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Clube do Livro de maio: Chuva de Papel, de Martha Batalha | Revista Bula

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"Chuva de Papel", terceiro romance de Martha Batalha, lançamento da Companhia das Letras, foi a obra escolhida para ser lida e discutida no Clube do Livro Bula de maio de 2023. Um romance sobre os anos dourados do jornalismo, a pandemia e o encontro de duas pessoas muito diferentes que se veem obrigadas a conviver.

Na metade do mês iremos lançar um vídeo discutindo o livro em detalhes. O encontro do Clube do Livro de Abril vai ocorrer dia 25, última quinta-feira do mês, 19h30, via link do Meet, totalmente gratuito, disponibilizado para os interessados nas redes sociais da Revista Bula.

Qualquer dúvida, vide Bula.

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Chuva de papel:
https://a.co/d/ikVaTnZ

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Tv Bula
Se inscreva!
https://www.youtube.com/c/RevistaBulaTV

Revista Bula
https://www.revistabula.com

Facebook: https://www.facebook.com/bularevista
Instagram: @revistabula - https://www.instagram.com/revistabula/
Twitter: @revistabula - https://twitter.com/revistabula
Pinterest: @bularevista - https://br.pinterest.com/bularevista/

Maurílio analisa a carreira de Leandro Hassum para os fãs do cinema gritado | Choque de Cultura

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Assista aos episódios pelo Globoplay +Canais: http://bit.ly/CHOque
Se você achou que o cinema brasileiro se resumia a Leandro Hassum, os maiores nomes do transporte alternativo deste país vão provar que talvez você esteja correto.

Inscreva-se agora e acompanhe as novidades do nosso canal: http://bit.ly/InscrevaseNoCanalBrasil
Veja os conteúdos e a programação semanal do #CanalBrasil: https://bit.ly/CbrGplay
Terça: Na íntegra (episódios/entrevistas emblemáticas de programas do Canal Brasil)
Quarta: Rapidinhas (vídeos curtos para deixar com gostinho de quero mais)
Quinta: #TBT (episódios clássicos na íntegra)
Sexta: Clipes de shows e de programas musicais

Acompanhe o Canal Brasil nas redes sociais:
Facebook: https://www.facebook.com/canal.brasil
Instagram: http://instagram.com/canalbrasil
Twitter: https://twitter.com/canalbrasil
TikTok: https://www.tiktok.com/@canalbrasil
Podcasts: https://audioglobo.globo.com/canalbrasil/podcasts

E também na TV:
NET: canal 650 HD e canal 150 SD
Oi TV: canal 806 HD e canal 66 SD
SKY: canal 113 ou 513
Claro TV: canal 650 HD e canal 67 SD
Vivo TV: canal 103
Vivo TV (DTH): canal 806 HD e 566 SD
Vivo TV (fibra | cabo) Canal 656 HD e 156 SD

Episode 55: Happy Anniversary, WordPress!

Join WordPress Executive Director Josepha Haden Chomphosy in the 55th episode of the WordPress Briefing as she looks back at the 20 years of WordPress and how the open source community made WordPress what it is today.

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70 | Incompatível com a vida - com Eliza Capai

Na semana passada, durante uma audiência pública do Ministério dos Direitos Humanos, o senador Eduardo Girão (Novo-CE) tentou entregar a réplica de um feto humano para o ministro Silvio Almeida, que recusou o objeto e repreendeu duramente o senador. Esse evento é um dos muitos que evidenciam o quão frágil está essa discussão no Brasil, que é abafada por moralismos e performances políticas em vez de ser discutida como questão de saúde pública e com a importância que merece. Segundo dados da Pesquisa Nacional de Aborto, realizada pela UnB em 2016, aos 40 anos, 1 em cada 5 mulheres no Brasil já fez um aborto. Enquanto o debate público avança muito lentamente - quando não retrocede - na arte é possível trazer um olhar mais humano, pessoal e profundo sobre o assunto. É isso que a convidada do episódio 70 do Pauta Pública, a diretora Eliza Capai, faz em seu documentário "Incompatível com a vida". A partir de um corajoso relato pessoal, Eliza, que teve uma gravidez desejada interrompida, traça sua jornada emocional pelo luto, enquanto traz o relato de outras mulheres que passaram pela mesma situação e, ao mesmo tempo em que lidaram com a dor da perda, tiveram seu drama intensificado pelo despreparo do poder público e por julgamentos sociais.–Para continuar no tema:Assista ao trailer do filme Incompatível com a vida: https://www.youtube.com/watch?v=mlptPNbD8CcLeia a reportagem “Nove meses de luto” (2018):https://apublica.org/2018/02/nove-meses-de-luto/

E não esqueça de seguir e curtir o Pauta Pública nas plataformas de áudio.Disponível em Amazon Music, Apple Podcasts, Castbox, Deezer, Google Podcasts, Spotify ou no seu tocador favorito.====PARCERIA RÁDIO GUARDA CHUVA E o Vida de Jornalista acabou de estrear sua aguardada nova temporada. Comandado por Rodrigo Alves, esse episódio de retorno já está imperdível. “Dorrit Harazim não está resfriada” conta a história dessa que é uma das maiores jornalistas do país e que foi ao ar no dia em que ela completou 80 anos. Então já sabe, já coloca o Vida de Jornalista aí para emendar depois do Pauta no seu tocador de podcasts favorito.




==== Quem faz o Pauta:
● Apresentação: Andrea Dip e Clarissa Levy||
● Produção: Ricardo Terto ||
● Pauta e Entrevista: Andrea Dip e Clarissa Levy ||
● Roteiro, Edição e Mixagem Final: Ricardo Terto ||
● Identidade visual: Cíntia Funchal ||
● Artes: Tayná Gonçalves
● Coordenação de Redes Sociais: Ravi Spreizner ||
● Chamadas e teasers: Breno Andreata ||
● Trilha original composta por Pedro Vituri

contato: podcasts@apublica.org

Saiba que você pode ser aliado da Agência Pública e colaborar com esse trabalho. Saiba mais em apoie.apublica.org ou faça um pix de qualquer valor para contato@apublica.org.
Contamos com seu apoio!

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Amazing Mud House For DEBT-FREE Living!

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https://linktree.com/naturalbuildings

In this natural building tour, we visit Sage Stoneman to tour his cob house that cost him only $200 to build. By building his home for such an affordable price with natural materials, Sage has been able to fully explore his creative abilities because he has wealth of time.

Cob is a mixture of clay, sand, and straw, and is sculpted by hand into the walls of a home. Building in this way is rewarding for the world, for self-healing, for collective healing, for our wallets, and our souls.

Please consider supporting us on Patreon, or with other various forms of donations in the link above. Any contributions will be directly invested into creating the best content possible.

With love,

- Cooper Green
Natural Buildings

Follow Sage on IG @
Or check out his website at www.sagestoneman.com

To Thine Own Self Be True

This week, Lucy and Alex discover how James Shapiro created his landmark work on a formative year in Shakespeare’s life; and Miranda France on her spellbinding study of memoir and creative writing.


‘1599: A Year in the Life of William Shakespeare’, by James Shapiro

‘The Writing School’, by Miranda France


Produced by Charlotte Pardy


Hosted on Acast. See acast.com/privacy for more information.

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How Dallas Saw the Future

This week David talks to Helen Thompson about Dallas and the end of oil. How did the world’s most popular soap opera come to explain the energy crisis and the future of a world hooked on fossil fuels? Is the fate of the Ewing family – fire and ruin – going to be the fate of America? And did J.R. Ewing really pave the way for President Donald Trump? Plus David and Helen discuss ‘oil fictions’, from Isaac Asimov to Italo Calvino.


Watch the moment when ‘Miss Ellie Saves the Day’.

Helen Thompson on ’the cosmic stakes of the age of oil’.

Isaac Asimov’s imaginary report on a world without oil.

Italo Calvino’s short story, ’The Petrol Pump’.

Past Present Future is brought to you in partnership with the London Review of Books.


Sign up to LRB Close Readings:

Directly in Apple: https://apple.co/3pJoFPq

In other podcast apps: lrb.supportingcast.fm


Hosted on Acast. See acast.com/privacy for more information.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

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Rogerinho dá um recado sobre amizade para os jovens | Choque de Cultura

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Rogerinho deixa um recado para os jovens no fim do episódio sobre o filme "John Wick". Renan, Maurílio e Julinho debatem sobre a constituição americana e também sobre o futuro da franquia.

Choque de Cultura está de volta! E você pode assistir os episódios completos pelo Globoplay + Canais.

Inscreva-se agora e acompanhe as novidades do nosso canal: http://bit.ly/InscrevaseNoCanalBrasil
Veja os conteúdos e a programação semanal do #CanalBrasil: https://bit.ly/CbrGplay
Terça: Na íntegra (episódios/entrevistas emblemáticas de programas do Canal Brasil)
Quarta: Rapidinhas (vídeos curtos para deixar com gostinho de quero mais)
Quinta: #TBT (episódios clássicos na íntegra)
Sexta: Clipes de shows e de programas musicais

Acompanhe o Canal Brasil nas redes sociais:
Facebook: https://www.facebook.com/canal.brasil
Instagram: http://instagram.com/canalbrasil
Twitter: https://twitter.com/canalbrasil
TikTok: https://www.tiktok.com/@canalbrasil
Podcasts: https://audioglobo.globo.com/canalbrasil/podcasts

E também na TV:
NET: canal 650 HD e canal 150 SD
Oi TV: canal 806 HD e canal 66 SD
SKY: canal 113 ou 513
Claro TV: canal 650 HD e canal 67 SD
Vivo TV: canal 103
Vivo TV (DTH): canal 806 HD e 566 SD
Vivo TV (fibra | cabo) Canal 656 HD e 156 SD

PANCHILATA EN VIVO #9: Roberto Sanchez

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Sumate a los streams políticos pre elecciones por mi canal de Twitch: https://www.twitch.tv/panchilata

Seguime en mis redes 👇🏾
IG: https://www.instagram.com/inepalacios/
FB: https://www.facebook.com/inepalacios22
TW: https://twitter.com/inepalacios

¡SUSCRIBITE Y ACTIVA LAS NOTIS ASI NO TE PERDES NADA!

Tips for running virtual, in-person, and hybrid events

Tips for running virtual, in-person, and hybrid events rpaik

Over the past few years, virtual events have thrived. In-person events are back now, but it's important to keep in mind that virtual events didn't just come out of nowhere. Many of us were actually doing a lot of different online events even before they became popular. Many communities held hackathons, bug and issue triaging, webinars, and so on, as virtual events. They brought community members together for collaboration and education. Virtual events have improved since then, largely out of necessity, and I think we've all learned a lot. In this article, I consider how virtual and physical events can co-exist to render an improved event experience for everyone.

Costs and crowds

I don't think anyone wants to go back to the days when all events were happening on screens. But virtual events do have important advantages compared to in-person events. To begin with, it is relatively easy to start a virtual event as you often don't need much beyond meeting and streaming platforms. It can be as basic as live streaming from a video chat platform. This is especially useful for small communities that don't have a large events budget. In fact, a virtual event platform provides an opportunity to build an audience before you start making significant investments in in-person events.

The lower cost and logistical hurdles of virtual meetings don't just apply to the event organizer. It matters to attendees and community members too. A typical meetup is likely to last for 60 to 90 minutes. Is everyone always happy to commute 30 minutes each way to get to the meeting venue? A meetup in a virtual format can lower the participation barrier for attendees. I think this is one of the reasons that many meetups are continuing in virtual formats today.

The cost of doing virtual events is much lower, so there's low-risk of experimenting with different content, format, target audiences, and so on. Even if a new event isn't a huge success, you won't have to invest a large budget on the venue, equipment, people, travel, and so on. And you're able to get some valuable learning from the event no matter what.

Practical events

In addition, there are some activities that are just well-suited for virtual events. Things like documentation and bug triaging are crucial in open source communities. Despite this most people see them more like chores that they'd rather avoid. Why not have a short one to two day window where community members come together online so they can work on these chores together while supporting each other?

Hybrid events

Many events are going hybrid now, with both in-person and virtual components. By hybrid, I don't mean just broadcasting in-person sessions from conference facilities. Many have separate tracks for in-person and virtual participants. FOSDEM 2023 is a great example of a hybrid event, with separate online rooms.

Some utilize virtual tracks for "Day 0" events (orientation, project team meetings, meetups, and so on). This way, people who aren't able to travel to the in-person conference can still participate in the earliest events. By having a separate virtual track, you can potentially reduce the total length of the in-person conference. This means people don't have to be away from home as long as a 100% in-person event.

The dos and don'ts

Here are some tips based on my experience of attending and organizing virtual events.

  • DON'T have the same structure as in-person events. When you have an event online, you wouldn't want to ask the audience to sit through a full day of presentations. It's difficult for most people to stare at their screens for a long period of time. If you have more than four hours of content, consider spreading the event over a few days so that attendees only need to sit through a maximum of a couple of hours of presentations each day. You also don't always need to add breaks between sessions in virtual events because people aren't moving to different rooms. As a matter of fact, by hot switching to the next session, you're less likely to lose attendees between presentations.

  • DON'T put a wall around the content after the event. I recently registered and attended an event and was told that slides and recordings would be available a few weeks after the event. When I returned to the event page a few weeks later, it asked me to register with my email address to get access to the content! I understand people's desire to collect leads. But if people had to register for the event already, or the event was live-streamed, it's not appropriate to ask them to share their contact information. Instead, make the content accessible to anyone.

  • DON'T force synchronous participation from attendees. One of the key benefits of virtual events is that it's easier for everyone to attend or participate. If a person cannot watch a presentation live, provide ways for them to interact with presenters and other attendees asynchronously.

  • DO make content available prior to events. Online events make it easier for community members to participate asynchronously. Things like publishing slides or Q&A pages ahead of time allow attendees to review content and post questions that presenters can address during and after the session. Also, if you're doing a hands-on workshop, publishing a prep guide before the event allows attendees to set up their environment so that it's easier to follow along during the presentation and play around in their sandbox.

  • DO have presenters available for asynchronous Q&A sessions. Some of the virtual events I enjoyed had dedicated Q&A channels (Mattermost or Discourse are great open source options) where you could interact with presenters well after their session ended. At an in-person conference, you're often limited to a 10 or 15 minute break after a session to talk to the presenter. Virtual events allow you to have a Q&A channel available for a few days after the event.  This let's both synchronous and asynchronous attendees communicate with presenters.

Best of both worlds

I'm definitely glad that in-person events are back and I'm able to see my open source friends again in real life. However, I don't think we need to completely put virtual events behind us. In particular, hybrid events with "virtual tracks" can make events accessible to more community members and help you reach a wider audience. I think society has learned some important lessons, so let's put them to good use.

Create the perfect blend of virtual and in-person events.

Remote people connected on clouds
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Opensource.com

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Achou que teria Choque de Cultura sem Maurílio?

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Assista aos episódios pelo Globoplay +Canais: http://bit.ly/CHOque
Neste episódio sobre vinganças brutais, Maurílio retorna ao programa para suprir a sua função de ser humilhado e os pilotos ensinam porque não devemos mexer com o cachorrinho alheio, especialmente se for do John Wick.

Inscreva-se agora e acompanhe as novidades do nosso canal: http://bit.ly/InscrevaseNoCanalBrasil
Veja os conteúdos e a programação semanal do #CanalBrasil: https://bit.ly/CbrGplay
Terça: Na íntegra (episódios/entrevistas emblemáticas de programas do Canal Brasil)
Quarta: Rapidinhas (vídeos curtos para deixar com gostinho de quero mais)
Quinta: #TBT (episódios clássicos na íntegra)
Sexta: Clipes de shows e de programas musicais

Acompanhe o Canal Brasil nas redes sociais:
Facebook: https://www.facebook.com/canal.brasil
Instagram: http://instagram.com/canalbrasil
Twitter: https://twitter.com/canalbrasil
TikTok: https://www.tiktok.com/@canalbrasil
Podcasts: https://audioglobo.globo.com/canalbrasil/podcasts

E também na TV:
NET: canal 650 HD e canal 150 SD
Oi TV: canal 806 HD e canal 66 SD
SKY: canal 113 ou 513
Claro TV: canal 650 HD e canal 67 SD
Vivo TV: canal 103
Vivo TV (DTH): canal 806 HD e 566 SD
Vivo TV (fibra | cabo) Canal 656 HD e 156 SD

#89 – Viagem ao centro do mundo

Durante uma viagem pelo interior do Amazonas, contamos a história de três mulheres. Uma especialista em fungos que vive na mata apesar de ter medo de onça. Uma especialista em línguas que aos 19 anos deixou a família para viver com os índios. Uma cozinheira que resolveu retomar o próprio passado indígena esquecido pela família.*

Entrevistados do episódio

Noemia Ishikawa

Bióloga, pesquisadora do Instituto Nacional de Pesquisas da Amazônia INPA, especialista em cogumelos.

Lilian Fraiji

Produtora e curadora, fundadora do Labverde, uma das idealizadores do projeto Fungi Cosmology.

Ana Carla dos Santos Bruno

Antropóloga especialista em línguas indígenas, pesquisadora do Inpa.

Renata Peixe Boi

Cozinheira e militante das causas indígenas e feministas, colaboradora do

Ficha técnica

Apoio de produção: Matheus Marcolino.

Mixagem de som: Vitor Coroa.

Trilha sonora tema: Paulo Gama.

Design das capas dos aplicativos e do site: Cláudia Furnari.

Direção, roteiro e edição: Tomás Chiaverini.

* Tomás Chiaverini viagiou a convite do Fungi Cosmology –  um projeto co-criado por Labverde (Brasil), CAB Patagonia (Chile), Artists-in-Labs Program (Chile) e Foodculturedays (Chile). O Fungi Cosmology é patrocinador por Pro Helvetia e Swissnex Brasil.

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PANCHILATA EN VIVO #8: Ricardo Bussi

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Sumate a los streams políticos pre elecciones por mi canal de Twitch: https://www.twitch.tv/panchilata

Seguime en mis redes 👇🏾
IG: https://www.instagram.com/inepalacios/
FB: https://www.facebook.com/inepalacios22
TW: https://twitter.com/inepalacios

¡SUSCRIBITE Y ACTIVA LAS NOTIS ASI NO TE PERDES NADA!

Generate web pages from Markdown with Docsify-This

Generate web pages from Markdown with Docsify-This paulhibbitts

Are you interested in leveraging Markdown for online content without any website setup or build process? How about seamlessly embedding constraint-free Markdown or HTML into multiple platforms (such as a content management system or learning management system)? The open source project Docsify-This, built with Docsify.js, provides an easy way to publish, share, and reuse Markdown content.

[ Get the Markdown cheat sheet ]

What is Docsify-This?

With Docsify-This, you can instantly turn any publicly available Markdown file into a responsive standalone web page. You can also link multiple Markdown files to create a simple website. Designers can alter the visual appearance of displayed pages with the point-and-click Web Page Builder interface or URL parameters. You can also use a set of provided Markdown CSS classes when creating your own Markdown content. In addition, if you use Codeberg or GitHub to store your Markdown files, an Edit this Page link can be automatically provided for each page to support collaborative authoring.

It's open source, so you can host a Docsify-This instance using your own custom domain without the risk of platform lock-in.

Use the Docsify-This Web Page Builder

To use the Web Page Builder, open a browser and navigate to the Docsify-This website or your local instance. In the Web Page Builder section, enter the URL of a Markdown file in a public repo of Codeberg or GitHub (other Git hosts can also be used via Docsify-This URL parameters but not in the Web Page Builder), and then click the Publish as Standalone Web Page button.

The Docsify-This web page builder interface
Image by:

(Paul Hibbitts, CC BY-A 4.0)

The Markdown file is rendered as a standalone web page with a URL you can copy and share. Here's an example URL:

https://docsify-this.net/?basePath=https://raw.githubusercontent.com/hibbitts-design/docsify-this-one-page-article/main&homepage=home.md

Docsify-This rendered web pages are perfect for embedding, with the ability to visually style Docsify-This pages to the destination platform.

Docsify-This rendered Markdown file
Image by:

(Paul Hibbitts, CC BY-A 4.0)

Render other files in the same repository

You can render other Markdown files in the same repository by directly editing the Docsify-This URL parameter homepage. For example:

https://docsify-this.net/?basePath=https://raw.githubusercontent.com/hibbitts-design/docsify-this-one-page-article/main&homepage=anotherfile.md

Modify the web page's appearance

You can change the appearance of any Markdown file displayed in Docsify-This by using URL parameters. For example, font-family, font-size, link-color, and line-height are all common CSS attributes and are valid parameters for Docsify-This:

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You can also alter the visual appearance using a set of special Markdown CSS classes. For example, you can add the button class to a link:

[Required Reading Quiz due Jun 4th](https://canvas.sfu.ca/courses/44038/quizzes/166553 ':class=button')  

This produces a button image instead of just a text link:

A button rendered by Docsify-This
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(Paul Hibbitts, CC BY-A 4.0)

In addition to the Markdown CSS classes supported by Docsify-This, you can define your own custom classes within your displayed Markdown files. For example:

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.markdown-section .mybutton, .markdown-section .mybutton:hover {
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  font-family: -apple-system, "Segoe UI", "Helvetica Neue", sans-serif;
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  text-decoration: none;
}
</style>

[Custom CSS Class Button](# ':class=mybutton')

Produces this:

A custom button image rendered with Docsify-This
Image by:

(Paul Hibbitts, CC BY-A 4.0)

Include HTML snippets

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</div>
</div>

Embed Docsify-This as an iFrame

You can embed Docsify-This web pages using an iFrame in almost any platform. You can also use URL parameters to ensure your embedded content matches your destination platform:

<p><iframe style="overflow: hidden; border: 0px #ffffff none; margin-top: -26px; background: #ffffff;" src="https://docsify-this.net/?basePath=https://raw.githubusercontent.com/paulhibbitts/cmpt-363-222-pages/main&homepage=home.md&font-family=Lato%20Extended,Lato,Helvetica%20Neue,Helvetica,Arial,sans-serif&font-size=1&hide-credits=true" width="800px" height="950px" allowfullscreen="allowfullscreen"></iframe></p>
A Docsify-This page embedded in an LMS
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Embed Docsify-This with an external URL

In certain learning management systems (LMS), including the open source Moodle and even the proprietary Canvas, you can link external web pages to a course navigation menu and sometimes more. For example, you can use the Redirect Tool in Canvas to display Docsify-This web pages.

url=https://docsify-this.net/?basePath=https://raw.githubusercontent.com/paulhibbitts/cmpt-363-222-pages/main&homepage=resources.md&edit-link=https://github.com/paulhibbitts/cmpt-363-222-pages/blob/main/resources.md&font-family=Lato%20Extended,Lato,Helvetica%20Neue, Helvetica,Arial,sans-serif&font-size=1&hide-credits=true

Integrate Docsify-This and Git

To fully leverage the benefits of version control and potentially collaboration using an optional Edit this Page link, store your Docsify-This Markdown pages in a Git repository on either Codeberg or GitHub. Several open source tools provide a graphical interface for Git, including GitHub Desktop (recently released as open source), Git-Cola, and SparkleShare. The text editors VSCode and Pulsar Edit (formerly Atom.io) both feature Git integration, too.

[ Get the Git tips and tricks eBook ]

Markdown publishing made easy

The benefits of Markdown-based publishing are available to everyone, thanks to Docsify. And thanks to Docsify-This, it's easier than ever. Try it out at the Docsify-This website.

This open source tool makes it easier than ever to convert Markdown to web pages.

Digital creative of a browser on the internet
What to read next
Creative Commons LicenseThis work is licensed under a Creative Commons Attribution-Share Alike 4.0 International License.

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Participação especial de Paulo Tiefenthaler, do Larica Total, no Choque de Cultura

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Assista aos episódios da nova temporada de #ChoquedeCultura pelo Globoplay +canais: https://bit.ly/Choquede_Cult
Após o acidente de trabalho de Rogerinho do Ingá, os pilotos do “Choque de Cultura” foram tentar a vida em um podcast de música. Eis que um convite misterioso para um programa sobre cinema surge.

Inscreva-se agora e acompanhe as novidades do nosso canal: http://bit.ly/InscrevaseNoCanalBrasil
Veja os conteúdos e a programação semanal do #CanalBrasil: https://bit.ly/CbrGplay
Terça: Na íntegra (episódios/entrevistas emblemáticas de programas do Canal Brasil)
Quarta: Rapidinhas (vídeos curtos para deixar com gostinho de quero mais)
Quinta: #TBT (episódios clássicos na íntegra)
Sexta: Clipes de shows e de programas musicais

Acompanhe o Canal Brasil nas redes sociais:
Facebook: https://www.facebook.com/canal.brasil
Instagram: http://instagram.com/canalbrasil
Twitter: https://twitter.com/canalbrasil
TikTok: https://www.tiktok.com/@canalbrasil
Podcasts: https://audioglobo.globo.com/canalbrasil/podcasts

E também na TV:
NET: canal 650 HD e canal 150 SD
Oi TV: canal 806 HD e canal 66 SD
SKY: canal 113 ou 513
Claro TV: canal 650 HD e canal 67 SD
Vivo TV: canal 103
Vivo TV (DTH): canal 806 HD e 566 SD
Vivo TV (fibra | cabo) Canal 656 HD e 156 SD
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