❌

Normal view

Juan Leyrado. En la piel de un prócer

💾

Juan Leyrado. Después de indagar a fondo en la compleja personalidad del autor de Facundo, el actor lo trae al presente en la Sala Solidaridad del CCC. «Subo al escenario y soy Sarmiento», dice. Historia, prejuicios y postales de una Argentina en crisis.
Leé la nota completa en:
https://accion.coop/2026/05/13/cultura/de-cerca/subo-al-escenario-y-soy-sarmiento/

Tim Peake reads a father's letter to his astronaut son

💾

On April 9th, 1959, Malcolm Scott Carpenter was announced by NASA as being one of seven astronauts chosen for Project Mercury. At Cape Canaveral in Florida a year later, Carpenter boarded the Aurora 7 spacecraft and circled Earth three times. On the eve of his historic journey, Carpenter’s father, Marion, wrote him a letter.

None other than British astronaut Tim Peake joined us to read this poignant letter at an Earth Day edition of Letters Live in support of Greenpeace, at London's Royal Albert Hall.

© the Estate of M Scott Carpenter

Nuevo disco - ¨Febrero 2003¨ - Darío Eskenazi / Chango Spasiuk

💾

Hace 21 años, en un festival de jazz en Uruguay, sucedió un encuentro memorable entre Chango Spasiuk y Darío Eskenazi.
El acordeón y el piano se unieron en una fusión única de chamamé y jazz, dando vida a una música innovadora y emocionante.
Antes del regreso de Darío a Nueva York, ciudad donde vive, se reunieron en un estudio de grabación en la ciudad de Buenos Aires para plasmar la música que nació de ese encuentro.
La grabación fue realizada por el ingeniero Amilcar Gilabert una tarde de febrero del año 2003.
Este registro es un testimonio vivo de aquella fusión mágica, donde la improvisación y la creatividad se unieron para crear algo verdaderamente especial.
Disfruta de la música de estos dos grandes artistas, que siguen inspirando y emocionando a audiencias de todo el mundo."
============================================================
"21 years ago, at a jazz festival in Uruguay, a memorable encounter took place between Chango Spasiuk and Darío Eskenazi. The accordion and piano came together in a unique fusion of chamamé and jazz, giving life to an innovative and exciting music. Before Darío's return to New York, the city where he lives, they gathered at a recording studio in Buenos Aires to capture the music born from that encounter. The recording was made by engineer Amilcar Gilabert one afternoon in February 2003. This record is a living testament to that magical fusion, where improvisation and creativity came together to create something truly special. Enjoy the music of these two great artists, who continue to inspire and thrill audiences around the world."
============================================================
"Il y a 21 ans, dans un festival de jazz en Uruguay, un rencontre mémorable a eu lieu entre Chango Spasiuk et Darío Eskenazi. L'accordéon et le piano se sont unis dans une fusion unique de chamamé et de jazz, donnant vie à une musique innovante et excitante. Avant le retour de Darío à New York, la ville où il vit, ils se sont réunis dans un studio d'enregistrement à Buenos Aires pour capturer la musique née de cette rencontre. L'enregistrement a été réalisé par l'ingénieur Amilcar Gilabert un après-midi de février 2003. Ce disque est un témoignage vivant de cette fusion magique, où l'improvisation et la créativité se sont unies pour créer quelque chose de vraiment spécial. Profitez de la musique de ces deux grands artistes, qui continuent d'inspirer et de passionner les auditoires du monde entier."
============================================================
"Vor 21 Jahren fand auf einem Jazz-Festival in Uruguay ein unvergessliches Treffen zwischen Chango Spasiuk und Darío Eskenazi statt. Akkordeon und Klavier verschmolzen zu einer einzigartigen Fusion von Chamamé und Jazz, die zu einer innovativen und aufregenden Musik wurde. Bevor Darío nach New York zurückkehrte, wo er lebt, trafen sie sich in einem Tonstudio in Buenos Aires, um die Musik, die aus diesem Treffen entstand, festzuhalten. Die Aufnahme wurde von dem Ingenieur Amilcar Gilabert an einem Nachmittag im Februar 2003 gemacht. Diese Aufnahme ist ein lebendiges Zeugnis dieser magischen Fusion, bei der Improvisation und Kreativität zusammenkamen, um etwas wirklich Besonderes zu schaffen. Genießen Sie die Musik dieser beiden großen Künstler, die weiterhin Menschen auf der ganzen Welt inspirieren und begeistern."
============================================================
"Há 21 anos, em um festival de jazz no Uruguai, ocorreu um encontro inesquecível entre Chango Spasiuk e Darío Eskenazi. O acordeão e o piano se uniram em uma fusão única de chamamé e jazz, dando vida a uma música inovadora e emocionante. Antes de Darío retornar a Nova York, cidade onde vive, eles se reuniram em um estúdio de gravação em Buenos Aires para capturar a música que nasceu desse encontro. A gravação foi realizada pelo engenheiro Amilcar Gilabert em uma tarde de fevereiro de 2003. Este registro é um testemunho vivo dessa fusão mágica, onde a improvisação e a criatividade se uniram para criar algo verdadeiramente especial. Aproveite a música desses dois grandes artistas, que continuam a inspirar e emocionar públicos em todo o mundo."
============================================================
¨Febrero 2003¨
Darío Eskenazi – Piano
Chango Spasiuk – Acordeón

Producción Ejecutiva – Chango Spasiuk / Pynandi Music
Grabación de audio – Ing. Amilcar Gilabert
Mezcla y masterización – Nicola Carrara – Camarón Brujo Música
Diseño de tapa y piezas de comunicación – Francisco Spertino
Fotos y registros audiovisuales – Jeremías Vizcaíno

Managment Chango Spasiuk (Argentina y Sudamérica) – Daniel González
Managment Chango Spasiuk (Europa) – Sebastián Ettiene
Producción General Chango Spasiuk – Pablo R. Caputo

Grabado en la ciudad de Buenos Aires en 2003 – Estudios Circo Beat

Is a General Strike possible today? | Callum Cant and Matthew Lee

💾

The Future in Our Past tells the story of the 1926 General Strike on its centenary. In the book, Callum Cant and Matthew Lee take us on a journey through a Britain living on its nerves, from the London docklands to the South Wales coalfields and the railways and warehouses of middle England.
100 years later, they visited the communities where the struggle burned brightest, uncovering the lessons the General Strike holds for labour movements today.

The Future in our Past: The General Strike, 1926/2026 by Callum Cant and Matthew Lee is out now: https://www.versobooks.com/products/3483-the-future-in-our-past?utm_source=youtube&utm_medium=social&utm_campaign=may_day_26

Celebrate May Day with up to 40% off all books on our site until May 10th at 11:59pm ET: https://www.versobooks.com/blogs/news/site-wide-sale-celebrate-may-day-with-verso-up-to-40-off?utm_source=youtube&utm_medium=social&utm_campaign=may_day_26

Nuevo disco - ¨Febrero 2003¨ - Darío Eskenazi / Chango Spasiuk

💾

Hace 21 años, en un festival de jazz en Uruguay, sucedió un encuentro memorable entre Chango Spasiuk y Darío Eskenazi.
El acordeón y el piano se unieron en una fusión única de chamamé y jazz, dando vida a una música innovadora y emocionante.
Antes del regreso de Darío a Nueva York, ciudad donde vive, se reunieron en un estudio de grabación en la ciudad de Buenos Aires para plasmar la música que nació de ese encuentro.
La grabación fue realizada por el ingeniero Amilcar Gilabert una tarde de febrero del año 2003.
Este registro es un testimonio vivo de aquella fusión mágica, donde la improvisación y la creatividad se unieron para crear algo verdaderamente especial.
Disfruta de la música de estos dos grandes artistas, que siguen inspirando y emocionando a audiencias de todo el mundo."
============================================================
"21 years ago, at a jazz festival in Uruguay, a memorable encounter took place between Chango Spasiuk and Darío Eskenazi. The accordion and piano came together in a unique fusion of chamamé and jazz, giving life to an innovative and exciting music. Before Darío's return to New York, the city where he lives, they gathered at a recording studio in Buenos Aires to capture the music born from that encounter. The recording was made by engineer Amilcar Gilabert one afternoon in February 2003. This record is a living testament to that magical fusion, where improvisation and creativity came together to create something truly special. Enjoy the music of these two great artists, who continue to inspire and thrill audiences around the world."
============================================================
"Il y a 21 ans, dans un festival de jazz en Uruguay, un rencontre mémorable a eu lieu entre Chango Spasiuk et Darío Eskenazi. L'accordéon et le piano se sont unis dans une fusion unique de chamamé et de jazz, donnant vie à une musique innovante et excitante. Avant le retour de Darío à New York, la ville où il vit, ils se sont réunis dans un studio d'enregistrement à Buenos Aires pour capturer la musique née de cette rencontre. L'enregistrement a été réalisé par l'ingénieur Amilcar Gilabert un après-midi de février 2003. Ce disque est un témoignage vivant de cette fusion magique, où l'improvisation et la créativité se sont unies pour créer quelque chose de vraiment spécial. Profitez de la musique de ces deux grands artistes, qui continuent d'inspirer et de passionner les auditoires du monde entier."
============================================================
"Vor 21 Jahren fand auf einem Jazz-Festival in Uruguay ein unvergessliches Treffen zwischen Chango Spasiuk und Darío Eskenazi statt. Akkordeon und Klavier verschmolzen zu einer einzigartigen Fusion von Chamamé und Jazz, die zu einer innovativen und aufregenden Musik wurde. Bevor Darío nach New York zurückkehrte, wo er lebt, trafen sie sich in einem Tonstudio in Buenos Aires, um die Musik, die aus diesem Treffen entstand, festzuhalten. Die Aufnahme wurde von dem Ingenieur Amilcar Gilabert an einem Nachmittag im Februar 2003 gemacht. Diese Aufnahme ist ein lebendiges Zeugnis dieser magischen Fusion, bei der Improvisation und Kreativität zusammenkamen, um etwas wirklich Besonderes zu schaffen. Genießen Sie die Musik dieser beiden großen Künstler, die weiterhin Menschen auf der ganzen Welt inspirieren und begeistern."
============================================================
"Há 21 anos, em um festival de jazz no Uruguai, ocorreu um encontro inesquecível entre Chango Spasiuk e Darío Eskenazi. O acordeão e o piano se uniram em uma fusão única de chamamé e jazz, dando vida a uma música inovadora e emocionante. Antes de Darío retornar a Nova York, cidade onde vive, eles se reuniram em um estúdio de gravação em Buenos Aires para capturar a música que nasceu desse encontro. A gravação foi realizada pelo engenheiro Amilcar Gilabert em uma tarde de fevereiro de 2003. Este registro é um testemunho vivo dessa fusão mágica, onde a improvisação e a criatividade se uniram para criar algo verdadeiramente especial. Aproveite a música desses dois grandes artistas, que continuam a inspirar e emocionar públicos em todo o mundo."
============================================================
¨Febrero 2003¨
Darío Eskenazi – Piano
Chango Spasiuk – Acordeón

Producción Ejecutiva – Chango Spasiuk / Pynandi Music
Grabación de audio – Ing. Amilcar Gilabert
Mezcla y masterización – Nicola Carrara – Camarón Brujo Música
Diseño de tapa y piezas de comunicación – Francisco Spertino
Fotos y registros audiovisuales – Jeremías Vizcaíno

Managment Chango Spasiuk (Argentina y Sudamérica) – Daniel González
Managment Chango Spasiuk (Europa) – Sebastián Ettiene
Producción General Chango Spasiuk – Pablo R. Caputo

Grabado en la ciudad de Buenos Aires en 2003 – Estudios Circo Beat

Render Video with Transparent Background - Kdenlive Tutorial

💾

Kdenlive has built-in presets to render videos with alpha channels, so you can export projects with transparent backgrounds.
This is a good way to reuse assets without needing to keep image sequences.

► Support the channel: https://ko-fi.com/nuxttux

Chapters:
0:00 Opening

Download Kdenlive and Fritction
https://kdenlive.org/
https://friction.graphics/
=============================
#kdenlive #Nuxttux #transparentbackground
=============================
Subscribe for more content
=============================
Where to find me:
Website: https://www.nuxttux.com/

Seestar S30 Pro - Bonus Editing Video. Astro Landscape Images

💾

In this extra bonus editing video I'll be demonstrating an alternate method of producing a starless image in Siril that gives me high quality files to do further editing in Photoshop.
#seestar.official

Buy Seestar here: https://www.seestar.com/?utm_campaign=NIGHTSCAPEIMAGES&utm_medium=NIGHTSCAPEIMAGES&utm_source=NIGHTSCAPEIMAGES

Direct Paypal Payment Link: https://paypal.me/nightscapeimages?locale.x=en_AU

Website: https://www.nightscapeimages.com.au/
Facebook: https://www.facebook.com/nightscapeimages/
Instagram: https://www.instagram.com/nightscapeimages/

Equipment I use:

Photography
Nikon Z6ii https://amzn.to/2UXHY7y
Nikon Z6 https://amzn.to/2LWpSvH
Nikon 20mm f1.8S https://amzn.to/3rk5aJj
Nikon 14-24 f2.8S https://amzn.to/3Phg0dN
Nikon 24-70 f4S https://amzn.to/2EkWZF0
Nikon 35mm f1.8S https://amzn.to/36GTVkX
Nikon 50mm f1.8S https://amzn.to/36J7twe
Laowa 15mm f2 https://amzn.to/3SFpoKZ
Sirui W2204 Tripod https://amzn.to/2YTg2Qf
Yongnuo RF603nii remote triggers https://amzn.to/35ppbCD
DJI Air 2 S Drone https://amzn.to/3xRiGqk
Yongnuo Flash https://amzn.to/2qUaYyH
Yongnuo Flash 2 https://amzn.to/35pqNMF
LED Lenser P7.2 torch https://amzn.to/34l2rlV
Z96 continuous light https://amzn.to/2LYYey6
Ulanzi VL49 Led RGB Panel https://amzn.to/3QCBbIk
Sky Watcher Star Adventurer https://amzn.to/35qf68G
Lens Heater https://amzn.to/3C1GoVQ
Zeapon PONS Pan/Tilt https://www.amazon.com/dp/B0D35MVX89
Zeapon Micro3 Timelapse Slider: https://www.amazon.com/dp/B0D35L5B4K
Zeapon Micro4: E500 https://amzn.to/4hiuGaP
Zeapon Micro4: E700 https://amzn.to/40mxddd
Zeapon Micro4: E1000 https://amzn.to/4hh2Lb6
Nitecore Sony USB Battery Charger https://amzn.to/3Qh2FU5
MSM Nomad Tracker 5% Discount Code NIGHTSCAPE IMAGES through the MSM website. https://www.moveshootmove.com/?aff=368


Video Equipment:
Sony A7siii https://amzn.to/3z7LZ8q
Sony 20mm f1.8 G https://amzn.to/3Bc9sam
Sony 24mm f1.4 GM https://amzn.to/3xMTMYY
Tamron 28-75 f2.8 Sony https://amzn.to/3es44Gw
Tamron 28-200 Sony https://amzn.to/3zeqtz1
DJI Osmo Pocket 3 Combo Kit https://amzn.to/3QYSjuk
Z96 video lights https://amzn.to/2LYYey6
Yongnuo YN300 video lights https://amzn.to/2qTfU6V
Rode Wireless Go ii Radio Microphones https://amzn.to/3wROry9
Magmod Flash Modifiers https://amzn.to/2ElgBZD

As an Amazon Associate I earn from qualifying purchases. I earn a very small commission on the above links if you decide to purchase the item. This commission slowly adds up and greatly helps me to continue creating content for this channel. I very much appreciate your support!

Sennheiser Evolution Microphones - e835, e935, e945, and e965

💾

In this week’s episode we compare several microphones from the Sennheiser evolution lineup. These mics aren’t new releases, but they are new to us and we want to see how they perform in dialogue recording and podcasting/livestreaming setups. We’ll listen to samples from the e835, e935, e945, and e965 before discussing the similarities and differences we found between them. Let’s take a closer look and listen!

If you’d like to learn how to make great dialogue audio for your film and video projects, please have a look at my courses including processing dialogue audio in Adobe Audition and DaVinci Resolve/Fairlight, recording sound, how to use the Zoom F4, F6, F8, and F8n, and how to get the most from the Sound Devices MixPre series of recorders. Our latest courses cover Sound for Live Streaming with the ATEM Mini and an Intro to Izotope RX. See https://school.learnlightandsound.com for more info!

Support my work creating videos by donating at Ko-Fi.com: http://ko-fi.com/curtisjudd

Gear used or mentioned in this episode (the links below are Amazon.com, B&H Photo, Sweetwater, or other affiliate links. As an affiliate, I earn from qualifying purchases):

- Sennheiser e835 dynamic microphone - https://geni.us/z5xMq
- Sennheiser e935 dynamic microphone - https://geni.us/nuYR50
- Sennheiser e945 dynamic microphone - https://geni.us/LnW2L
- Sennheiser e965 condenser microphone - https://geni.us/iHRl
- Sound Devices MixPre-3 II 32-bit float audio recorder — https://geni.us/O8e0
- Impact Turtle-Base C-Stands — https://geni.us/8a8tt
- Aputure Light Dome III Softbox — https://geni.us/AVHU1p
- Rosco Prismatic Glass Gobo in Cool Lavender — https://geni.us/GWKt
- Canon C70 Cinema Camera — https://geni.us/ABYB
- Canon RF 24-70 f/2.8 lens — https://geni.us/qwsEs
- Panasonic GH5 camera — https://geni.us/InspOl
- Panasonic 12-35mm f/2.8 II lens — https://geni.us/gr47

Copyright 2026, Curtis Judd

#sennheiser #evolution #microphone

Index
00:00 What are the e-Series mics?
00:10 A word from our sponsors
00:32 Our approach to the e-Series mics
01:08 Audio samples
01:42 e835
02:47 e935
03:28 e945
04:33 e965
06:39 Compare to each other
07:09 Please buy my courses!

converti uma Honda CG TITAN em ELÉTRICA

💾

CONVERTI MINHA CG TITAN EM ELÉTRICA! 🏍️⚡
É isso mesmo que você ouviu! Peguei uma Honda CG Titan 125 e transformei numa moto 100% elétrica.

Nesse vídeo te mostro:
✅ Motor, bateria e controlador que usei
✅ Autonomia real e velocidade máxima
✅ Como foi o processo de conversão passo a passo

Bora de moto silenciosa e sem gastar com gasolina!
Comenta aí: você teria coragem de eletrificar sua moto?

#CGTitan #MotoElétrica #ConversãoElétrica #HondaCG #ProjetoDIY

vou deixar abaixo os produtos mencionados no vídeo.
contato do vendedor da bateria Danilo beco Diagonal
https://Wa.me/5511910419497

contato do vendedor do motor metal gold
Wa.me/55 31 9948-9017
site Metal gold
https://www.metalgold.com.br/
ou compre pela shope.ee
motor
https://s.shopee.com.br/4fskNCL6oM
controladora
https://s.shopee.com.br/5q4hleioDX
painel
https://s.shopee.com.br/9Uy08jMMpy

conheça os produtos boxer
Boxersoldas.com.br

mig 0 a melhor máquina de solda sem gás
https://meli.la/2ni5Lkg
arame solda sem gás
https://s.shopee.com.br/8fOt9VdrbD

conheça os produtos Bluetti e compre com nosso cupom para ter 5%de desconto
BLUETTI BR: Estação de Energia Portátil, Kit de Gerador Solar https://share.google/WFi76s7rix281P5LI

marcador de precisão
https://canal-pox-tutoriais.lojaintegrada.com.br/?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAb21jcARhbIdleHRuA2FlbQIxMQBzcnRjBmFwcF9pZA81NjcwNjczNDMzNTI0MjcAAaeWWDOZfwD6sPi210gAGtnWtM9KVcbT0afKOpM9pI40ErWJ-V3Hm2Ewc61G3w_aem_EPmosGkqq3DZofUkgvuP4w


Nossas redes sociais

Youtube https://youtube.com/@metalprojetos?si=lzKdlbprJeD2itJ6

Facebook https://www.facebook.com/share/UUdpiuxrsSQLdqLt/?mibextid=qi2Omg

Instagram https://www.instagram.com/metalprojetos?igsh=YzVoYnF1bDMxa2Fz

Tiktok https://www.tiktok.com/@metalprojetos?_t=8pw4TcDFAX8&_r=1

Kwai https://k.kwai.com/u/@metalprojetosoficial/kTRCeiXV

e-mail de contato para patrocinadores
contatosmetalprojetos@gmail.com

It Took Me Years to Find This Machine… Now What?

💾

Big thanks to Bambu Lab for supporting the channel — check out their printers here: https://dada.link/ia28Zl

I’ve been looking for one of these for a couple of years and when this 1957 Kuhlmann pantograph finally turned up, it definitely needed some attention.
In this video I go through the process of bringing it back to life — cleaning, repairing, and getting it working the way it should. It’s a really interesting machine, almost like a manual CNC, and now that it’s set up properly it’s incredibly satisfying to use.

Hope you enjoy the process

#bambulab
As always I'm happy to answer any questions.

If you would like to support this channel you can do so here
https://www.patreon.com/PaskMakes

You can also help me out by purchasing one of my shirts, you can find them here https://paskmakes.threadless.com

Check out my new website
http://paskmakes.com/

Check out my Instagram to see more of my work https://www.instagram.com/paskmakes/

Also you can check out my photography at my website (nothing to do with making but you may be interested in what I do) http://www.neilpaskinphotography.com
My email can be found in the about section of this channel.

For real mail,

Pask Makes
P.O BOX 768
Yandina
Queensland
4561
Australia

NÃO CONSEGUI comer a COMIDA, mas descobri o "SEGREDO" da SEGURANÇA na China

💾

Por que a China é tão segura?
Na cidade dos pandas eu descobri a verdade.
Curso de mandarim completo: https://mestresdomandarim.com.br

Se inscreva no canal: https://www.youtube.com/channel/UCprD...

Quem sou eu?
Karina Cunha é tradutora profissional e professora de mandarim. Com 15 anos de vivência na China, adquiriu nível máximo (6) no teste HSK. Voltou para o Brasil em 2012 após se formar em administração e desde então trabalha diariamente em contato com a língua chinesa.

Contato:
E-mail: dominandoomandarim@gmail.com
Instagram: https://www.instagram.com/dominandoomandarim/

April Highlights

April is behind us - here's a look back at some of the conversations we've had this month on The TLS Podcast.


We hear from Fiona Stafford on encounters with remarkable trees, Emily Herring on why we should all slow down a little, Emma Smith on how Shakespeare scholarship wrestles with the gaps in what we know, and Sara Wheeler on the monumental task of becoming Jan Morris’s biographer.


Produced by Charlotte Pardy


Hosted on Acast. See acast.com/privacy for more information.

💾

Now & Then with Robert Saunders: The General Strike @100

In today’s episode David talks to historian Robert Saunders about the meaning of Britain’s one and (so far) only general strike on its hundredth anniversary. Was the strike a revolutionary event or an industrial dispute gone wrong? Who won and who lost the battle of ideas? Did it reveal something distinctive about Britain and its politics? Was this a divided nation or one that had more in common than it realised?

Join us at the Cheltenham Science Festival on Wednesday 3rd June for a live recording of the podcast with David in conversation with Jimmy Wales, founder of Wikipedia, to talk about trust, democracy and knowledge in a divided world. Tickets available now https://www.cheltenhamfestivals.org/events/the-politics-of-trust-lessons-from-wikipedia

You can find out everything you need to know about this podcast – who we are, what we do, plus merch, events and full lists of all episodes and PPF+ bonus episodes on our website https://www.ppfideas.com

Next time: The General Strike @100 Part Two - The Legacy

Learn more about your ad choices. Visit podcastchoices.com/adchoices

💾

Block Format Bridge: A Practical Solution for AI-Generated Content in WordPress

Chris Huber, developer at Automattic, released Block Format Bridge, an open-source plugin that addresses one of the more persistent friction points in AI-assisted WordPress workflows: getting AI-generated content into the block editor reliably.

The plugin takes a pragmatic approach. Block markup is notoriously difficult for AI to produce correctly — not because AI models lack capability, but because of how the format works. As Dennis Snell explained back in 2017 in his still-essential post Gutenberg posts aren’t HTML, a Gutenberg post is a serialized tree structure that happens to be stored as HTML with JSON-carrying comment delimiters. It was never designed to be written by hand — or by an AI inferring its way through a save() function it can’t actually execute. The result, for anyone building publishing automations, REST API integrations, or agent workflows that call wp_insert_post(), is a familiar failure mode: content that saves fine, then opens in the editor with invalid blocks or silently falls back to the classic editor.

Even a block as common as a styled quote illustrates the problem:

The generated HTML should be treated as throwaway code.

Dennis Snell
JSON
<!-- wp:quote {"className":"is-style-large"} -->
<blockquote class="wp-block-quote is-style-large">
    <p>The generated HTML should be treated as throwaway code.</p>
    <cite>Dennis Snell</cite>
</blockquote>
<!-- /wp:quote -->

The className attribute in the comment has to match the class on the HTML element. The cite tag must follow the exact structure the block’s save() function produces. Get either wrong and the block is invalid — and with more complex blocks like wp:cover or wp:columns, the surface area for errors grows considerably.

HTML to Blocks converter and vice versa

Block Format Bridge sidesteps the problem by letting AI output what it does well — Markdown or plain HTML — and handling the conversion to block markup server-side, using established PHP libraries. It builds on chubes4/html-to-blocks-converter for the write side, WordPress core’s do_blocks() for rendering, and league/commonmark and league/html-to-markdown for Markdown support.

The core API is compact and readable:

JSON
/ Markdown → blocks
$blocks = bfb_convert( "# Hello\n\nSome content here.", 'markdown', 'blocks' );

/ HTML → blocks
$blocks = bfb_convert( '<h1>Hello</h1><p>Some content here.</p>', 'html', 'blocks' );

/ Blocks → Markdown (for reading back to AI)
$md = bfb_render_post( $post_id, 'markdown' );

It also adds a ?content_format= query parameter to the REST API, so AI agents can fetch existing post content as Markdown — not raw block markup — which makes edit workflows considerably more reliable.

The architecture is extensible. New formats can be added by registering a new adapter without touching the core bridge, and the bfb_default_format filter lets you declare that a custom post type writes in Markdown by default, so any code path calling wp_insert_post() gets the same conversion behavior automatically.

Does This Need a Skill?

After sharing an early draft of this post with Chris Huber, he offered a perspective worth sitting with: this plugin is designed to eliminate a skill rather than add one.

When Block Format Bridge is bundled as a dependency and the system prompt simply instructs the agent to insert post content as Markdown, the AI doesn’t need to know the plugin exists at all. A single line — “post content should be inserted as Markdown” — is enough. The conversion happens automatically, invisibly, in PHP. The complexity disappears into infrastructure rather than into instructions.

That’s a different philosophy from agent-skills, which is about making AI aware of patterns and tools. The more elegant approach here is the opposite: good tooling that makes the AI less aware, not more. An end user of a plugin built on top of Block Format Bridge would never know it exists — they’d just see valid blocks in the editor.

A skill may still have a role for developers who don’t control the system prompt and need to guide agent behavior through other means. But for anyone building AI-powered WordPress plugins or automations, the cleaner pattern is to bundle the plugin, set the default format, and let the infrastructure do its job.

A draft skill is available below for those who do want to experiment with the agent-skills approach.

A draft skill can be downloaded to use the Block Format Bridge .

🐲 All is still a work in progress so there might be dragons

As a small footnote, this post was drafted with AI assistance and had to be converted to blocks before I could edit it. —which felt fitting given the subject

Future of AI in Ubuntu: Thoughtful Integration via Snap

Canonical is bringing thoughtful, local-first AI to Ubuntu – enhancing accessibility, enabling intelligent agents, and keeping user privacy and open source values at the core. As we move through 2026, large language models (LLMs) and AI tools have become ubiquitous across the tech industry. Adoption varies widely – some projects dive in headfirst, while others...

The post Future of AI in Ubuntu: Thoughtful Integration via Snap appeared first on DebugPoint.com. Do not reproduce this post without permission.

darktable ep 166 - Fixing colour shifts in old prints

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#darktable #tutorial #restoration
In this episode, we look at how you might correct for colour shifts in old photographic prints.

00:00 start
00:24 intro
00:53 funeral
01:30 image 1
06:43 image 2
08:43 image 3
10:50 more videos like this

As always, thanks to William Justice for his youtube chapter generator!
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Pesquisa revela sons das periferias como alternativa à mesmice do algoritmo

Talvez a maior mentira do algoritmo seja chamar de descoberta aquilo que a rua já sabia cantar faz tempo. O gosto, no Brasil, não nasce primeiro na playlist ou na trend do momento. Ele nasce nos paredões, nos chamados "médios graves" pelo Filho do Piseiro, nas festas de bar ou até na JBL do ambulante no ponto de ônibus. Antes de virar recomendação no Spotify, a música precisa atravessar a vida. Leia mais (05/01/2026 - 19h30)
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