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China is backing Russia’s war to keep America distracted, says Kaja Kallas
Tips From A Shipwright – Shop Update!

A huge thank-you to our incredible sponsors and supporters who make this possible:
⚓ Total Boat – for keeping every build together and looking good
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🪵 Boulter Plywood and Arnold Lumber – for supplying the wood for the lofting floor
⛵ Catboat Preservation Group – for their generous donation
🔨 The Woodworker’s Guild – for their continued encouragement and support
🧭 Check Out Our New Merchandise:
We’ve just added new items to the shop, including our limited run of ORCA Plaques — each featuring a real piece of the original Orca boat!
👉 https://tipsfromashipwright.com/store-2/
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Stay tuned for more behind-the-scenes updates as we continue setting up the new shop and get back to the real craft — building boats!
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#TipsFromAShipwright #Boatbuilding #Woodworking #Powermatic #TotalBoat #BoatRestoration #Lofting #Shipwright #WoodworkersGuild #OrcaProject #TotalBoatPartners
#150 – Episódio de pica
Neste episódio falamos sobre a obsessão masculina com o tamanho do pênis e sobre como a objetificação do falo em tempos de redes sociais impacta este fenômeno.
A parte mais sensível de um homem é seu pênis. Por meio dele é possível performar masculinidade – como Jair Bolsonaro fez ao se autodenominar “imbroxável” -, ou atacar a moral de um inimigo. O ex-presidente Barack Obama, vencedor do Nobel da Paz, se prestou a caçoar do tamanho do pênis de Donald Trump em um comício da campanha democrata em 2024.
Estudos mostram que essa é uma questão global: 55% dos homens estão insatisfeitos com o tamanho dos próprios pênis. O dado é compreensível, mas se torna irônico quando o mesmo estudo aponta que 85% das mulheres estão satisfeitas com o tamanho do que os parceiros têm a oferecer.
Diante disso, partimos em busca de respostas para algumas das maiores questões envolvendo o órgão sexual masculino? Como ele funciona afinal? Tamanho é documento? Como são as cirurgias que prometem ganhos estéticos e funcionais? E qual é o impacto de se associar pênis pequenos à falhas de caráter.
Mergulho mais fundo
O homem não existe: masculinidade, desejo e ficção (link para compra)
Entrevistado do episódio
Doutora em literatura pela Universidade de Brasília (UnB), professora de teoria da literatura na Universidade Federal de Minas Gerais (UFMG), crítica literária e escritora. Autora do livro “O homem não existe”, editora Zahar.
Médico urologista, autor do livro “Tamanho é documento”.
Ex-médico urologista responsável pelo recorde mundial de aumento peniano no Guinness Book, o livro dos recordes. Hoje, atua como advogado.
Ficha técnica
Produção e edição: Matheus Marcolino.
Leituras adicionais: Lígia Diniz
Mixagem de som: Vitor Coroa.
Trilha sonora tema: Paulo Gama
Design das capas dos aplicativos e do site: Cláudia Furnari
Direção, roteiro e sonorização: Tomás Chiaverini
#248 Brenda Parker // Studio Biocene

Archivo de ideas recibidas es un proyecto interdisciplinario de investigación y difusión que busca registrar y relacionar las ideas de personas que contribuyen al ecosistema creativo contemporáneo desde el arte, el diseño y la arquitectura.
El proyecto se construye desde las conversaciones que el equipo sostiene con diversos creadores, en donde se profundizan temas relacionados a la memoria, la academia, el contexto cultural, sus principales influencias y metodologías de trabajo.
Estas conversaciones constituyen el punto de partida para entender a la persona detrás de los proyectos y las ideas que marcan su práctica profesional y creativa.
--
La entrevista esta estructurada a partir de siete temas que funcionan como punto de partida para tocar distintos aspectos de la vida y obra del invitado. Los temas son los siguientes:
1. Presentación
2. Origen
3. Mentores y Maestros / Influencias
4. Lugar memorable
5. Dia a día
6. Docencia / Academia
7. Procesos y aprendizajes
Entrevista realizada por: Asiel Nuñez
Fecha de entrevista: 06.02.25
Lugar de entrevista: Londres, Inglaterra
Edición: Asiel Nuñez
Animación: Asiel Nuñez
Sound effects obtained from https://www.zapsplat.com
¿Se le deja propina a un espía? | E02T03 | GASTROPOLÍTICA PODCAST

Eso es algo que tenían muy claro la Stasi, George Orwell y Carlos Salvador Bilardo.
Libros citados:
Necesito saber hoy de tu vida, Sabrina Duque
En el restaurante, Christoph Ribbat
En busca del tiempo perdido, Marcel Proust
Sin blanca en Paris y Londres, George Orwell
Doctor y Campeón, Carlos Salvador Bilardo
El partido, Andrés Burgo
Muchas gracias a Andrés Burgo por los testimonios para este episodio.
Música Original:
Maxi Martínez
Música adicional:
Grand_project, Fernando Farinha, Density & Time, Everet Almond, Kevin MacLeod, The Great North Sound Society, Aakash Gandhi, Dan Lebowitz, TopSecretMusicNetwork
Extractos de audio:
Relato de Víctor Hugo Morales, fragmentos del programa Polémica en el Fútbol y de la película La vida de los otros
Portada: Pablo Corrado
Voz de cierre: Cecilia Bonino
Gastropolítica es un podcast escrito, narrado y editado por Maxi Guerra.
Reducto, Montevideo, 2025
Gutenberg Changelog #123 – WordPress 6.9 and Gutenberg 21.9
Fixing Democracy Q&A w/David Klemperer: Oligarchy, Ageing Populations and How to Make Things Worse
In today’s episode the two Davids try to answer some of the hundreds of questions, comments and suggestions we have had in response to this series, ranging from the very broad to the very specific. How do we know if democracy is broken? Have we ever had a real democracy anyway? Should old people be banned from voting? Or should we simply ban the internet instead? Plus much, much more.
Out tomorrow on PPF+: A bonus episode with more questions on how to fix democracy and more answers from the two Davids. Should MPs be chosen by lottery? What has happened to the centre-right? Which needs fixing first: democracy or capitalism? To get this and all our bonus episodes plus ad-free listening sign up to PPF+ today https://www.ppfideas.com/join-ppf-plus
Next time: PPF Live Special recorded at the Cheltenham Literature Festival – Who Rules the World? w/ Sarah Wynn-Williams and Bruno Maçães
Learn more about your ad choices. Visit podcastchoices.com/adchoices
CURSO DE FORMAÇÃO HISTÓRICA E SOCIAL | O que foi Stalinismo? (Ângela Mendes de Almeida)

Instagram: @criticasocialista
Soberania em risco: o papel dos EUA na Lava Jato
A jornalista Natalia Viana faz essa investigação na série em áudio “Confidencial: as digitais do FBI na Lava Jato”, produzida pela Agência Pública em parceria com a Audible Brasil. Neste episódio, o Pauta Pública retoma esse tema em uma análise com a Natalia Viana e o pesquisador Fábio de Sá, doutor em Direito, Política e Sociedade pela Northeastern University. Eles discutem o papel histórico dos EUA em operações internacionais e como a política intervencionista norte-americana continua a moldar as relações de poder na América Latina neste novo governo Trump.
Ouça o episódio completo e nos conte o que achou sobre esse tema nos comentários. Não deixe também de curtir e compartilhar o Pauta Pública. Não esqueça de seguir e curtir o Pauta Pública nas plataformas de áudio.Disponível em Amazon Music, Apple Podcasts, Castbox, Deezer, Google Podcasts, Spotify ou no seu tocador favorito.
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PARCERIA RÁDIO GUARDA CHUVA
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Quem faz o Pauta:
● Apresentação e entrevista: Andrea Dip
● Roteiro e produção: Stela Diogo e Rafaela de Oliveira
● Edição e Mixagem Final: Pedro Pastoriz
● ID Visual: Tayná Gonçalves
● Coordenação de podcast: Sofia Amaral
● Coordenação de Redes Sociais: Lorena Morgana
● Chamadas e teasers: Ethieny Karen
● Site: Guilherme Silva e Raphaela Ribeiro
● Trilha original composta por Pedro Vituri
contato: podcasts@apublica.org
Saiba que você pode ser aliado da Agência Pública e colaborar com esse trabalho. Saiba mais em apoie.apublica.org ou faça um pix de qualquer valor para contato@apublica.org.
Contamos com seu apoio!
#169 Ideologia hoje — Marilena Chaui
Como a ideologia influencia as relações sociais? A filósofa Marilena Chaui, uma das maiores intelectuais brasileiras, fala neste episódio sobre as origens de ideias que construíram a sociedade de hoje, como a exploração do trabalho e as hierarquias. O ponto de partida é seu livro Ideologia: Uma Introdução (Boitempo), que atualiza seu clássico O Que É Ideologia, de 1980. Na conversa com o jornalista Fernando de Barros e Silva, gravada durante A Feira do Livro 2025, Chaui resgata o contexto da obra original, passeia pelas ideias de grandes pensadores sobre o discurso ideológico e afirma que o neoliberalismo é uma forma de totalitarismo porque faz a lógica empresarial penetrar todas as esferas da vida. Apoio confirmado: Lei Rouanet – Incentivo a Projetos Culturais
Assine a Quatro Cinco Um por R$ 10/mês: https://bit.ly/Assine451
Seja um Ouvinte Entusiasta e apoie o 451 MHz: https://bit.ly/Assine451
Making liquid nitrogen from scratch (an absurd amount)

For as long as I can remember, I've always been fascinated by liquid nitrogen and I've always wanted to be able to make it myself, but I never did because it just seemed too difficult. Recently though, for some unknown reason, I felt that I was ready to try doing it, despite having basically no experience with stuff like this, and I decided to just go for it.
■ Pre-order the NileRed BZ Reaction Kit - https://inqfactory.com/nilered
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You can also find me here:
Facebook - https://m.facebook.com/NileRed2
Instagram - https://m.instagram.com/nile.red
Twitter - https://mobile.twitter.com/NileRed2
Nile talks about lab safety: https://youtu.be/ftACSEJ6DZA
Chapters:
0:00 - Liquid air & my LN2 mission
02:25 - Researching & my plan
04:33 - Getting all of the pieces
14:23 - Attaching the cryocooler
20:06 - Does the cryocooler work?
28:30 - Testing the Dewar
29:49 - Putting everything together
35:51 - The moment of truth
41:37 - Extracting the LN2
46:47 - My LN2 dream is now real!
Music in credits (Walker by SORRYSINES): https://soundcloud.com/sorrysines/walker
Meet the real screen addicts: the elderly
Escape Artists
This week, Margaret Drabble enjoys an enthralling biography of an adventure writer and his entourage; and Thea Lenarduzzi on the gothic mystery at the heart of her new book.
'Storyteller: The life of Robert Louis Stevenson', by Leo Damrosch
'The Tower', by Thea Lenarduzzi
Produced by Charlotte Pardy
Hosted on Acast. See acast.com/privacy for more information.
Gaby Amarantos: Do norte do Brasil para o mundo
Fixing Democracy: Confronting the Strongmen
For the final episode in this series David talks to historian Ayse Zarakol about the prospects for democracy in the age of strongman politics, from Trump to Erdogan, from Orban to Modi. Where did the strongmen come from? How unusual is this kind of politics in the broad sweep of history? Does democracy have the wherewithal to resist its pull? And if not, what happens next?
The 4th film in our autumn season at the Regent Street Cinema in London is coming up on Wednesday 5th November: a screening of Derek Jarman’s Wittgenstein followed by a live recording of PPF with writer and philosopher Nikhil Krishnan. Get your tickets now https://bit.ly/47bsJcN
Up next: Fixing Democracy Q & A w/David Klemperer
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CURSO DE FORMAÇÃO HISTÓRICA E SOCIAL | LÊNIN E A REVOLUÇÃO (Antônio C. Mazzeo)

Instagram: @criticasocialista
Brussels feels like a city preparing for war
Why it’s time for Fujifilm to go full frame

Fuji in many ways have taken over from Panasonic as the most highly rated niche creative force in the camera industry. Since they started taking video seriously with the X-T2, the green camp has got a lot of things right. The popularity of the X100 series. The purist photography experience of the X-Pro3, a camera I strangely really enjoy for video too. The GFX cameras have done extraordinarily well considering it’s carved out a whole new format, at very high prices. In fact, my all time favourite mirrorless camera of the last 15 years is the OG Fuji GFX 100.
But now it’s time for Fuji to get real about a full frame line-up.
There’s a big price gap between the X100 VI and GFX100RF for example, a camera which makes the Leica Q3 and Sony RX1 Mark III pricing look sane. Yet the market is begging, calling out for, insert cliched phrase here, for a full frame X100 VI with a sane price tag. Let’s face it, if you have silly money for a compact Leica is the only proper choice.
Full frame would solve other problems for Fuji too.
The X-Pro3 was a nice bold step into rangefinder land, but it’s in an odd place. It is neither a Leica M rangefinder, nor is it priced like one. It is not a Sony a7c Mark II competitor, but it IS priced like one. Nor is it really doing much to expand the popularity of XF-mount, and APS-C – because the X-H2 is a higher spec’ed, more modern do-it-all camera for the same price.
The way to differentiate the X-Pro series is to make it full frame and launch it alongside a new range of primes and a zoom. The initial lenses don’t even need to be that adventurous. Small primes, Leica M sized, and one small zoom – preferably a 28-70mm F2.8.
This would be joined by a 28mm F2, an 35mm F2 and a 50mm F1.4 which rather than aiming for technical perfection, go for character and small size instead.
Now you might say such a full frame adventure might kill the APS-C cameras, but you’d be wrong. You might say it would necessitate a price reduction on the high-end XF-mount cameras, and that the X-H2 would need to get even cheaper.
This has already been priced in. What dictates the price and sales numbers of the Fuji APS-C cameras are the mid-range full frame cameras from Sony, Nikon and Canon.
So the price of those nice XF mount cameras would stay the same.
What Fuji could definitely get away with is a higher price and higher margin on a full frame Fuji.
And a full frame Fuji is a what we need. Just ask me, who uses his GFX 100 not as a medium format camera but as a full frame mirrorless system.
I don’t have a single medium format lens for it, no native GFX mount lenses from Fuji. They’re big, clunky, expensive and slow.
What I like to do is adapt fast primes designed for full frame onto my GFX 100, and find what works the best. The rules are, no hard vignette, small, and with a very good quality mechanical focus ring.
These look glorious on the larger “Super full frame” sensor, unique in fact. So very different to sticking vintage glass on a full frame Sony.
So the GFX line will always have that same appeal – it’s an upgrade from full frame, but it’s never going to be mid-range, is it?
With so many mid-range full frame cameras eating Fuji’s carefully prepared APS-C breakfast, like the Nikon Z6 III, Sony a7 series and Canon EOS R8, it’s time Fuji told us that for just $500 more you could get something much more creative, with Fuji Film Simulations and X-Pro style Leica-ish ergonomics.
This would be the full frame camera that stands apart from a sea of black DSLR style mirrorless cameras, the sort of which are frankly all now a bit boring.
Fuji could even let Sigma swap the mount on their L-mount range to beef out the available optics at launch. It’s a no-brainer.
APS-C users will continue to buy APS-C cameras. GFX users will continue to flock to the high-end medium format bodies, but full frame users would have more reasons than ever to choose a Fujifilm.
The post Why it’s time for Fujifilm to go full frame appeared first on EOSHD.com - Filmmaking Gear and Camera Reviews.
