the self: a genealogy
Chapter 2 Anthropology: forgotten founders
Chapter 3 The anti-colonial intellectuals: thinking new worlds
PART TWO SELF
Chapter 4 I come from Manchester
Chapter 5 The escalator: grammar school and Cambridge
Chapter 6 An African apprenticeship
Chapter 7 The development industry
Chapter 8 Learning to fly in America
Chapter 9 Back to Cambridge; Caribbean interlude
Chapter 10 When the world turned
Chapter 11 Restart in Paris and Durban
Chapter 12 Health problems
PART THREE WORLD
Chapter 13 Movement and the globalization of apartheid
Chapter 14 An anthropologist in the digital revolution
Chapter 15 Economies connecting local and global humanity
Chapter 16 Africa 1800-2100: waiting for emancipation
PART FOUR LIFELONG LEARNING
Chapter 17 After the British empire: politics and education
Chapter 18 Explorations in transnational history
Chapter 19 Money is how we learn to be more fully human
Chapter 20 Learning, remembering and sharing
Afterword What question is this the answer to?
Appendix: Hart papers online
Keith Hart Self in the World: Connecting Life’s Extremes (Berghahn, Spring 2022)
Keith Hart’s Self in the World is the story of a brilliant and sometimes troubled individual, one of the most creative intellectuals of the last 50 years. It is a story of anthropology as an intellectual project and vocation; of Africa, anti-colonial struggle, and digital revolution; of life in Manchester, Paris, and Durban. Famous for his concept of the informal economy and theory of money as memory, Hart offers a call to anthropology in its fullest meaning, an exploration of what it means to be human. It is moving, informative, engaging and, indeed, important.” — Craig Calhoun, President, SSRC New York.
This is a work of great originality. Keith Hart has had an unorthodox academic career and it has liberated him in many ways from academic pieties. His background in African ethnography gives him a fascinating angle on all sorts of things, not least the possibility of a more African-influenced global future. The book is full of surprises and mind-shifting observations. I couldn’t put it down. — Sherry B. Ortner, Distinguished Research Professor of Anthropology, UCLA
In Keith Hart’s story there are some wise words for his fellow academics – but you can skip them easily enough if you wish. Here is a fat sandwich with a rich filling that tells his own story as no other anthropologist could: a streetwise journey from Manchester to Paris via Cambridge and a dozen other key locations worldwide. To call it picaresque risks giving the Picaroon pirates a bad name. The young Hart made his name with self-consciously scholarly works where ‘I had to convert all my stories into the third person’. Now he does the opposite and we get lifelong learning distilled magically into a compelling first-person narrative. — Peter Clarke, Historian of modern Britain and former Master of Trinity Hall, Cambridge
We all inevitably come up against the dilemma of our species: we are singular actors enmeshed in social worlds of our making but not under circumstances of our own choosing. Keith Hart has long been our guide through the contradictions that help us become what we are—human. This remarkable memoir takes the reader on a life’s journey with a purpose and passion to reorganize how we think in and on the world. Only then might we develop new forms of knowledge and social life that will allow humanity to flourish. This is a profoundly hopeful text. — Bill Maurer, Dean of Social Sciences, UC Irvine.
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